Tarja & Broba - The Story

Afrobeats, reggae-pop, glitch-hop, breakcore

An energetic dance/rave track from the 2000s with a powerful, continuous four-on-the-floor beat and a driving, pulsating synth bassline, The sound is reminiscent of classic Eurodance but has a more modern, driving club finish, typical of the 2000s, The lead instruments are cello and double bass, Driving arpeggios, broad trance pads, and distinctive lead synths create a hypnotic, euphoric soundscape, The minor key conveys a blend of urgency and dancefloor intensity, The female lead vocals are clear, present, slightly reverberant, and further enhanced by rhythmic delay decays, Typical stylistic elements of the 2000s, such as sidechain pads, filter sweeps, risers, and short vocal chops, create tension before each drop, The mix is ​​loud, clear, bass-heavy, and club-ready, with a focus on punch and catchy melodies, Professional studio production, vocals, and spoken word

The track combines Afrobeats polyrhythms and reggae-pop guitar with a syncopated, bouncy bassline; crisp R&B-rap verses are sung alternately by two women, The first voice is mezzo-soprano and the second soprano, weaving together glitch-hop bursts and distorted vocal chops, Breakcore fills erupt in the drop, with complex rhythms and swirling, multi-layered harmonies in the final chorus, where both female voices sing in duet

feel: ironic orchestral punk rock about cursed computers; tight verses, explosive choruses, tech rage turned anthem, meter: 4/4 - 176 bpm, key: e minor, instruments: double-tracked electric guitars (intro riff + wide chorus chords), electric bass (down-picked), drum kit (punchy kick-snare, 8th hats, tom fills), orchestral strings (runs, stabs, cello glue), trombone hits, piano stabs, handclaps, small gang shouts, voices: tarja female soprano lead (light highlands lilt - lightly rolled r (ɾ) - open a=ah), from sarcastic to full belt in choruses; young british female co-lead broba (talk-rap + sung lines, warm voice), language: english, youth slang, arrangement: guitar+drum riff intro -> v1 tarja -> pre -> chorus -> v2 broba -> pre -> chorus -> bridge linux vs windows call-response -> strings breakdown [band tacet 1 bar][voice pickup] -> final double chorus (key lift +2, ad-libs) -> guitar+orchestra outro, production: vocals & guitars forward; drums dry-punchy; strings crisp, short room, ‑edm risers, ‑heavy synth leads, ‑hard auto-tune effects, ‑trap hat rolls, ‑dubstep drops, ‑pop vocal chops, ‑big sub drops, ‑cinematic trailer booms, ‑crowd fx samples, ‑glock-chimes, ‑cheesy choir pads, ‑harsh brickwall limiting

feel: german/english singer-songwriter pop with light nordic touch; groovy, warm, playful, like "morning routine" but beauty-duet chaos, meter: 4/4, around 112 bpm, key: g major, instruments: acoustic guitar (strum + small licks), 5-string banjo (picking hooks), warm electric bass, soft drumkit (sidestick in verses, fuller backbeat in chorus), handclaps in pre/chorus, soft piano chords, small cello hooks, gentle shaker, voices: lead 1 tar-ya - classical soprano, light highlands lilt, lightly rolled r (ɾ), open a=ah; lead 2 broba - mezzo-soprano, slight british colour, verses alternating solo, pre-chorus call/response, choruses in harmony, language: english with casual youth slang, everyday beauty-store talk, arrangement: guitar/banjo+piano intro -> v1 tar-ya -> v2 broba -> pre both -> chorus -> v3 -> v4 -> pre -> double chorus -> short la-la outro, production: vocals close, little reverb; guitar/banjo centre, drums soft, short plate on voices

An R&B and hip-hop track in a playful girl-rap style, infused with Christmas melodies and bells, The song features two female rappers with clear, rhythmic delivery and distinct alternate female vocals, The instrumentation includes a striking, driving, hard drumbeat with a powerful kick and snare, a deep bassline, and a cello melody accompanied by piano, creating a festive, Christmassy atmosphere, Subtle synth pads and occasional sound effects underscore the playful character, The song follows the typical verse-chorus structure, The moderate tempo and major key contribute to the lighthearted mood, The studio production is professional, voices: lead 1 "tar-ya" - classical soprano, light highlands lilt, lightly rolled r (ɾ), open a=ah; lead 2 "broba" - mezzo-soprano, slight british colour; verses alternating solo, bridge call/response, choruses in harmony

feel: cozy christmas chamber folk-pop / singer-songwriter; warm, intimate, lightly cheeky, meter: 4/4 - 92 bpm, key: D major (soft minor bridge, final chorus lift +1), instruments: acoustic guitar fingerpicking, soft piano, cello lead (melody + 8-bar solo), tagelharpa drone (intro/outro), upright bass, brushed drum kit (rim in verses, slightly open hats in chorus), light sleigh bells (chorus), glockenspiel sparkles, shaker, subtle strings pad (final chorus), voices: female soprano lead (light highlands lilt, lightly rolled r (ɾ), open a=ah), verses conversational, chorus clear singalong with small harmonies, occasional doubled hook lines, language: german, arrangement: intro -> v1 -> pre -> ch -> v2 -> pre -> ch -> cello solo -> bridge hush -> v3 -> final double ch (lift) -> outro, production: vocals upfront, drums dry, guitars warm, cello slightly forward, short warm reverb, ‑heavy autotune, ‑rap verses, ‑trap hi-hats, ‑edm drop, ‑dubstep bass, ‑harsh distortion, ‑metal drums, ‑aggressive synth leads, ‑big choir walls, ‑comedy novelty voices, ‑crowd chants

A playful R&B/hip-hop track in the girl-rap style with chimes and festive piano chords interwoven over steady kick, snare, and deep bass, Cello lines provide warmth beneath gentle synth pads, Broba's mezzo-soprano delivers catchy harmonized verses and choruses, The bridge features intimate textures, sustaining vibrancy and a major key sparkle at a moderate tempo

A German R&B and hip-hop track in a playful battle rap style with subtle christmas bells, The song features a female rapper girl with a clear, rhythmic delivery and a sexy mezzo-soprano, punky vocal timbre, slight british colour, The instrumentation includes a distinctive, driving, hard drumbeat with a powerful kick and snare, a deep bassline, and a melody that creates a festive, almost Christmassy atmosphere infused with Christmas melodies and bells, Subtle synth pads and occasional sound effects underscore the playful character, The song follows the typical verse-chorus structure, The moderate tempo and major key contribute to the carefree mood, The production is clean and balanced, with a good balance between vocals and instruments, The mix emphasizes the clarity of the vocals and the punchy drum beat

Gentle singer-songwriter/chamber folk pop anthem with gospel and R&B influences; warm, hopeful, inviting, meter: 4/4 - 88 bpm, key: d major (soft minor bridge, final chorus lift +1), instruments: acoustic guitar fingerpicking, soft piano, cello lead (melody + 8-bar feature), tagelharpa drone (intro/outro), upright bass, brushed drum kit (very light), glockenspiel sparkles, subtle bells (chorus only), soft strings pad (final chorus), voices: two female voices, first female is a soprano lead (light highlands lilt - lightly rolled r (ɾ) - open a=ah) sings lead, second is a mezzo-soprano sexy female voice; chorus: female gospel choir (warm, wide, gentle call-and-response), language: english and german phrases, arrangement: intro -> v1 -> gospel chorus -> v2 -> gospel chorus -> cello feature -> bridge multilingual hush -> final double gospel chorus (lift) -> outro hum, production: vocals upfront, short warm reverb, choir wide, cello slightly forward, ‑heavy autotune, ‑rap verses, ‑trap hi-h

Live performed Song, subtle crowd chants, Gentle singer-songwriter/chamber folk pop anthem with call and response and spoken or shout parts, The crowd sings all verses in background and claps to the beat all along the song

R&B, hip-hop, playful battle rap style