Our Mother, Lost

Cinematic Afrocentric soul meets spoken word at 72 BPM, Deep tribal percussion (djembes, taikos) under a minor key drone (Em – D – Cmaj7 – Bm), layered with soft choral pads and ambient textures, Use kalimba and flute for melodic fragments, In the hook, introduce layered vocal harmonies evoking ancestral chants, The bridge should feel stripped and haunting, with only heartbeat drums and whispered echoes, Add vinyl hiss and thunder rolls to create a sacred, timeworn atmosphere, The tone is spiritual, challenging, and regal — evoking excavation of ancient memory from a colonized soul

Cinematic Afrocentric soul meets spoken word at 72 BPM, Deep tribal percussion (djembes, taikos) under a minor key drone (Em – D – Cmaj7 – Bm), layered with soft choral pads and ambient textures, Use kalimba and flute for melodic fragments, In the hook, introduce layered vocal harmonies evoking ancestral chants, The bridge should feel stripped and haunting, with only heartbeat drums and whispered echoes, Add vinyl hiss and thunder rolls to create a sacred, timeworn atmosphere, The tone is spiritual, challenging, and regal — evoking excavation of ancient memory from a colonized soul

Spiritual Afro-soul at 70 BPM with ceremonial tones and ancestral layering, Use warm hand percussion (udu, ashiko, djembes) in a cyclical rhythm to evoke ancient ritual, Harmonize airy female vocal pads over an Em – Bm – Cmaj7 – Dm progression, Layer flute melodies and soft balafon or marimba textures, Include field recordings of nature: forest wind, rustling leaves, fire crackle, Hook should bloom with full choir-style harmonies and light ambient reverb, Bridge and outro should strip down to heartbeat drums and vocal whispers, Overall, the sound should feel sacred, grounded, and restorative — like soul work through sound

Spiritual Afro-soul at 70 BPM with ceremonial tones and ancestral layering, Use warm hand percussion (udu, ashiko, djembes) in a cyclical rhythm to evoke ancient ritual, Harmonize airy female vocal pads over an Em – Bm – Cmaj7 – Dm progression, Layer flute melodies and soft balafon or marimba textures, Include field recordings of nature: forest wind, rustling leaves, fire crackle, Hook should bloom with full choir-style harmonies and light ambient reverb, Bridge and outro should strip down to heartbeat drums and vocal whispers, Overall, the sound should feel sacred, grounded, and restorative — like soul work through sound

Afro-futurist ancestral hip-hop at 76 BPM, Build around layered djembe, shekere, and conga patterns with clapping rhythms, Core progression: Am – G – Dm – Em with modal voicings, Add deep analog synth bass and bright kora or ngoni plucks as melodic highlights, Include crowd chant layers and call-and-response vocals for a communal feel, Hook should lift into full choral backing, evoking a village circle or liberation rally, Outro includes humming, claps, and multilayered hand percussion to suggest collective energy and movement, Sound should feel rooted, rhythmic, and revolutionary — an anthem for builders who remember

Afro-futurist ancestral hip-hop at 76 BPM, Build around layered djembe, shekere, and conga patterns with clapping rhythms, Core progression: Am – G – Dm – Em with modal voicings, Add deep analog synth bass and bright kora or ngoni plucks as melodic highlights, Include crowd chant layers and call-and-response vocals for a communal feel, Hook should lift into full choral backing, evoking a village circle or liberation rally, Outro includes humming, claps, and multilayered hand percussion to suggest collective energy and movement, Sound should feel rooted, rhythmic, and revolutionary — an anthem for builders who remember

Afro-futurist ancestral hip-hop at 76 BPM, Build around layered djembe, shekere, and conga patterns with clapping rhythms, Core progression: Am – G – Dm – Em with modal voicings, Add deep analog synth bass and bright kora or ngoni plucks as melodic highlights, Include crowd chant layers and call-and-response vocals for a communal feel, Hook should lift into full choral backing, evoking a village circle or liberation rally, Outro includes humming, claps, and multilayered hand percussion to suggest collective energy and movement, Sound should feel rooted, rhythmic, and revolutionary — an anthem for builders who remember, Unflinching, uncompromising Afrocentric Hip-Hop, (Jake Lawson, We was kings, Heritage reclaimed, ) Emmy award winning, vibrant and pulse driven percussion, solemn strength powerful conviction, Immaculate flow and rapid rap reflection

Afro-futurist ancestral hip-hop at 76 BPM, Build around layered djembe, shekere, and conga patterns with clapping rhythms, Core progression: Am – G – Dm – Em with modal voicings, Add deep analog synth bass and bright kora or ngoni plucks as melodic highlights, Include crowd chant layers and call-and-response vocals for a communal feel, Hook should lift into full choral backing, evoking a village circle or liberation rally, Outro includes humming, claps, and multilayered hand percussion to suggest collective energy and movement, Sound should feel rooted, rhythmic, and revolutionary — an anthem for builders who remember, Unflinching, uncompromising Afrocentric Hip-Hop, (Jake Lawson, We was kings, Heritage reclaimed, ) Emmy award winning, vibrant and pulse driven percussion, solemn strength powerful conviction, Immaculate flow and rapid rap reflection

Chords: G, D, Em, C, 4/4 time, Dirty south rap, ironic homage to "You're So Vain, " traditional Memphis Crunk, bass boss

Cinematic Afrocentric soul meets spoken word at 72 BPM, Deep tribal percussion (djembes, taikos) under a minor key drone (Em – D – Cmaj7 – Bm), layered with soft choral pads and ambient textures, Use African drums and harmony

Cinematic Afrocentric soul merges with hypnotic spoken word at a meditative 72 BPM, Anchored in a rich percussive foundation of hand-struck djembes, taikos, and tuned congas, the rhythm sways in a polyrhythmic cadence, A brooding minor key drone (Em – D – Cmaj7 – Bm) underpins the sonic space, enhanced by ambient guitar swells and bowed string harmonics, Delicate harp glissandos echo in the periphery, contrasted with minimalist upright bass riffs and dissonant Rhodes chord clusters, Warm choral pads (female and gender-fluid vocal layers) breathe through the mix like ancestral winds, Field recordings—crackling fire, distant chants, footsteps on earth—blend subtly beneath the surface, Occasional interjections of detuned violin, modular synth whispers, and lo-fi vinyl textures give it a textural modernism, Every sound breathes with intention, maintaining an earthy intimacy while exploring diasporic futurism through layered sonics and abstract emotional depth

Cinematic Afrocentric soul merges with hypnotic spoken word at a meditative 72 BPM, Anchored in a rich percussive foundation of hand-struck djembes, taikos, and tuned congas, the rhythm sways in a polyrhythmic cadence, A brooding minor key drone (Em – D – Cmaj7 – Bm) underpins the sonic space, enhanced by ambient guitar swells and bowed string harmonics, Delicate harp glissandos echo in the periphery, contrasted with minimalist upright bass riffs and dissonant Rhodes chord clusters, Warm choral pads (female and gender-fluid vocal layers) breathe through the mix like ancestral winds, Field recordings—crackling fire, distant chants, footsteps on earth—blend subtly beneath the surface, Occasional interjections of detuned violin, modular synth whispers, and lo-fi vinyl textures give it a textural modernism, Every sound breathes with intention, maintaining an earthy intimacy while exploring diasporic futurism through layered sonics and abstract emotional depth