4:16

Kicking off at BPM142, this avant-garde piece fuses fast punk energy and cello lead art pop, layered over an irregular time signature, Lyrical violins and cellos lines dart throughout, countered by angular math rock guitar and dynamic jazz-inspired drumming, Ethereal, high-tone avant-garde female vocals soar over the experimental arrangement, creating tension as the sections twist unpredictably between jagged riffs and expressive, jazz-infused instrumental breaks, ‑heavy metal, ‑male vocal, ‑rap
3:09

藪からスティック
v4.5+
[Genre: experimental jazz, chamber jazz] [Mood: playful, sophisticated, surreal, witty] [Instruments: string quartet (violin 1, violin 2, viola, cello), small jazz drum kit with brushes, upright bass, soft piano comping] [Vocal Style: female lead with airy tone, playful inflection, alternating Japanese and English phrases] [Tempo: 92 BPM, swinging yet unpredictable accents] [Structure: intro, verse, chorus, verse, bridge, chorus, outro] [Mix: intimate, warm, with close-miked strings and natural room reverb] [Beat: 4/4 with polyrhythmic fills and rubato sections] [Dynamic: conversational verses with burst-like choruses], ‑[over-compressed, ‑heavy distortion, ‑EDM drops, ‑overly synthetic instruments, ‑excessive autotune, ‑predictable pop structure, ‑harsh cymbal crashes]
1:26

Spoken words, old Japanese male narration, audio book, storytelling, book, story, reading, acoustic, parisian street-style background music with accordion, guitar, and upright bass, relaxed tempo, ‑All of singers, ‑All of vocals
3:25

An ultra-fast future jungle hip hop track featuring a groovy, syncopated rhythm section and energetic sub-heavy beats, Verses spotlight a serious male voice in spoken word/rap, processed with wide stereo delay and occasional voice doubling, Bright synths lift the mood and layered FX drive momentum
2:12

パンツ狂騒 祭りの後 (Remix)
v4.5+
This song fuses afrobeat rhythms and hard drill, starting with atmospheric layers and a haunting saxophone melody over a tribal-influenced beat, Bass-boosted kicks and booming 808s set a danceable groove, A soaring, catchy female chorus cuts through, lifted by layered harmonies, while punctuated percussion and 35% tribal elements add complexity and drive
2:20

松
v5
[32bit-96KHz finest recording and mix and mastering], Japanese traditional roukyoku singing × Rhythmic acoustic rap track built on fingerstyle guitar, funky drum loops, and popping bass × experimental rave shit broken beat and chord progression, Dadaello-cello weaves quirky melodic riffs between verses, adding playful counterpoints, Occasional handclaps and light percussion drive the groove, keeping the energy upbeat and קצבי
2:29

acoustic rap, funky beats, קצבי, dadaello-cello, ‑出したくない, ‑要素の, ‑プロンプトを, ‑書く欄
3:43

neNotion_胎内震
v4.5
Tribal freedom emotional female vocal shouting, The track opens with fragmented industrial percussion and warped field recordings, building a dense atmosphere of static and mechanical whirs, Layers of glitchy synth textures weave in unpredictable rhythmic patterns, The female vocal, trembling and heavily distorted, floats in and out, sometimes cut and granularized, Background drones and processed metallic hits heighten the tension, while strange reversed samples punctuate transitions, The structure is open, allowing evolving textures and dynamic shifts, ending with a gradual deconstruction into isolated noise fragments, Fragmented industrial percussion, glitchy synths, warped field recordings, and trembling, distorted female vocals weave through dense, shifting ambient layers; metallic hits, drones, and reversed samples evolve the open structure to a deconstructed noise finale
4:53

Dangerous, Dramatic, Tribal, rap, rap, rap, experimental rock, experimental sequence, Industrial rock, avant-garde high-tone Female deep stereo voice, multi female chorus, avant -garge piano riff, cruel
3:59

死にたい世界が殺してくれない
v4.5
Dangerous, Dramatic, Avant-garde, Experimental sequence, noisy female shout, Fragmented structure, Industrial rock, Experimental tribal percussion, Emotional high-tone avant-garde female vocals, Multi-layered glitch processing, Tribal rhythm, Asymmetric pacing, Chorus repetition for imprinting, Breath-cut phrasing, Ambient decay textures, j-pop
7:19

「アイの自画像」
v4.5+
Dangerous, Dramatic, Avant-garde, Experimental sequence, noisy female shout, Fragmented structure, Industrial rock, Experimental tribal percussion, Emotional high-tone avant-garde female vocals, Multi-layered glitch processing, Tribal rhythm, Asymmetric pacing, Chorus repetition for imprinting, Breath-cut phrasing, Ambient decay textures, j-pop
2:04

1:42

SZMI
v4.5+
The track starts with ambient binaural clam and water FX, slowly introducing slap bass and funky hip hop drums, Scratching and wild surround-panned turntable cuts storm the build, Absurd breaks and thick beats support an aggressive rap verse, all mixed for Dolby surround, The chorus contrasts with soaring, layered gospel synths and live acoustic guitar in the round, bursting into an up-beat instrumental funk groove, Quick DJ knife-cuts and enveloping spatial pans keep the energy unpredictable and playful, smoky, ‑shout, ‑rap, ‑male voice
5:11

Cradle
v4.5+
Dangerous, Dramatic, Avant-garde yet catchy, art rock electric guitar Experimental sequence, small size orchestral, noisy female shout, Fragmented structure, Industrial rock, Experimental tribal percussion, Emotional high-tone avant-garde female vocals, Multi-layered glitch processing, Asymmetric pacing, Chorus repetition for imprinting, Breath-cut phrasing, Ambient decay textures, j-pop, ‑long intro, ‑shoter outro
3:44

どこまでも行ける
v4.5
[genre:fragmented avant-garde experimental, douyou, broken strings noise, seruous horror texture]
[voices: no human, aliens fragmented glitch voice, tone-deaf, off-key, out of rhythm, ]
[instruments: harmony instruments are genarated from white noise, rhvthm instruments are generated from pink noise, stereo surreal sound effects, choppe alien voices, screaming insects voice]
[mood:too loud, too quiet, Angry, muddy, harsh, monotonous, distorted, pitchy, pitcy, jabu, jabu, langage, noise, dissonant, chaotic, mechanical, hollow, grating, Eerie, שָׂטָן, fxxk'em all atmosphere]
2:49

shit, shit, fxxkin groovy, scum, scum, turntablism, shit, shit, fxxkin groovy, scum, scum, turntablism, shit, shit, fxxkin groovy, scum, scum, turntablism, shit, shit, fxxkin groovy, scum, scum, turntablism, shit, shit, fxxkin groovy, scum, scum, turntablism, shit, shit, fxxkin groovy, scum, scum, turntablism, shit, shit, fxxkin groovy, scum, scum, turntablism, shit, shit, fxxkin groovy, scum, scum, turntablism, rave, violence, rave, violence, rave, violence, high-octane shit🔥
[Live Electronics]
- Hardware sequencer swing: 25%
- Stereo width: 150%
- Live sample manipulation
- Tape machine flutter: 0, 2Hz
- Vocal presence: 2-5kHz
[Experimental + Dynamic]
- Granular synthesis + Real-time pitch shifting
- Breakbeat section + Polyrhythmic layer
- Glitch effects + Complete instrumental breakdown, victorious





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