2:50

1:34

2:51

4:53

The In-Between
v4.5-all
Emotional female vocal lead with intimate close-mic delivery, breathy phrasing, and layered harmonies on the chorus, Built on soft piano, warm pad synths, and a sparse kick-snare pattern, with subtle string lines, gentle acoustic guitar arpeggios, and atmospheric reverb/delay tails for a tender, vulnerable pop-ballad texture
4:19

The Cost Of The Heart
v4.5-all
Airy pop ballad centered on a clear female lead voice reaching bright high notes with controlled belt and falsetto-like head register, Sparse piano, soft pad layers, brushed percussion, and sub-bass support a spacious mix with plate reverb, subtle delay throws, and stacked harmonic doubles on the chorus
2:35

Total Override
v4.5-all
Fast drum and bass at 174–180 BPM with razor-sharp breakbeats, tight ghost snares, and a massive sub-bass bass drop, Layered reese bass, filtered synth stabs, and metallic percussion drive the energy, while short risers, glitch edits, and punchy sidechain compression keep the mix aggressive and relentless
4:01

Kinetic Sound
v4.5-all
Fast-paced drum and bass at 174 BPM with razor-sharp breakbeats, tightly chopped Amen-style drums, and punchy sub-bass sidechained to the kick, Reese bass underglow, filtered synth stabs, and metallic hi-hat ticks create tension, while ghost snares, pitch-bent risers, and dub delay throws add motion and a dark, high-energy club texture
4:57

Kinetic Sound Vol 2
v4.5-all
Fast-paced drum and bass at 174 BPM with razor-sharp breakbeats, tightly chopped Amen-style drums, and punchy sub-bass sidechained to the kick, Reese bass underglow, filtered synth stabs, and metallic hi-hat ticks create tension, while ghost snares, pitch-bent risers, and dub delay throws add motion and a dark, high-energy club texture
3:14

My Mirrors Monologue
v4.5-all
Emotional sad ballad in a minor key with sparse grand piano, soft sustain pedal, and fingerpicked nylon guitar, Warm cello lines, brushed snare, and distant kick give a slow pulse, while subtle pad drones and tape saturation add warmth, Close-miked vocals sit intimate with airy reverb and gentle delay throws
2:54

Heartbreak Ruined
v4.5-all
Moody heartbreak track with intimate piano, delayed electric guitar arpeggios, and a subdued trap beat, Soft 808 sub-bass, brushed snare, and sparse kick leave space for breathy stacked vocals, Tape saturation, room reverb, and a slow-building bridge with string pad and filtered synth lead add ache and tension
2:25

Neon Famine
v4.5-all
High-energy D&B at 174 BPM fused with rap vocals: rolling breakbeats sliced from Amen-style drums, punchy kick, snappy rimshot, and deep sub-bass with clean sidechain, MC verses ride sparse filtered pads, gritty synth stabs, and occasional reese bass drops, with half-time chorus pockets and crisp delay throws
3:38

One More Time
v4.5-all
Fast D&B at 174 BPM fused with fast rap and rave energy: razor-tight breakbeats, sub-bass reese in the drop, chopped amen fills, and hard kick-snare four-to-the-floor accents, Rapid-fire rap verses ride stuttered synth stabs, hoover leads, distorted rave sirens, and bright sidechained pads with gated reverb
3:35

Midnight Breakbeat Heart
v4.5-all
Liquid drum & bass groove with airy pads and warm sub, male vocals, Verses glide over rolling breaks and filtered keys; chorus blooms with wide reverb, stacked harmonies, and a sing-along top line, Subtle vocal chops echo between phrases, energy rising into a euphoric final hook
3:25

Kinetic Outrage
v4.5-all
Fast rap over high-energy D&B at 174 BPM, with punchy breakbeats chopped from the Amen style, tight sub-bass reese lines, and crisp rimshot snares, Rapid-fire vocal delivery sits on a rolling drum loop, while filtered synth stabs, glitch edits, and stereo delay throws add momentum and pressure
4:08

Three Percent
v4.5-all
Bright synth-pop meets indie-rock with jangly chorus-drenched guitars, punchy live drums, and a driving electric bassline under glossy analog polysynth pads, Crisp arpeggiated sequencers, sidechained kick, snappy snare, and layered vocal harmonies create a polished yet lo-fi edge, with subtle tape saturation and wide stereo delays
4:13

Velocity
v4.5-all
Fast rap over drum and bass at 174 BPM: rapid-fire double-time verses with tight consonant delivery, backed by breakbeat drums, hard-edged reese bass, and deep sub-bass, Crisp snare on 2 and 4, jittery hi-hat edits, ghost notes, filtered synth stabs, and a tense, high-energy mix with stereo delays and sharp transient punch
3:10

Shutdown Protocol
v4.5-all
High-energy hardstyle fused with D&B at 170 BPM: distorted reverse-bass, pitched-off kick rolls, and gated supersaw lead stabs over breakneck Amen-style drum edits, Sub-heavy Reese bass, razor hi-hats, snare rushes, filtered rave chords, and aggressive sidechain pumping create a relentless, punchy, club-ready wall of sound
2:46

Speed Dial Heartbreak
v4.5-all
rap, High-tempo trap beat at 148 BPM, sharp hi-hats and snapping snares over a moody bell loop and deep bass stabs; male vocals spitting double-time pockets in the verses, hook opens with half-sung melodic rap and stacked octave harmonies; subtle pitch-shifted ad-libs answering key lines to heighten the tension, final chorus rides out with a filtered beat drop then slams back in on the last bar
2:59

Backseat Daydreams
v4.5-all
rap, Nostalgic boom-bap with warm vinyl crackle, swung drums, and a round bassline; male vocals in a storytelling pocket, Verses stay intimate over mellow keys and soft guitar chops, hook blossoms with layered harmonies and subtle choir pads, Final chorus adds extra ad-libs and tape-delay throws on key lines for a bittersweet, cinematic finish
3:45

Running Toward The Inevitable
v4.5-all
High-energy liquid D&B with female vocals; shimmering pads and airy keys over rolling, side‑chained bass, Verses stay intimate with half-time drums and reverb‑kissed vocal chops; chorus snaps to full tempo with bright arps, layered harmonies, and wide stereo snare, Short filtered drum fills between sections, subtle risers into each hook, and a spacious breakdown before the final lift
3:06

Glass Hands
v4.5-all
rap, Moody boom-bap with warm sampled keys, airy male vocals on the hook, and tight, upfront rap verses, Kicks and snares snap in a head-nod pocket; subtle bass swells add tension under the chorus, Occasional filtered drops let the hook feel weightless before the beat slams back for each verse
2:44

Both Sides of the Story
v4.5-all
rap, Reflective boom-bap beat, warm Rhodes keys and subtle vinyl crackle; verses ride a steady pocket with crisp male vocals and sparse ad-libs, hook opens up with stacked harmonies and a thick bassline, snare snaps a bit harder in the chorus for an uplifting, head-nod bounce
4:46

Just Me And The Dog
v4.5-all
Warm indie-folk, gentle fingerpicked acoustic and brushed snare, Male vocals close and conversational, subtle harmonies on the hook, First verse intimate and sparse; chorus widens with soft organ pad and light bass, Bridge strips back to almost solo guitar, then returns to full, cozy groove for the final chorus
3:44

Like Looking In The Mirror
v4.5-all
Warm acoustic pop with male vocals; fingerpicked guitar and soft kick in the verses, chorus blooms with strummed guitars, simple bass, and light piano, Intimate close-mic vocal, subtle harmonies on the hook, Energy grows from reflective and tender to joyful and driving by the final chorus
3:36

Fall Through My Hands
v4.5-all
rap, Hard-hitting, double-time rap over a tense, minor-key trap bed; sharp hi-hats and tight kick patterns push the pace while a mournful pitched vocal sample loops in the background, Verses stay raw and up-front with dry male vocals; chorus widens with subtle auto-tune, octave-layered hook, and a swelling sub-bass lift, Occasional reverse-cymbal swells and chopped breaths accent punchlines, keeping relentless momentum but leaving pockets for emotion to cut through, deep
4:07

Red Mirror
v4.5-all
Dark industrial horror-pop with a pounding half-time pulse, clipped toms, metallic hits, and a crawling sub-bass groove; verse stays sparse with close-mic whispered leads and tense low harmonies, pre-chorus adds rising noise and warped choir stabs, chorus opens wide with gang doubles on the title phrase and sharp stop-time breaks, Use reversed cymbal swells, glassy flickers, and a tape-wobble transition into the bridge, Mix is cold, glossy, and claustrophobic
4:13

Paper Houses
v4.5-all
Alternative pop ballad with half-time pulse, muted piano and low kick in verses; pre-chorus strips to fingerpicked guitar and breathy doubles; chorus opens with wide pads, stacked harmonies, and a steady tom pattern, Vocal stays close-mic and cracked in verses, lifted by octave doubles on the hook, with delay throws on key words, reversed swells into each chorus, and a final stripped bridge before a last full lift, Bright but bruised mix, intimate and cinematic
3:38

Hold The Night
v4.5-all
Pop ballad with a driving mid-tempo pulse, half-time drums in verses and a lifting chorus; verse leans on sparse piano and palm-muted guitar, pre-chorus opens with rising harmonies, chorus blooms with stacked vocals and steady kick-snare, Add reverse cymbal swells, a bell-like top line before each chorus, and a final lift with ad-lib doubles, Mix is wide, glossy, and intimate-close in the verses, bright and punchy in the hook
3:54

Empty Chair Tonight
v4.5-all
Emotional pop ballad with piano-led verses, half-time drums, and soaring string lift; verse stays intimate and sparse, pre-chorus opens with rising harmony tension, chorus lands on a short repeated anchor with stacked doubles and breathy ad-libs, Bridge drops to solo piano and close-mic vocal before a final chorus with fuller strings, soft choir pads, and a warm, wide mix
4:18

Red Camaro Ghost
v4.5-all
Synthwave with driving four-on-the-floor kick, pulsing arpeggios, gated snare, and neon-bright bass; verse rides sparse synth stabs and tight low-end, pre-chorus opens with rising filter sweeps and doubled vocal tension, chorus hits wide with stacked harmonies and an octave synth lead, Breathy close-mic verses, bigger chest voice on hooks, delay throws on key lines, reversed cymbal swells and tape-stop transitions, Wide, glossy, and cinematic with a glossy midnight sheen
3:48

Pulse And Shiver
v4.5-all
Drum and bass with a rolling breakbeat at high BPM, heavy vibrating bassline, tight sub pulses, and sharp snare cracks; verse rides sparse drums and tense bass flickers, pre-chorus opens with rising synth smoke, chorus hits with full reese bass and chopped vocal stabs, Double-tracked lead vocal, ad-lib echoes on the hook, filtered call-backs in the transitions, Ear candy includes reverse cymbal swells, glitch fills before drops, and short delay throws on the title phrase, Bright, punchy, club-clean mix with deep low-end pressure, drum and bass
4:17

Knife In The Bass
v4.5-all
Drum and bass with hyperactive breakbeats at 174 BPM, heavy sub rewinds, razor reese bass, and tight snare rushes; intro starts with chopped vocal stabs and filtered drums, verse rides sparse break edits, pre-chorus tightens to a rising snare roll, and each drop slams with harder bass mutations and halftime hits, Aggressive lead vocal with doubled spits, gang shouts on hooks, delay throws on key words, bright-punchy mix with huge low-end impact, drum and bass

