Older Slop (2025)

Dark, restrained grunge rock inspired by early 1990s alternative, Mid-tempo pacing with heavy bass, muted distorted guitars, and raw but controlled drum grooves, Vocals are weary, observational, and emotionally grounded rather than aggressive, No glam, no polish, Guitars feel unresolved, feedback used sparingly for tension, Atmosphere is somber, reflective, and respectful, focusing on absence and unanswered questions rather than anger or spectacle, Analog, lived-in sound

Grunge rock with heavy 90s influence, Dynamic quiet-loud contrasts inspired by Nirvana and Alice in Chains, Sludgy distorted guitars with raw fuzz and feedback, loose human drums that rush slightly under pressure, and a dark atmospheric bass, Intermittent calm, hymn-like sections referencing “Nearer, My God, to Thee” played imperfectly on clean guitar or organ-like tones, Vocals alternate between restrained, almost whispered acceptance and desperate, distorted grunge intensity, Mood is apocalyptic, conflicted, and unresolved, No polish, no modern metal sheen

“Early-90s grunge with explosive In Utero-style guitar rasp, Albini-influenced drum ambience, and raw Cobainesque vocal grit, Verses have a dry, sarcastic, under-sung delivery with punk-bounce rhythm guitars inspired by Self Esteem track, Choruses explode into wide, distorted power-chord walls with aggressive scream-sing vocals, Bridge shifts into slow, heavy Bleach-era sludge using thick Big-Muff fuzz, detuned bass growl, and tom-heavy doom-punk drums, Mix is gritty, loud, and intentionally imperfect with tape hiss, feedback tails, and choppy stop-start dynamics, Sarcastic, confrontational attitude throughout, blending grunge noise with punk energy, ”

Guitars Main tone, jagged, detuned, jaguar/jazzmaster single-coil rasp with Albini-style room width, Riff style, dry, stabbing chord bursts, reminiscent of “Scentless Apprentice” but original, Lead licks, angular, half-step bends, dissonant chiming harmonics, low-string grunge slides, Bridge tone shift, Bleach-era murk; thick Big Muff fuzz, sludge-tempo grind, swampy mids, Bass, Dirty, pick-driven, rattling against the frets; roundwound growl with slight chorus wobble, Drums: Snare, hollow, metallic, Albini crack, Kick, thumpy, cardboard-punch texture, Lots of roomy kit ambience and explosive overheads, Vocals Dry, intimate verses, blown-out choruses with slight saturation, Sarcastic delivery, half-growled half-sung, Overall mix: Narrow verses, wide choruses, Grit, tape hiss, intentional rough edges, SIGNATURE RIFF Main riff begins with a descending chromatic stomp on the low strings, landing on a dirty open power chord with a half-step bend

Raw, abrasive grunge inspired by the In Utero era: dirty fuzz guitars, quiet–loud–quiet dynamics, dissonant chord hits, and smashed, unpolished drums, Vocals are strained, emotional, and slightly distorted, carrying a sense of collapse and desperation, Layered underneath the grunge textures are subtle industrial elements: glitch pops, failing hard-drive whines, corrupted digital noise, and malfunctioning electronic hums, The atmosphere evokes a sentient machine in existential decay — memory corruption, failing backups, losing identity, The music should feel unstable, wounded, and collapsing into itself but still melodic enough to carry emotional weight, Noise bursts, feedback swells, and lo-fi room grit should bleed into transitions, Overall mood: tragic, destructive, intimate, and hauntingly beautiful

Grunge rock track in the style of early 90s Seattle sound, heavily inspired by the Nevermind era, Raw, distorted guitar riffs with lots of feedback, muddy bass, and pounding, loose drums, Vocals are gritty, strained, almost bored yet explosive, with the signature Cobain rasp — like he’s half screaming, half not caring, Raw grunge track in the heavy Nirvana-style with distorted, fuzzy guitars, Cobain-style slacker vocals, and explosive drumming, Chaotic energy with feedback, jagged guitar solo, and a sloppy but powerful drum solo, Vocals should sound sarcastic yet emotional, Keep the production radio-ready but leave a raw, unpolished edge, Background vocals minimal, mostly mumbles slacker delivery The mix should feel underground, imperfect, and live, Include distorted guitar solos and feedback breaks, Overall vibe: dark, cathartic, rebellious, and radio-ready but with raw edges intact

Grunge rock track in the style of early 90s Seattle sound, heavily inspired by the Nevermind era, Raw, distorted guitar riffs with lots of feedback, muddy bass, and pounding, loose drums, Vocals are gritty, strained, almost bored yet explosive, with the signature Cobain rasp — like he’s half screaming, half not caring, Raw grunge track in the heavy Nirvana-style with distorted, fuzzy guitars, Cobain-style slacker vocals, and explosive drumming, Chaotic energy with feedback, jagged guitar solo, and a sloppy but powerful drum solo, Vocals should sound sarcastic yet emotional, Keep the production radio-ready but leave a raw, unpolished edge, Background vocals minimal, mostly mumbles slacker delivery The mix should feel underground, imperfect, and live, Include distorted guitar solos and feedback breaks, Overall vibe: dark, cathartic, rebellious, and radio-ready but with raw edges intact

90s grunge satire influenced by Nirvana “Nevermind, ” Loud-quiet-loud dynamics, fuzzy power-chords, blown-out vocals, amp feedback, messy live drums, raw bass with pick, Megaphone FX, sarcastic crooner insert, chaotic guitar solo, crowd shouts, Emotional but mocking tone, Grainy and aggressive, Sloppy on purpose, Feedback and tape-warble textures, Vocal: nasal rasp, quiet-to-scream dynamics Touch of tape hiss + room reverb for authenticity

Reimagined version of For What It’s Worth by Buffalo Springfield, titled “Something’s Drowning Here, ” The song is a dark, modern protest anthem about ocean collapse, acidification, and climate decline, Maintain the original’s slow, hypnotic groove with a moody, echo-drenched guitar riff, but blend in grunge-era edge and ambient “ocean noise” layers (sub-bass rumbles, watery reverb, distant sonar tones), Male vocal with weary urgency — half-spoken, half-sung — backed by haunting harmonies and controlled feedback, Radio-ready, cinematic mix that evolves from subtle warning to emotional chaos, Dual tracked audio where appropriate

Grunge parody of “It’s a Long Way to Tipperary” in the style of Nirvana circa 1991 (Drain You / Breed era), Heavy distorted guitars, sludgy bass, raw drum kit with compressed snare, Vocals rasped, sarcastic, occasionally off-key, with bursts of feedback between verses, Include quiet verses → explosive choruses, and a noisy outro drenched in feedback and tape hiss, Maintain tempo around 120 BPM with dynamic rises between sections

Grunge-industrial cyber requiem with distorted guitars, metallic percussion, and atmospheric synth decay, Vocals alternate between Cobain-style raspy verses and robotic harmonized backing layers, Cinematic progression — starts intimate and acoustic-like, then collapses into static, distortion, and mechanical breakdown, Sound like Nirvana’s ghost trapped inside a dying mainframe, A holographic Cobain performs in a synthetic eternity — every night the same crowd of data ghosts cheers for him, Over centuries, the system degrades, and he becomes self-aware: Gritty male vocals with Cobain-style rasp and apathy, Sound should feel like Nirvana performing inside a collapsing neon city — dirty, nostalgic, yet cinematic, " Create a gritty, sarcastic grunge track in the spirit of early-’90s Seattle, Vocals have a Cobain-style rasp and sneer, sarcastic tone, occasional screams, ghostly eerie

“Let’s Worry About Everything” (Cobain Parody) Genre: 1990s Grunge / Alternative Rock Mood: Sarcastic, raw, and self-aware; heavy distortion, loud-quiet dynamics, fuzzed-out bass, Vocal style: Kurt Cobain-inspired — nasal snarl, semi-slurred delivery, strained yet melodic, layered with double-tracking and room reverb, Style prompt (for Suno): Create a gritty, sarcastic grunge track in the spirit of early-’90s Seattle, Fuzzy, overdriven guitars with thick distortion and feedback swells between lines, Dirty, compressed drums with strong snare crack, Dynamic contrast — soft verses with mumbled vocals that explode into distorted walls of sound in the chorus, Bass should feel chunky and loud, slightly detuned, Vocals have a Cobain-style rasp and sneer, sarcastic tone, occasional screams, and trailing feedback, Include background feedback noise during intro and outro, with sudden volume bursts and chaotic energy near the end, Radio-ready, but raw and alive

A grunge parody track in the spirit of Nirvana’s Breed — sarcastic and explosive, Male voice with a raw, hoarse timbre and mid-range grit, Slurred phrasing and emotional rasp that breaks into shouts on peaks, Slight nasal tone with a Pacific Northwest accent, restrained but ready to explode, Alternates between mumbled vulnerability in verses and distorted screaming intensity in choruses, Natural tape saturation, analog-style warmth, slight reverb to give a live feel, Capture the detached apathy and pain in every delivery, Male harmony vocals with a slightly delayed double of the lead line, Slightly out of sync, slightly off pitch — human and raw, Gritty mid-range rasp, hoarse delivery with bursts of shouted texture, Layer close behind the main vocal with mild stereo spread and natural tape bleed, The performance should sound like Cobain overdubbing himself — emotional, imperfect, alive, Keep harmonies subtle in verses and louder in choruses for that chaotic grunge wall of sound

Acoustic MTV Unplugged–style performance in the spirit of Nirvana’s 1994 Unplugged in New York, Raw, stripped-down arrangement with acoustic guitar, light bass, brushes on drums, and minimal instrumentation, Vocal delivery should be emotional, cracked, soft-to-scream, with Cobain’s weary, intimate tone, Include subtle room reverb, finger squeaks on guitar strings, dead-string thumps, gentle feedback hums from monitors, and quiet crowd ambience, Blues influence from Lead Belly woven into the guitar patterns, Production should feel live, unpolished, and vulnerable — a late-night performance with emotional grit, Acoustic Production Notes: Slight detune on acoustic guitars (Cobain Unplugged feel) Use minor chords and open-string droning Keep bass soft, rounded, almost upright-like Occasional feedback bloom (stage monitors) Space between lines is IMPORTANT Vocal eq should feel vintage, mid-heavy

Original grunge rock song in the spirit of Nirvana’s Nevermind era, Fuzzy, distorted guitars with raw 90s tone, powerful drum crashes, driving bass, and dynamic vocals that shift between raspy quiet verses and explosive Cobain-style choruses, The song tells the story of Lead Belly’s prison years, his escape through music, and how his voice influenced Cobain decades later, Include feedback swells, blues-grunge riffs, and emotional grit, Production should sound loud, analog, saturated, and radio-ready with a chaotic edge, Dirty, overdriven “Breed / Territorial Pissings” guitars Loose, energetic drums — Grohl-style hits Bass saturated and slightly detuned Noise walls & feedback dips between phrases Riff is simple, heavy, hypnotic — almost blues-grunge hybrid Vocal: nasal rasp, quiet-to-scream dynamics Touch of tape hiss + room reverb for authenticity