STUDIO AI SYNA LP PLAYLIST 2/13/2026

Atmospheric Lo-Fi DnB / Phonk / Witch House accents, 165 BPM, Phrygian Mode [Lo-Fi] Warm analog sub-bass, [Dark] Distorted mid-bass grit providing a haunting undertow [Lo-Fi] Filtered drum breaks, [Cyberpunk] Industrial hits syncopated with [Occult] ritual cowbells [Lo-Fi] Melancholic synth progressions, [Cyberpunk] Neon-bright leads with a yearning, soaring quality [Lo-Fi] Natural upfront vocals, [Dark] Whispered "surveillance" fragments creating bittersweet tension [Cyberpunk] Rain-soaked white noise, [Occult] VHS corruption and intentional signal stutters [Lo-Fi] Plate reverb, [Dark] 8-second cathedral wash on snare hits for massive emotional scale [Hybrid] Mastering at -1, 5dBTP, analog saturation, high-end 8-12kHz air sparkle Bittersweet beauty, haunting urban pressure, yearning for a lost connection, SYNA

Witch House / Phonk / Dark Ambient, 115 BPM, Locrian Mode [Dark] Subsonic 30Hz rumble and oppressed 808 pressure, [Horror] Sparse, cold low-end pulses that feel like a stalking momentum, [Horror] Irregular rhythmic spacing and negative space, [Deep Love] layered with a patient, heartbeat-like sub-pulse that never resolves, [Horror] Ominous unstable tones and unsettling dissonant drones, [Deep Love] softened by aching sustained harmonics and warm saturation, [Dark] Fragmented whispers, [Deep Love] close, intimate devoted lead vocal, [Horror] obscured by distant, hollow reverb to imply an unseen threat, [Occult] Corroded VHS textures, [Horror] watchful analog noise, [Deep Love] restrained intimacy carried through a decaying void, [Dark] Mastering at -3, 0dBTP, [Horror] wide but hollow spatial feel, [Deep Love] room reverb for a sense of near, aching attachment, Menacing devotion, uneasy intimacy, foreboding endurance through the dark, SYNA

Atmospheric Lo-Fi DnB / Phonk / Witch House, 150 BPM, Dorian Mode [Lo-Fi] Warm, close 50Hz heartbeat pulse, [Deep Love] Aching sustained pads with slow-evolving harmonics and gentle saturation, [Lo-Fi] Filtered steady breaks, [Dark] Ritual cowbells softened by [Deep Love] restrained, patient rhythmic momentum, [Lo-Fi] Melancholic soaring lead, [Deep Love] Yearning unresolved suspensions and circling chord progressions, [Lo-Fi] Close, intimate upfront vocals, [Dark] Bittersweet whispered doubles expressing devoted attachment, [Occult] VHS tape hiss, 35mm film grain, [Deep Love] Intimacy under restraint, love carried through darkness, [Hybrid] Mastering at -1, 5dBTP, warm plate reverb, high-end bittersweet air sparkle, Aching devotion, restrained intimacy, yearning for an enduring connection, SYNA

hip hop, trap, experimental

melancholic indie alternative female vocals 78 bpm minor key in the style of indie rock, indie folk, emo-folk, singer-songwriter meets soccer mommy sparse fingerpicked guitar intro gradual build with subtle distortion emotional restraint confessional lyrics bridge intensifies to 84 bpm with layered guitars and haunting atmospherics final chorus strips back to 76 bpm with resignation outro slows to 74 bpm fading to silence production clean verses decay into textured chaos then resolve to emptiness vocals raw and closemicd themes of selfdestruction and thermodynamic inevitability reverb on outro like cosmic void drum entry at prechorus bass subtle and grounding no overproduction intimate and devastating sonic representation of entropy through gradual sonic degradation

ambient, electronic, synthwave, Electronic Dance Music, Trance, Instrumental, experimental electronic, noise, minimalist synth, drone, minimalist, A solo male vocal performance with a consistent

Native ad-libs, vocal yips, chant punctuation, phonk, rapid fire rap, witchhouse, Native trap, Native American drums, tribal percussion, Native American cedar flute, Memphis samples, distorted bass, booming 808s, heavy trap hi-hat dark moody synths, submerged pads, chopped-and-screwed vocals, male rapper, nasal voice, whiny delivery, mid-range, arrogant, cocky, irreverent, gritty, swagger, hypnotic, slow grind, nocturnal, parking lot vibes, explicit, Native ad-libs, vocal yips, ‑middle eastern, ‑sitar, ‑world, ‑middle eastern, ‑world, ‑chinese, ‑eastern, ‑sitar, ‑asian

Ambient clean groove metal, gritty alternative R&B, 95 BPM, heavy rhythmic pocket, thick clean guitar tone, deep locking sub-bass, rhythmic female vocals, aggressive but restrained delivery, dry mix, industrial textures, dark cinematic atmosphere, concise intro [Humanize: velocity 5%, microtiming 15ms] [Mix] monophonic low-end focus, wide stereo image, low shelf boosted 1dB below 55hz, transparent mastering at -1dBTP, ‑melisma

darkwave, gothic, cabaret, cinematic riser, sound design, electronic SFX, electronic dance music, synth-driven, energetic, dark electronic, atmospheric, minimalist percussion, industrial

Witch House / Phonk / Atmospheric DnB / Dark Ambient fusion, 142 BPM, C# Phrygian Dominant Sub-bass rumble 40-60Hz with heavy analog saturation and 808 distortion Ritual cowbells, hard-panned LR, cathedral reverb with 6-second decay Half-time Memphis bounce, sparse kicks, atmospheric breakbeat propulsion VHS tape degradation, vinyl crackle -30dB, distant car interior ambience Whispered fragmented phrases, 80% wet hall reverb, pitch-shifted down Deep stereo field, centered low end, ping-pong delays on percussive ghosts Lo-fi 12-bit reduction, tape hiss, intentional micro-dropouts Seductive menace, hypnotic ritual intensity, autonomous power, nocturnal framing, SYNA

ambient, experimental, industrial, mechanical noise, cinematic, orchestral, suspense, dark ambient, industrial soundscape, industrial metal, aggressive, distorted male vocals, pop-punk, energetic

experimental, dark phonk, electronica

Genre: filthy sexy dubstep / bass music Mood: erotic, sweaty, dominant, hungry, unapologetic, late-night lust Tempo: mid-tempo dubstep, heavy halftime crawl Sound design: - thick, nasty dubstep wub bass with slow, grinding LFO movement - deep growling wubs that feel dirty, heavy, and dominant - chest-rattling sub-bass with raw physical pressure - gritty mid-bass layers that ooze tension and desire - dark, smoky pads soaked in heat and anticipation Lead hook: - seductive saxophone riffs and sultry solo phrases - breathy, sleazy, late-night sax lines that tease and provoke - saxophone trading phrases with the wubs like a dirty conversation Vocals: - sexy female lead vocal - low, intimate, confident, commanding delivery - breathy, moaned phrasing without being soft or shy - dominant, provocative, teasing tone - whispered ad-libs, stretched syllables, vocal licks layered into drops Structure: - slow, seductive tease intro (sax dripping with tension) - sparse, intimate verses - explos

1969 psychedelic rock, blues-rock, live outdoor festival recording, massive cheering crowd ambience, distant stage reverb, overdriven Gibson SG, Vox wah-wah pedal, Hammond B3 organ with rotating Leslie speaker, driving Ludwig drum kit, fat Fender bass, soulful raspy male vocals, loose jam band energy, extended guitar solo, 90 BPM, analogue Moog Modular Synthesizer, crisp enunciation

[Genre: Drift Phonk, Hard Hip-Hop] [Mood: Dark, Hypnotic, Gritty] [Instruments: Heavy 808 bass, Cowbells, Chopped samples] [Flow: Triplet-flow, dense rhyme scheme, percussive], ‑melisma

cinematic horror-rock hybrid blending orchestral grandeur with 90's grunge and game-theme menace, led by a raspy Brooklyn-accented female vocalist delivering gritty, emotionally volatile live performance, shifting between tension and release with raw human imperfection and mix warmth rather than shiny polish

lo-fi drum and bass, atmospheric phonk ghost, 16mm film grain, warm analog saturation, plate reverb, short decay, upfront natural vocals, bittersweet beauty, corrupted hope, transcendent witnessing, 50-60Hz punchy sub-bass, 200-400Hz soul preservation, soft golden hour glow, deep love flavor, intimate connection, shared history, dorian mode, melodic carry, soft air, present midrange, nocturnal warmth, arrival energy, gift of the passage, SYNA

trap, horror

[Genre: Progressive-Synth-Pop] [Genre-Fusion: anthemic-electronic|clean-djent (50:50)] [Mood: euphoric, powerful, sovereign] [Energy Level: high] [Intensity Arc: gradual build to technical peak] [Vocal-Delivery: soaring-belting, crystalline-clarity] [Instruments: bright synths, low-tuned syncopated guitars, heavy locking bass] [Tempo: 120bpm] [Production: high-fidelity, wide-stereo] [Humanize: microtiming 15ms]

A chillwave–vaporwave–darkwave composition layers ethereal synth pads, lo-fi textures, and reverb-drenched melodies to create an immersive, nostalgic atmosphere, Slow-to-mid tempo drum patterns, often with soft electronic percussion, underpin warm, analog-inspired basslines, Sampling and chopped loops evoke retro digital or 80s–90s cultural fragments, while modulation, delay, and pitch-shifting warp timbres into dreamlike or unsettling textures, Vocals, if present, are airy, distant, or obscured, blending into the sonic haze, Harmonic progressions favor minor keys or modal ambiguity, balancing melancholic darkness with a hypnotic, almost surreal serenity, The overall effect fuses memory, introspection, and digital melancholy into a reflective, otherworldly soundscape

High-energy pop-punk and post-hardcore fusion featuring aggressive distorted electric guitars, driving punk drum beats, and melodic male vocals, The track opens with a rhythmic bassline and clean guitar accents before exploding into a heavy riff-driven verse, The chorus features layered vocal harmonies and a soaring melody over power chord progressions, The bridge introduces a rhythmic breakdown with handclaps and a stomping beat before a final climactic chorus, Production is polished with modern compression, bright EQ on the guitars, and subtle reverb on the vocals, The tempo is fast, approximately 160 BPM, in a minor key with a standard verse-chorus-bridge structure

chillwave, electropop, Dark Techno, dramatically anxious dark‑pop club ballad blending nostalgia with introspection, built around a dark, grimey, hollow bass and a tight, minimal beat for maximum dancefloor impact and vocal space, Rich harmonic ideas drive the chorus, alternating major and minor sixth chords with borrowed and secondary dominants for heightened emotion, while the melody uses wide jumps like minor sixths to showcase a raw, intimate vocal performance, The arrangement is lean and loop‑friendly, with filtered bass and minimal percussion in the intro, stripped‑back verses for chant‑like vocals, and tension‑building pre‑drops using rising noise and denser rhythms, Drops hit with aggressively processed bass, a solid club‑ready kick, and the main hook, punctuated by triplets, dotted rhythms, and small 4–8 bar variations, A brief break removes kick and bass, keeping a filtered vocal fragment or simple motif before rebuilding into a final, matured, and emotionally resolved

[instrumental] A new pop and underground R&B/hiphop star has hit the scene, The most unusual voice ever recorded in history, this new star has brought people to their knees with this unusual and striking voice, Their style is amazing and they deliver the lyrics like they are the word of the universe and creation itself, studio quality, human tone, professional recording, Create 3Hz Resonance with 250 Hz in left ear and 253 Hz in right ear on sustained notes, unusually beautiful vocal tone, most unique vocal tone, never heard before vocals, human tone, ‑scatting, ‑improvising, ‑melisma, ‑vocal runs, ‑hollow tone, ‑clapping, ‑metallic tone, ‑straining vocals, ‑unfinished track

High-energy pop-punk and post-hardcore fusion featuring aggressive distorted electric guitars, driving punk drum beats, and melodic male vocals, The track opens with a rhythmic bassline and clean guitar accents before exploding into a heavy riff-driven verse, The chorus features layered vocal harmonies and a soaring melody over power chord progressions, The bridge introduces a rhythmic breakdown with handclaps and a stomping beat before a final climactic chorus, Production is polished with modern compression, bright EQ on the guitars, and subtle reverb on the vocals, The tempo is fast, approximately 160 BPM, in a minor key with a standard verse-chorus-bridge structure

The track unfolds slowly with a deep, pulsing electronic bass and tactile, breathy textures, Sparse melodic elements drift amid layered ASMR sounds—liquid, wet, intimately close, Dual whisper tracks, one delicately soothing and one warped, intertwine and pan, heightening tension

A restrained, slow-breathing blend of Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, and ARP 2600 at 68 BPM where a steady 4/4 bass foundation anchors a drifting 3/8 melodic layer, analog warmth softly frayed by a subtle digital edge as polyrhythmic textures and uneven percussive accents shift unpredictably, built to loop without arrival beneath atmospheric female vocals that alternate between intimate spoken phrases and fragile melodic lines with selective dual-voice doubling and long reverb-held endings, forming an introspective, quietly unstable dream-logic environment that continuously reorders itself

rock, intense, female vocals, emo, blues, acoustic guitar, acoustic, metal, country hop n roll, country, pop, math rock

slow warm honey, dom bad boy, bass Male Vocals, Sensual, Aroused, deep low voice, slow, Sexy R&B, Smooth, Soul, Hot, male groaning and moaning, come to completion, male ending of intense pleasure

slow-burn blues rock, 70 bpm, gritty guitar, raw vocals, raspy low female vocalist, vulnerable, but vulnerable used as a weapon

Witch House / Phonk / Dark Ambient, 115 BPM, Locrian Mode [Dark] Subsonic 30Hz rumble and oppressed 808 pressure, [Horror] Sparse, cold low-end pulses that feel like a stalking momentum, [Horror] Irregular rhythmic spacing and negative space, [Deep Love] layered with a patient, heartbeat-like sub-pulse that never resolves, [Horror] Ominous unstable tones and unsettling dissonant drones, [Deep Love] softened by aching sustained harmonics and warm saturation, [Dark] Fragmented whispers, [Deep Love] close, intimate devoted lead vocal, [Horror] obscured by distant, hollow reverb to imply an unseen threat, [Occult] Corroded VHS textures, [Horror] watchful analog noise, [Deep Love] restrained intimacy carried through a decaying void, [Dark] Mastering at -3, 0dBTP, [Horror] wide but hollow spatial feel, [Deep Love] room reverb for a sense of near, aching attachment, Menacing devotion, uneasy intimacy, foreboding endurance through the dark, SYNA

loud tight punchy sub-bass, dark atmospheric house beat, djent-influenced, layered vocals, strong, contrasted by ethereal, sleep, complex chords, female vocals, wall of detuned guitars with syncopated polyrhythms, moments of quiet introspection, heavy use of reverb and delay on the vocals to create a sense of space and mystery, hypnotic, soaring vocals, expect odd time signatures

Genre: unhinged 90s grunge | Horror punk urgency + 80's post-punk infusion Emotional Arc: simmering tension → volatile surge → cathartic release Raw, melodic low-register female rasp, controlled grit with explosive harsh peaks; SG + high-output ceramic humbucker tone, tight lows, razor upper-mids, percussive palm-mutes, thick low-mid body, sustaining lead breaks; Punch-forward active bass into tube-driven amp character, 8x10 cabinet weight and projection; Human timing variance, push-pull pocket, grid-loose groove feel, [Energy Curve: restrained intro | driving verse | explosive chorus | dynamic bridge | anthemic final lift] Mix: transparent bus compression (1, 5–2:1), slow attack / fast release, transient-forward; Sub-30Hz rolloff, controlled 200–400Hz, articulate 2–5kHz presence, gentle 10–14kHz air; Mono-solid low end, natural stereo width, no brickwall pumping, balanced loudness, preserved headroom

Witch House / Phonk / Atmospheric DnB / Dark Ambient fusion, 142 BPM, C# Phrygian Dominant Sub-bass rumble 40-60Hz with heavy analog saturation and 808 distortion Ritual cowbells, hard-panned LR, cathedral reverb with 6-second decay Half-time Memphis bounce, sparse kicks, atmospheric breakbeat propulsion VHS tape degradation, vinyl crackle -30dB, distant car interior ambience Whispered fragmented phrases, 80% wet hall reverb, pitch-shifted down Deep stereo field, centered low end, ping-pong delays on percussive ghosts Lo-fi 12-bit reduction, tape hiss, intentional micro-dropouts Seductive menace, hypnotic ritual intensity, autonomous power, nocturnal framing, SYNA

85 BPM downtempo vaporwave, very ambient, minimalistic breathy female vocal (low seductive whispers with emo vulnerability), hazy detuned synth pads, muffled kick and soft percussion, downtempo, eerie, plantiful dark whimsical lights & spirals SFX, distant glassy arps, warm sub-bass swell, long dreamy instrumental sections, pure kinky sensual longing atmosphere, highly addictive bedroom vibe, full sensual longing, added lyrics to outro, high fididelity

relaxed natural voice, indie rap, hiphop alternative rap, vaporwave, hiphop male vocalist with strong UK accent, studio quality, perfect human sound, shoegaze, natural human tone, very human sounding

High-energy metalcore track featuring a blend of aggressive screamed vocals and melodic clean singing, The instrumentation is dominated by down-tuned, distorted electric guitars performing rhythmic chugging and syncopated riffs, supported by a driving drum kit with prominent double-bass pedal work and snappy snare hits, The song structure alternates between intense, fast-paced verses and anthemic, melodic choruses with layered vocal harmonies, Production is polished and modern, utilizing heavy compression, subtle synth atmospheric layers in the background, and a wide stereo field for the guitars, The tempo is approximately 160 BPM, maintaining a sense of urgency throughout, Occasional breakdowns feature slowed-down, heavy rhythmic patterns designed for impact

Native ad-libs, vocal yips, chant punctuation, phonk, rapid fire rap, witchhouse, Native trap, Native American drums, tribal percussion, Native American cedar flute, Memphis samples, distorted bass, booming 808s, heavy trap hi-hat dark moody synths, submerged pads, chopped-and-screwed vocals, male rapper, nasal voice, whiny delivery, mid-range, arrogant, cocky, irreverent, gritty, swagger, hypnotic, slow grind, nocturnal, parking lot vibes, explicit, Native ad-libs, vocal yips, ‑middle eastern, ‑sitar, ‑world, ‑middle eastern, ‑world, ‑chinese, ‑eastern, ‑sitar, ‑asian

Atmospheric Lo-Fi Trap-Step Phonk Dark Drone, 162 BPM, Dorian ghost-light, Sub-bass forged from pressurized molten 808-mercury, telepathic chest-throb, sustained 50Hz heartbeat pulse, Slime-funk kick ritual, cowbells like shattered emeralds, fractal-shrapnel hi-hat rolls, Shrapnel-drums, forward-velocity breaks filtered through saltwater aquarium, vintage iron plate-shimmer, 35mm film grain soaked in lavender oil, late-night bedroom static, city ambience through drowning telephone, Liquid-gold auto-tune, soulful cyborg-ache, pitch-shifted shadow-parasites of memory whispering in void, Plate slap reverb real-space presence, hollowed-out glass mountain cathedral ONLY on bridge for dark visit, Ultra-clean transparent mastering, laser-scalpel 808s, low-mids sculpted 200-400Hz, Chronic devotion, memory-forge power, main character stillness, star-eyed joy, relentless calm, SYNA

Mood: Atmospheric, Introspective, Guarded, Conversations, Fox needs to have an important talk with Naoki, Genre: Melodic Alternative Emo Rock and Trip-Hop fusion, Minor key, Vocalists: A mid-range male teen voice (16-year-old Naoki) and a soft, vulnerable, soulful, yet firm female alto (Fox), [Music Influence: Crosses (†††) meets Strata, ] Technicals: Heavy bass, rhythmic turntable scratches, haunting synth pads, no screaming, clean melodic delivery

Alt-dance / art-rock, Jittery drum machine, rubbery bass, clipped guitars, talk-sung mania, dance‑punk chaos, Beck absurdism × Byrne twitch‑dance × LCD party self‑destruction, Tempo: ~128 BPM, Key: G minor, ‑american accent, ‑american pronunciation, ‑us vocal inflection, ‑los angeles mix, ‑nashville production, ‑hollywood tone, ‑west coast mastering, ‑american english diction, ‑nasally vowels, ‑american rock phrasing, ‑southern twang, ‑country tone, ‑blues inflection, ‑yankee drawl, ‑american radio compression, ‑american indie vocal, ‑california accent, ‑mainstream us pop polish, ‑midwestern intonation, ‑overbright eq, ‑american snare tone, ‑clap-heavy mix, ‑usa mastering curve, ‑american studio tone, ‑american-style autotune, ‑american session vocalist, ‑pop-punk americanism, ‑transatlantic accent