By My Side Series - Jasmine Nieto

Latin reggaetón/Latin pop track, about 100–104 BPM, inspired by J Balvin’s “Mi Gente, ” Strong dembow reggaetón rhythm with deep kick and snappy snare, rolling hi-hats, playful synth stabs, and bright horns or plucked guitar accents, Energetic but family-friendly, fun and danceable, with room for call-and-response vocals in both English and Spanish, Uplifting, celebratory, perfect for kids and families dancing together, Instrumental only, no vocals, Length: 1:00–1:30

Hip-hop bounce beat, about 96–100 BPM, inspired by Kendrick Lamar’s “Not Like Us” but kid-friendly, Heavy 808 bass, punchy kick and clap, west-coast bounce rhythm with hi-hat rolls, Keep it energetic and chant-ready, with space for call-and-response vocals, Add playful elements (hand claps, whistles, light synth stabs) to make it family-friendly without losing the hype, Instrumental only, no vocals, Length: 1:00–1:30

K-pop dance pop track, about 120 BPM, bubbly and playful energy, Bright synth chords, funky bassline, crisp upbeat drums with claps and hi-hats, Style should feel cheerful, colorful, and family-friend

Playful reggaetón/Latin urban track, about 104–106 BPM, inspired by Bad Bunny’s “Tití Me Preguntó” but family-friendly, Bouncy dembow rhythm with deep 808 kick, snappy snare, and rolling hi-hats, Add bright synth stabs, plucked guitar, and playful vocal chops (no lyrics), Energetic, fun, and bilingual-friendly, with space for call-and-response chants like “ti ti a mi lado” and “By My Side, ” Perfect for kids and families dancing together, Instrumental only, no vocals, Length: 1:00–1:30

Upbeat toddler techno track, about 128 BPM, inspired by Lenny Pearce “Mumma Dadda, ” Fun EDM beat with bouncy kick drum, claps, and playful synth melodies, Include silly sound effects like baby vocal chops, toy-like xylophone tones, and whooshes, Bright, cheerful, and danceable, with high-energy drops and call-and-response sections, Family-friendly, kid-dance-party vibe, Instrumental only, no vocals, Length: 1:00–1:30

Upbeat toddler techno track, about 126–128 BPM, inspired by Lenny Pearce’s “Shake Them Sillies Out, ” Playful EDM beat with big kicks, claps, and bright hi-hats, Add toy-like synths, xylophone bells, silly sound effects, and energetic buildups, Fun, bouncy, and family-friendly — perfect for a kids’ dance party and singalong, Structure with short intro, big chorus, fun drop, then repeat chorus, Instrumental only, no vocals, Length: 1:00–1:20

Haunting lullaby instrumental in a minor key, about 70 BPM, Soft children’s choir, eerie strings, and delicate piano layered with music box tones, Dark, mystical, and ethereal atmosphere, like a fairytale lullaby from a fantasy film, Slow, flowing, with a gentle build and an emotional, chilling ending, Instrumental only, no vocals, Length: 1:00–1:30

High-energy Caribbean party track, about 130 BPM, Driving conga and steel drum rhythm, bright whistles, funky bass, and crowd chants, Call-and-response style, playful and bouncy, with big percussion hits and space for shouting names, Upbeat, fun, and festive — perfect for a dog-themed party anthem, Instrumental only, no vocals

High-energy toddler techno track, about 125–128 BPM, inspired by Lenny Pearce’s “Excavator, ” Big EDM beat with bouncy kick drum, claps, and playful synths, Add toy percussion, silly sound effects, and bright drops, Call-and-response structure with space for chanting words like “Reader! Reader!” Fun, family-friendly, and perfect for kids’ dance parties, Instrumental only, no vocals, Length: 1:00–1:20

Strong female alto, Short instrumental intro, Lyrics enter almost immediately, Dreamy K-pop ballad instrumental, about 100–105 BPM, Emotional and uplifting with soft piano intro, shimmering synth pads, light acoustic guitar, and warm strings, Build gently in the intro (8 seconds), then soar into a powerful, anthemic chorus with layered drums, wide synths, and big string swells, Playful yet heartfelt, family-friendly atmosphere, perfect for a heartfelt animated movie montage, Instrumental only, no vocals, Length: 1:00–1:30

Warm, family-friendly acoustic swing track in the style of Randy Newman’s “You’ve Got a Friend in Me, ” Playful upright piano, acoustic guitar strums, light jazz drums with brushes, upright bass, and a touch of clarinet or harmonica, Tempo around 92 BPM, relaxed swing feel, Whimsical, heartwarming, nostalgic — perfect for a Pixar-style children’s song, Instrumental only, no vocals, Heavy on clarinet

Latin pop / reggaetón crossover track, about 100–102 BPM, inspired by Shakira’s “Hips Don’t Lie, ” Energetic acoustic guitar riffs, reggaetón dembow rhythm, playful brass hits, and light Latin percussion (congas, bongos, shakers), Upbeat, fun, and danceable, with space for call-and-response English choruses and a Spanish rap verse, Family-friendly, celebratory atmosphere perfect for kids and parents dancing together, Instrumental only, no vocals, Length: 1:00–1:30

Emotional piano-driven pop ballad, about 76–80 BPM, inspired by Reneé Rapp’s “I Think I Like You Better When You’re Gone, ” Soft piano chords, warm pads, and minimal percussion in the verses, Build into soaring choruses with layered strings, deep bass, and ambient reverb, Emotional, heartfelt, and cinematic, with a moody yet hopeful tone — perfect for lyrics about family, love, loyalty, and acceptance of change, Strong female vocals, Length: 1:00–1:30

90s/2000s teen pop track, about 95–100 BPM, inspired by blonde pop star’s ’ “Oops!… I Did It Again, ” Bright synth hooks, punchy dance-pop drums, funky bassline, and dreamy pads, Playful, dramatic, and catchy with a fun, family-friendly vibe, Include space for spoken bridge moments and soaring chorus sections, Instrumental only, no vocals, Length: 1:00–1:30

Playful pop track, about 104–108 BPM, inspired by Sabrina Carpenter’s “House Tour, ” Bright piano chords, groovy bassline, light funk guitar, and sassy pop drums, Cheeky, conversational tone with room for talk-singing verses and a catchy, bouncing chorus, Fun, flirty energy but rewritten as family-friendly, with space for lyrical reveals and pauses, Instrumental only, no vocals, Length: 1:00–1:30

A heartwarming famous children’s animation franchise style song called “The Story of a Showbaby, ” Sung from the perspective of Weasley the chiweenie dog, with playful, loyal energy and tender emotion, The song should sound cinematic and family-friendly—think “We Don’t Talk About Bruno” meets “You’ve Got a Friend in Me”, Include gentle dog barks and baby coos as background sound cues, Blend acoustic pop and soft orchestral elements, Mood keywords: warm, loving, nostalgic, magical, loyal, family bond, gentle humor, animated film energy, Tempo: mid-tempo pop ballad, Voices: • Main: soulful MALE with “dog” personality (Weasley) • Background: soft female harmonies (Bella / Mom) • FX: baby coos and soft puppy barks

Emotional cinematic ballad inspired by Adele’s “Hello, ” Song title: “Hello (Mommy)” by Jasmine Nieto, Slow 6/8 tempo, piano and strings, same key and rhythm feel as Adele’s Hello but original melody, Sung by a single raspy, emotional young male voice filled with longing and hope, Theme: NICU journey and reunion, heartfelt lullaby tone, cinematic mix, gentle reverb, deep emotion

Soulful gospel piano ballad inspired by artist whose name rhymes with “Uno Cars’ “When I Was Your Man, ” Title: “Let Me Hold Your Hand” by Jasmine Nieto, Sung by a rich, soulful Black woman with warmth and pain in her voice, addressing her sister and unborn baby, Slow 6/8 tempo, emotional build, heartfelt harmonies, light organ and strings, Theme: faith, survival, sisterhood, maternal love, and coming home

Emotional ballad with warm Hispanic + Caribbean influences, Female vocal lead with soulful harmonies, Gentle guitar, light percussion, Include spelled-out chant in chorus: “D-O-U-L-A… F-O-R… Y-O-U” with rhythm like the Mickey Mouse name-spell, Theme: Jasmine and Alejandro supported by midwife Kim and doula Quay with love, culture, and calm strength

Early-2000s boy-band pop in the style of a band that’s name is an acronym that sounds like being in sync with one another, Bright harmonies, energetic beat, acoustic guitar + synth pads, Playful, clean, comedic tone, Song about a pregnant woman whose Apple Watch says her heart’s too fast; cardiologist is confused, Include repeated chorus line: “We’re all stumped, PHEW!” Fun ad-libs, layered male vocals, boy-band vibe

Upbeat comedic song with Muppets-style “mah-na-mah-na” scatting, playful percussion, and silly ensemble harmonies, Female lead with group call-and-response, Story: a prenatal visit turns serious when resting heart rate is 140, Chorus must sing: “We’ll change the plan, Triage at Big Duke! We’ll change the plan, need to induce! We’ll change the plan, no midwives with you, Or doctors that you knew, Oh and due date will change too—boo hoo hoo!” Keep music bright and goofy while lyrics feel anxious

I’m Here to Stay” — Paolo’s Arrival Song (Broadway style — child singing) 🎶 Intro — soft fiddle, gentle plucked strings (Child voice, sleepy and sweet) Mmm… hi Mama… hi Papa… Guess who decided to come early…? Me, ⸻ 🎵 Verse (child singing, tender + lil’ playful): I heard your hearts calling, So I hurried along, From the quiet warm dark To the bright world of song, Your hands were both waiting, Your eyes full of light— I came tumbling earthside In the middle of the night, ⸻ 🌅 Chorus — big Broadway sunrise lift Oh, what a beautiful morn’— well… (spoken aside, childlike) …it’s the middle of the night, but technically it’s 12:57 a, m, so it counts as morning, right? Oh, what a beautiful day, Because I can finally say— I’m here with you And Papa too, And I’m here to staaay! (held note, soft vibrato like a child onstage trying their best) ⸻ 🎵 Short Outro — hush of strings (Child, whisper-singing) Mama, Papa… I made it, Your Paolo’s here today, I’m here to stay

Style: 90s R&B / Lauryn Hill emotional soul / Whitney Houston warmth / Salt-and-Pepper groove, Smooth bass, gentle kick, warm Rhodes piano, soft harmonies, male + female voices trading lines, Child-friendly, uplifting, heartfelt, Include soulful ad-libs, a Lauryn Hill–style “OooOOOHHH-HIIIIIIII” belt in the bridge, and a warm, cinematic ending, VOCALS: • Female lead: rich, soulful, Lauryn-Hill-meets-Whitney tone • Male lead: warm R&B baritone • Background harmonies: layered 90s R&B style • Energy: heartfelt but joyful, emotional swells, big chorus Make sure all instances of Mama are changed to “Mommy” in lyrics

Warm nostalgic Ben Rector–style ballad with piano, acoustic guitar, soft drums, and a smooth melodic saxophone solo, Male and female vocals, friendly and heartfelt, Include spoken conversational Ben Rector–style moments, Kid-friendly, Uplifting, emotional, joyful, References to Aunt La-La, Mommy, goddaughter Brooklyn, her brother Coop, and the pink iPhone 3 in the OtterBox, Themes of chosen family, friendship, support, and meeting baby Paolo, Bright “Joy” and “Sunday Morning” energy

(Bilingual salsa/merengue/bachata fusion) Style & Production: Emotional, family-centered Latin fusion song, Smooth salsa intro, uplifting merengue pre-chorus/chorus, and warm romantic bachata guitar in verse 2 and outro, Use bright percussion (congas, güiro, timbales, tambora), soft horns, warm bass, and expressive acoustic guitar, Bilingual vocals (English lead with Spanish ad-libs), Soulful tone filled with tenderness, gratitude, and family devotion, Gentle harmonies throughout, No explicit artist references, Musical flow: – Start with a soft salsa intro (warm piano montuno + light percussion), – Move to energetic, upbeat merengue for the pre-chorus and chorus, – Transition into tender bachata for Verse 2 (acoustic guitar arpeggios, romantic rhythm), – Final chorus blends all three styles for a joyful family celebration, – End with a soft bachata lullaby outro, intimate and warm, Emotion: Hope, family devotion, gratitude, gentle joy, Latin warmth, A celebration of love

Start with high-energy gaga as in the lady icon electro-pop: sharp theatrical vocals, heavy synth bass, claps, robotic echoes, playful attitude, After the Gaga chorus, CUT to an intimate “A Star Is Born” cinematic moment with soft piano, acoustic guitar, breathy emotional male vocal as Frank meets Paolo, Then shift to an Adele-style warm piano + gentle sax outro for Drewby with a soulful male vocal, End with a dramatic spoken VH1-style tag

Style / Mood: A heartfelt acoustic-soul ballad blending the warm, protective energy of Protector with the gentle friendship-anthem feel of Count on Me, Inspired by the emotional storytelling of Queen Bee and the melodic sincerity of We Don’t Talk About Him and the Red Planet, Soft guitar, light percussion, tender harmonies, and intimate vocals, Warm, comforting, and deeply loving, Vocal Direction: • Soft, nurturing female lead • Warm acoustic guitar foundation • Light rhythmic sway like a lullaby mixed with a friendship song • Emotional build in the chorus • Gentle layered harmonies in the bridge • Whisper-soft intimate outro

Start with soft, breathy R&B vocals over light piano: emotional restraint, gentle phrasing, warm tone, Slowly build intensity, At the PRE-CHORUS, shift into a stronger, soaring vocal style with more projection and emotional lift, then escalate into full power-ballad belting with a dramatic KEY CHANGE on the line “And I am telling you I’m not going, ” Use big chest voice, gospel-inspired vibrato, long sustained notes, expressive slides, emotional breaks, and passionate growls, Instrumentation should feature piano, warm pads, subtle strings that build into a full musical-theater orchestral swell, The BRIDGE should feel like an emotional Broadway moment with expressive vocal riffs and rising strings, The OUTRO shifts into a gentle lullaby-style motif: soft piano, intimate breathy vocals, warm and tender, Performance arc: soft storytelling → rising emotional strength → explosive power-ballad climax → soft, comforting lullaby-style finish, Final line should be whispered and tender

A warm, reggae lullaby with gentle acoustic guitar, marimba, steel drum, soft bass groove, light percussion, and a cozy nighttime ICU atmosphere, The vocal should feel tender, soulful, and comforting, with spoken interludes that are playful, chaotic, and emotional, Smooth melodic singing for choruses, soft falsetto touches, and intimate whispering at the end, Include comedic spoken moments with personality and excitement, especially during the collectible card section, Overall vibe: calming lullaby meets joyful dad chaos, uplifting, heartfelt, and lightly humorous

STYLE: Playful musical-theater duet that begins like “Anything You Can Do” (light, comedic back-and-forth rhythm), transitions into a warm emotional acoustic ballad with gentle guitar and soft piano like the “By My Side” universe, Include dog-voice personality acting: one energetic and bouncy (Weasley), one cautious and gentle (Bella), Add soft puppy barks, whines, tail-thumps, and baby coos as background textures, VOCALS: Two distinct character voices (Weasley = upbeat, protective, goofy; Bella = calm, cautious, tender), Natural spoken banter between lines, Harmonies in the emotional sections, INSTRUMENTATION: Light theatrical piano and plucky strings at the start, Gradual shift to warm acoustic guitar, piano pads, and soft chimes, Keep everything kid-friendly and whimsical