Recent Only: HistoricalEpicMetal sung in the Local Language at the Time

Epic Metal, Baroque Speed Metal Based On Japanese Yonanuki Mode, Female Vocals And Narrations, Kayoukyoku, Slightly Japanimetic, Japanese Historical Motifs, Kodan Narrative Style, Upbeat Narration, Split-Role Dialogue Delivery, One-Man Show, Fake Scenes With High Energy, Night Chase Of Edo Period, Lecture-Style Spoken Interludes For Kodan Effect, Crowd And City Ambience, Action And Spectacle-Focused Composition, Atmospheric Depth, Epic Metal Storytelling Thief Leaping Across Rooftops, Lantern-Lit Streets, Samurai Guards And City Policemen In Pursuit, Rain-Slicked Stone Streets, Cinematic Dynamic Perspective, High Contrast Shadows, Watercolor Texture Feel, Soft Pastel Palette, 1830S Edo Cityscape Authenticity, Fast-Paced Rhythmic Drumming, Blast Beats For Chase Scenes, Melodic Guitar Harmonics For Tension, Traditional Japanese Instruments Subtly Blended, Dynamic Tempo Shifts For Narrative Pacing

Epic Power Metal Of Ancient Koine Greek Singers, Lyra, harpa, ancient greek instruments featured, Nu-Metal, Post-Hardcore, Medieval Troubadour Shreds Electric Guitars And Sings In A Louder Voice, Epic Speed Metal

historical epic metal, viking metal with ethnic russian folk influences, thrash, NWOBHM, Post Hardcore, glitchy Nu-Metal, dramatic choir chants, militant marching rhythms, melancholic minor-key melodies with modal folk inflections, folk-dance inspired interludes (polka, Hungarian tanć, eastern european rhythms), pedal tone riffs and powerful orchestral percussion, symphonic layers with accordion-like synths and violin motifs, dark and heavy atmosphere with triumphant climaxes

extream_speed_metal, black_metal, blast_beats, epic thrash metal of ancient Lingua Latina singers, medieval troubadour shreds Grover-Jackson's electric guitars and sings in a faster flow

extremely math rock, complex drums, shred guitars, lightning-fast organ playing, early 70's art-rock, prog-rock, jazz-rock, UK hard rock, baroque n' roll, psychedelic, distorted bass guitar, Hammond's B3, ES-335 with HIWATT guitar-amp

epic metal with ancient Chinese battlefield motifs, thrash metal, black metal, posthardcore, (battle drums, deep war drums, thunderous percussion:1, 3), (bronze bells and stone chimes, metallic strikes:1, 1), (ancient bamboo flute, mournful reed pipe, haunting melody:1, 2), (low male chant, epic choir, guttural shouts:1, 3), (layered distorted guitars like clashing swords:1, 2), (galloping double bass drumming, march-like rhythm:1, 2), (tempo shifts: solemn intro → fast chaotic climax → slow tragic outro), (blast beats and crushing riff walls in climax:1, 2), (dark, tragic, heroic, fate-driven atmosphere:1, 3), (cinematic epic metal, Nordic saga vibe but with Chinese motifs:1, 2), (vocal style: guttural growls for direct speech, soaring clean vocals for narration, chant-like chorus for “四面楚歌”), ‑Old Chinese pronunciation, ‑Sa, ‑Modern Chinese pronunciation, ‑Mandarin, ‑Cantonese, ‑Wu pronunciation, ‑Tang pronunciation

Epic Metal, Thrash Metal, symphonic Power Metal, ethnics, Four parts in all, Each section switches clearly between languages, perspectives, and musical styles, Parts 1 (Hebrew), 2 (Arabic), and 4 (English) are solemn in epic metal style, The third part (Japanese) is a peculiar part both musically and formally, It is a non-melodic agitation = exclamatory declarative recitation style, devoid of melody, The backdrop will be fueled by beats, noise, crowd calls, and tense sound effects, The content of the music will be an incendiary exclamation in the style of proclamations and declarations, referring to the atmosphere of 1970s new rock and Zenkyoto agitation in Japan

Epic-Metal, Thrash, Industrial Metal, Post Hardcore, Nyhc, Symphonic Metal, Nwobhm, Nu-Metal, Metalcore

epic metal, Viking metal, bravely guy's voice, Solemn vocalizations, baroque, gothic, medieval japanese motifs, thrash, complex drums, shred guitars, Gorgeous Symphonic, 能, 雅楽, 和琴

historical epic metal, lyre harp, NWOBHM, Caricatured, comical hot-blooded, battle historical, manga-like, Distinguishing between the Ionic and Doric dialects, Opus, Heroic, Brave, Masculine, Machismo, Fast and Furious

[Epic Metal, Power Metal, Viking Metal], [Historical, Heroic, Ancient, SPQR], [melodic-death metal, thrash, emo, symphonic, post-hardcore]

Genre: Epic Metal, Viking Metal, Scandinavian Power Metal, Mood: Tragic, Heroic, Language: Old English, Middle English, Structure: Narration and Song alternating, Complex score-progression, Tempo: 90, Key: Dmin

Epic symphonic power metal in the style of germany, 1980s, with dramatic choirs, soaring guitars, dynamic tempo changes, and a narrative structure, The song tells the philosophical journey of René Descartes from the darkness of medieval theology through radical doubt to the triumphant discovery of “Cogito, ergo sum, ” Includes powerful, anthemic choruses, a contemplative interlude, and a climactic finale, Instruments: Electric guitars, bass, double-kick drums, symphonic strings, choir, atmospheric keyboards, and spoken-word interlude, Mood: Majestic, dramatic, introspective, and victorious

Epic war metal inspired by historical military marches, Japanese military song (gunka) language feeling from the Meiji era, combined with Western epic war metal storytelling, Slow-to-mid tempo (around 130 BPM), 4/4 time, March-like rhythm, heavy palm-muted guitar riffs, deep male chorus, solemn and restrained atmosphere, No glorification, no hatred, Calm, documentary tone, Heroic on the surface, empty and tragic underneath, Narration-like verses, massive chorus, half-time bridge, Theme: Battle of 203 Meter Hill, Russo-Japanese War, Perspective of ordinary soldiers, Emperor’s name and slogans appear as reflexive actions, not ideology

epic metal, Viking metal, Yonanuki Mode, Japanese Scales, Tsudsumi, Koto, Shamisen, Shakuhachi, Some Japanese Traditional Instruments Featured, bravely guy's voice, Solemn vocalizations, baroque, gothic, medieval japanese motifs, thrash, complex drums, shred guitars, Gorgeous Symphonic, 能, 雅楽, 和琴