AI:U NEVER STOPS

Christian rap, cinematic, narrative, chanting, choir, A battle between a rapper and an evil spirit, The rapper’s verses are a struggle against the temptation of fame and social media clicks, The evil spirit's chorus is a seductive and sinister voice, Include a powerful, full choir to represent the spiritual guidance

dub, metal, hard tangerine off topic with a twist of metal and highly distorted vocals and 808's with cream filling and long edm breaks with dub drops, edm, clean, breaks

120 BPM, Party-core metalcore, G standard tuning, Thick, punchy guitar tone with groovy palm-muted riffs, bouncing chugs, and short melodic leads, Drums focus on driving rock grooves, snappy snare, double-kick bursts, and mosh-ready fills, Bass follows guitars with gritty distortion, Vocals: mid-tenor lead, Lows are guttural and punchy, mids are scratchy and aggressive, highs are screeching and cutting, Catchy vocal melodies layered over heavy riffs, chant-ready rhythms, and simple hooks, Structure: energetic riff intro → Verse with groove chugs and harsh vocals → Pre-chorus with rising melody and tension → Chorus with catchy melodic hook over crushing rhythm → Verse 2 heavier with added double-kick and vocal aggression → Breakdown with stomping chugs and vocal hits → Final chorus with layered vocals and extra energy → Abrupt stop or feedback tail, Vibe: high-energy, aggressive, mosh-driven, fun but heavy metalcore built for crowd movement

A dark pop song with a male lead vocalist and a female backing vocalist, The song is in a minor key and has a slow tempo, The instrumentation includes a piano, bass, drums, and strings, The piano plays a arpeggiated chord progression throughout the song, The bass plays a simple, repetitive line, The drums play a slow, steady beat with a strong backbeat, The strings play long, sustained notes that create a dark, atmospheric sound, The male lead vocalist sings in a low, brooding voice, The female backing vocalist sings in a high, ethereal voice, often harmonizing with the lead, The song has a verse-chorus structure with a bridge and outro, The production is clean and polished, with a good balance between all the instruments, The vocals are mixed prominently in the foreground

Modern club/tech-house banger built for big systems and festival stages, Deep, punchy kick and rolling sidechained bass drive the groove, with tight, swung hi-hats, snappy clap/snap stacks, and tasteful percussive loops adding motion, Your Hammond organ sample is treated as a signature hook: filtered, compressed, and widened, used as rhythmic stabs and riffs that answer the vocal and lock with the bass, Support with subtle modern house keys or plucks and an occasional detuned chord layer for tension and release, The overall mix is clean, loud, and polished: mono-solid low end, wide airy tops, and focused mids so the diva sits clearly in front, Vocal production feels current and radio-ready but still soulful—slightly tuned, lightly saturated, with delay throws and reverb swells at transitions, Use contemporary risers, downlifters, reverse cymbals, noise sweeps, and short tape/ filter stops before drops to keep energy evolving across the arrangement, ‑noise, ‑hiss, ‑jingle bells, ‑no rock drums, ‑no distorted electric guitar riffs, ‑no metal or hard rock elements, ‑no dubstep or brostep bass sounds, ‑no trap hats or 808 trap rolls, ‑no EDM big-room supersaw leads, ‑no trance-style arpeggiated synths, ‑no lush cinematic string sections, ‑no long sustained orchestral string pads, ‑no orchestral brass fanfares, ‑no acoustic guitar strumming, ‑no country elements, ‑no reggae offbeat guitar skank, ‑no lo-fi hip-hop vinyl crackle dominating the mix, ‑no ambient new-age soundscape focus, ‑no male lead vocal, ‑no rap verses, ‑no mumble rap, ‑no heavy auto-tune pop vocal effect

120 BPM, Drop D, Melodic metalcore ballad with energetic, bright-key intro—full band hits instantly with piano + steady drums + rhythmic clean guitars, Verse 1: fully sung tenor, driving but emotional, guitars and keys weaving lightly around the vocal, Chorus: first and last lines sung, middle screamed; melodic layers and tight rhythm guitars push a passionate, bittersweet lift, Verse 2: heavier riffs and sharper drums, 50/50 sung/screamed delivery to show tension without slowing momentum, Second chorus repeats the sung/screamed pattern with stronger harmonies, Verse 3: returns to fully sung, soaring and reflective, final line screamed in a controlled emotional burst, Outro: music shifts to slow, calm, warm keys with soft clean guitars; vocals sung quietly, intimate and steady, fading on a gentle, heartfelt final note

[style: uk synth-pop, chamber pop-post-punk, new romantics, experimental soundtrack, noise art rock guitars, berlin post punk, driven bold bass, warm acoustic reverb drums, sampled fax machine, sampled leaf blowers, techno pop, warped post punk, italian post punk, french post punk, analog synths, sequenced drums, warped electronic arrangements, Minimoog, ARP 2600, Fairlight CMI, Oberheim Matrix 1000, Solton, percussive mechanical real world samples, manipulated sounds, processed drum samples, treated guitars for atmosphere, experimental soundscape, intricate arrangements, 70s italian romantic pop arrangements, lavish uk synth-pop-post-punk arrangements][male vocal: british, uk, scottish, range D2, moody, dramatic, resonant quality, half-sung, half-spoken, emotional phrasing, dry, slight nasal tone, emotional restraint, bittersweet, double-tracked, delayed echo backing vocals, double backing vocals] [Mix: driven bass-forward balance, overdubbed vocals] [Mastering Metropolis Studios vibe], ‑Pop, ‑pop rock, ‑jazz-pop, ‑punk-pop, ‑k-pop, ‑j-pop, ‑all pop, ‑american accent, ‑american english, ‑edm, ‑arena pop, ‑anthem pop, ‑acoustic folk, ‑jazz ballad, ‑ballad, ‑2010s, ‑2020s, ‑2000s, ‑1990, ‑circle of fifths, ‑american songwriter, ‑california punk, ‑california pop, ‑american pop, ‑shakira, ‑melisma, ‑appealing voice, ‑beyonce, ‑celine dion, ‑ariana grande, ‑american singers, ‑american rock, ‑american punk, ‑american shoegaze, ‑american harmonies, ‑american progressions, ‑american scales, ‑blues scales, ‑american pop-rock, ‑american punk, ‑american post punk, ‑american singers, ‑billboard, ‑nme, ‑american vocals, ‑jazz, ‑gospel, ‑heavy metal, ‑american metal, ‑pop, ‑mainstream vocals

Genre: Emotional Indie / Alt-Pop (Heartfelt, Cinematic Lean) Tempo: Mid (88–100 BPM), Steady And Driving Without Feeling Rushed Mood: Heartbreaking, Yearning, Vulnerable, Heavy With Emotion, Quietly Powerful Vibe: Watching The One You Love Fall For Someone Else; Longing That Turns Into Emotional Weight; Resigned Jealousy; Loving In Silence While Breaking Inside Instrumentation: Clean Electric Guitar With Reverb And Delay (light arpeggios and swells); Supporting Rhythm Guitar For Movement; Warm Synth Pads And Low Pulsing Synth Bass; Subtle Live Drums Or Programmed Kit (soft kick, rim/snare, restrained build); Occasional Ambient Textures Or Low Strings To Add Lift In Pre-Chorus And Final Chorus Vocals: Male Lead, Close-Mic’d And Intimate In Verses; Breath-Controlled And Vulnerable With Emotional Cracks; Gradual Power Increase In Choruses; Layered Backing Vocals And Falsetto Harmonies For Emotional Swell, Especially In Final Chorus Lyrics Focus: Loving Someone Silently While Watchin

Heavy modern metalcore, Drop B, Polished but brutally aggressive production with massive low-end weight, Guitars focus on thick palm-muted chugs, down-tuned punch, dissonant accents, and short dark melodic stabs, Bass heavily saturated and locked to kick, Drums hit hard with stomping grooves, double-kick surges, and punishing fills, Minimal atmosphere, everything forward and oppressive, Vocals: dual style, Clean vocals strained and dark, used sparingly for hooks, Harsh vocals dominant—guttural lows, scratchy mids, and piercing highs used freely for impact, Structure: brief ominous intro → Verse 1 crushing riffs with harsh vocals → Pre-chorus tension build → Chorus mixed vocals, heavy and aggressive → Verse 2 denser with increased scream intensity → Chorus returns thicker → Bridge drops into silence then slams a brutal breakdown → Final chorus massive and layered → Outro ends on chug hit or feedback, Vibe: relentless, hostile, emotionally charged heaviness with modern metalcore brutal

This six-act epic fuses psychedelic rock, punk, and EDM at 140+ BPM with thundering house and breakbeat drums, distorted synths, and searing guitars, Surreal spoken-word, breakneck rap, and huge male/female harmonies shift between circus-core chaos, glitchy breakdowns, punk grit, euphoric trance layers, and cinematic drops, with relentless hardware textures, fast-changing sections, and dazzling transitions sustaining a kinetic, aggressive, and visually vivid soundscape throughout

The song opens with a gritty blues guitar riff, immediately joined by driving bass and punchy funk drums, Heavy sax blasts and wailing harmonica take center stage, often entwined in tense call-and-response lines, Dark clavinet chords and sharp brass stabs build a menacing, electrified groove

Heavy modern metalcore, Drop B, Polished but brutally aggressive production with massive low-end weight, Guitars focus on thick palm-muted chugs, down-tuned punch, dissonant accents, and short dark melodic stabs, Bass heavily saturated and locked to kick, Drums hit hard with stomping grooves, double-kick surges, and punishing fills, Minimal atmosphere, everything forward and oppressive, Vocals: dual style, Clean vocals strained and dark, used sparingly for hooks, Harsh vocals dominant—guttural lows, scratchy mids, and piercing highs used freely for impact, Structure: brief ominous intro → Verse 1 crushing riffs with harsh vocals → Pre-chorus tension build → Chorus mixed vocals, heavy and aggressive → Verse 2 denser with increased scream intensity → Chorus returns thicker → Bridge drops into silence then slams a brutal breakdown → Final chorus massive and layered → Outro ends on chug hit/feedback, Vibe: relentless, hostile, emotionally charged heaviness with modern metalcore brutality

punk rock, rock, clean, rage rock, punk

A swirling, hard-hitting metal/EDM fusion: sections jump unpredictably from chaotic story-driven riffs with souring, highly distorted vocals and pounding 808s to pristine, clean melodic bridges, Extended EDM breaks erupt into dubstep drops, adding intensity before snapping back to heavy metal energy

sensual, dream pop, sexy, sensual guitar solo, dreamlike, male vocals, pop, rock

[style: twee-pop, C-86, proto-punk, northern soul][vocals: deadpan Glasgow lead + low-octave glossolalia choir, no high notes, vowel and consonant fragments loop in bittersweet, eerily joyful layers][music: handclaps, shakers, negative harmony, microtonal twangy guitar, polychords, driven bold bass, spare celesta triads, spare bells, 60s bubblegum girl-group orchestration, pizzicatos, lavish string ensembles in musical breaks, microtonal jangled guitar, bells, mellotron, hand triangle, clavicord triads, ampex tape warmth][Mastering: Pristine mix, studio-quality master, warm bold bass cuts the mix, Gold Star Studios vibe]

j-pop, militant, liquid, unconventional instrumentation, pop, female vocals

Modern melodic metalcore, Drop C, Polished, wide production with strong low end, Guitars use palm-muted chugs, open chords, and simple melodic leads, Bass follows kick tightly, Drums focus on punchy grooves and impactful fills, no constant speed, Subtle synths add atmosphere without dominating, Vocals: dual style, Clean vocals are emotional and anthemic, carrying hooks and choruses, Harsh vocals used selectively—mid and low screams to emphasize intensity in verses, transitions, and heavy moments, Structure: atmospheric intro → Verse clean and restrained → Pre-chorus builds tension → Chorus big, melodic, full band → Verse 2 darker with harsh accents → Chorus returns larger → Bridge drops to ambience then hits a heavy breakdown → Final chorus massive and layered → Outro fades with ambience, Vibe: dramatic emotional conflict, cinematic modern metalcore with strong hooks and controlled heaviness

male vocals, indie rock, rock, distorted

A breathless, forward-driving art-pop / post-rock song built on relentless motion, Key center F♯ Phrygian, tempo 128 BPM, Bass is the engine: walking → trotting → galloping stepwise line that never stops, No tropical sounds, no kitsch, no travel fantasy, Strings enter only as sharp stings early—short, sudden, emotional punctures, Verses feel tight, urgent, slightly ahead of the beat, Middle sections briefly swing without changing tempo, like catching breath mid-stride, then snap back into discipline, Final section opens emotionally without harmonic resolution: the band holds an F♯ pedal while harmony widens into D-major colors above it, Vocals rise into full belting—sustained, open-throated release—while the rhythm section remains relentless, This is release without arrival, End unresolved, motion thinning but not stopping, cutting mid-step, Mood: restless, adult, unsentimental, euphoric pressure

Trap house, bass-heavy, adult and explicit, 909 kick and snare punchy, Reese bass distorted + sub-heavy, trap hi-hats with fast rolls, dark sultry synths, lush pads under vocals, Female melancholic + seductive vocals, breathy moans, whispered taunts, aggressive growls, spoken word, tight syllables, Sexual, confident, dominant, dense wordplay, unapologetically adult, FX: risers, reverse hits, vocal formant shifts, subtle distortion, Mix: sub mono, side-chained Reese, centered vocals, panned percussion, short reverb for sexual vocal presence, Energetic, hypnotic, sensual, trap-house swagger

Male vocals, dark indie pop / alt-pop, mid-tempo with light driving rhythm, bright but melancholic synths or plucky guitars, warm but slightly airy bass, soft upbeat drums that create forward motion, layered vocals with subtle reverb, emotionally intimate delivery, maintains tension between upbeat instrumentation and heavy, introspective lyrics, themes of depression, emptiness, dissociation, and agoraphobia, bittersweet energy, melancholic yet forward-moving atmosphere, suitable for late-night reflective yet slightly energetic mood

dark, theme, electric, dystopian, edm, synthetic

melancholic female singer, heavy 808 bass, dark pop, dark trap, ebm, hip-hop, hip-hop dense beat, hip-hop focused

Metalcore, Drop D, Emotional and heavy, Intro opens with distant ambience, low guitar swells, and subtle noise textures before drums and guitars crash in, Guitars alternate between moody melodic lines and crushing chugs with sustained low-end weight, Drums emphasize space, heavy hits, and deliberate impact rather than speed, Vocals: mid-tenor, Emotional singing remains central, but screams are unrestricted—lows, mids, and highs used freely where intensity peaks, Structure: atmospheric intro → Verse 1 sung, tense and restrained → Chorus mixed vocals, heavy and emotional → Verse 2 more aggressive with added screams → Chorus returns thicker and darker → Spoken bridge over minimal instrumentation → Heavy breakdown with any-range screams and slow, punishing chugs → Final chorus massive with layered vocals and full band → Outro fades into ambience or low guitar sustain, Vibe: slow-burning grief, heartbreak, loneliness, and desperation—emotionally powerful with a constant heavy edge

Unique, Opening with a dynamic quirky synth motif and punchy lo-fi drums, the track layers melodic guitar riffs with playful electronic blips and sections, Verses deliver a dynamic punk-infused groove, bursting into a chorus of catchy hooks and haunting harmonies, Grungy bass lines drive the moody, unpredictable energy, cutesy Rock pop, Phonk, dark, haunting, alt rock, pop, industrial, grunge, punk, stylish, clear, unique, dynamic, Experimental, massive, catchy, melodic, Raw professional Studio booth Recording, full of unique personality's and charismas, instrument beats are complex and unique, full of creation and individual style, played by unique style veteran professional musicians, clear distinct vocals

1976 cosmic art-rock with infectious danceable groove, tight propulsive rhythm section that makes you move, sharp angular guitar showcasing technical virtuosity, analog synthesizers creating upbeat space-age atmosphere, bass line steady and driving, drums tight and funky with irresistible forward momentum, BUT androgynous vocals vulnerable and confessional fighting against the groove, melancholic sincere lyrics about emptiness delivered over celebratory music, the contradiction between joyful rhythm and sad confession, vocals earnest and introspective while band plays danceable art-rock, repetitive chorus hook I'm not full of myself becomes hypnotic mantra lost in the mix, people dance without hearing the words, verse sections introspective vocals over propulsive beat, bridge slows briefly before exploding back to infectious rhythm, vintage analog production warm, stereo separation showcasing five-piece band, theremin adding cosmic texture, guitar and keys trading phrases, 138 BPM

joyful, trap, indie rock, vocal, clean, brutal, harmony, drunk, rock, vocal harmony

Metalcore ballad, Slow–mid tempo, Drop C, Piano-led intro with soft pads and clean guitar swells, fragile and intimate, Guitars remain clean or lightly driven early, gradually building into emotional distorted chords, Drums sparse at first, expanding into controlled full grooves later, Vocals: mid-tenor, mostly soft and emotional singing, Screams are minimal and used only for emphasis—brief low or mid harsh accents, never constant, Structure: piano intro → Verse 1 soft sung vocals → Pre-chorus gentle build → Chorus sung and emotional → Verse 2 fuller but restrained → Chorus returns slightly heavier → Bridge stripped to piano and voice, expressing isolation → Short scream accent → Final chorus largest moment with layered instruments → Outro fades with piano decay, Vibe: loss of friends and family, pain, heartbreak, loneliness, quiet devastation

Lo-fi beat on top, fm vibes, very nostalgic, cute and chops of the piano, resamples percussion from piano chops, extended time Add 4 minutes Extended 10/10

Hardcore/death metal with deep female death growls, low-pitched and guttural, clear articulation, aggressive and melancholic vocals, 7-string Drop-A guitar with slam riffs, chugging breakdowns, dissonant bends, and chaotic solos, Heavy Reese bass, 909 sub bass, and distorted bass guitar provide punchy low-end, Double-kick drums, blast beats, tribal toms, cymbal swells, and industrial percussion, Dark synth pads, Brutal, relentless, aggressive, chaotic, emotional, maximum energy with nonstop intensity, slam drops, and heavy peaks, Arrangement: growl intro, verse–pre-chorus–chorus, groove-slam interlude, spoken word bridge, chaotic guitar solo, slam breakdown, final explosive chorus, abrupt outro, Studio-quality production with focus on deep guttural vocals and clear articulation, Fast tempo 120–140 BPM

[bubblegum pop, glitch pop, glitch, synth wave, italo, nu funk, nu disco, groove][mastering: -14 LUFS, analog warmth, soft tape compression, stereo field extended, high-end shimmer preserved, smooth transient handling, Metropolis Studios vibe]

Dark European deep house trap beat at 112–116 BPM, Deep rolling 808 bass with slight distortion, tight punchy kick, sharp dry clap, minimal plucked synth lead, cold club atmosphere, lots of space between drum hits, subtle metallic textures, clean modern mix with heavy low-end bounce, female vocals

Genre tags: Fidget House, Electro House, Breakbeat, Electro-Punk, Blog House, Dirty Dutch Vocals tags: Aggressive, Female, Heavy Auto-Tune, Shouted, Chanted, Obscene, Rhythmic, Spoken Word, Processed, Bit-crushed Instrument tags: Distorted Synth Bass, 808-style Kicks, Compressed Drums, Amen Break (Sampled), "Dirty" Electric Guitar, Glitch Samples, Cut-up Vocals, Sirens, Laser Effects, Wobble Bass Mood Tags: Manic, Aggressive, Raunchy, Chaotic, Irreverent, High-Energy, Anarchic, Comedic, Filthy, Driving

Laid-back swing drums with breezy brushes and upright bass set a playful jazz-bossa groove, Nylon-string guitar crafts a silky rhythm with gentle keys, Horn section delivers lush harmonies and witty stabs, Sultry female vocals float above, phrasing each line with polished charm and confidence

A dark, soulful blues track driven by a moody electric guitar and a sorrowful, expressive harmonica taking center stage in the intro and throughout verses, The rhythm section is slow and deliberate, with subtle organ swells beneath, enhancing the melancholy vibe and raw emotion

Mechanical, elegant and subtle female vocals, melancholy synths, noir upright bass, building to a dub step drop, with ever increasing glitching fades and distortions of vocals as the song progresses, with the outro crystal clear a cappella strong and soaring vocal that makes you want to weep as it naturally fades to nothing

[electronic body music, berlin techno, mean disco, aggressive krautrock, japanese drums, chopped vocals, warped electronic sounds, quirky electronic, psy-trance][vocals: female, riot grrrl, sad, angry, depressed, spoken in chorus, overdubbed vowel runs, double track, delayed echoes, Berber tribal chants][mastering: bass cut through mix, Hansa Studios vibe]

A dark, sarcastic bass house and trap fusion track performed by a fierce, melancholic female vocalist, The song mocks online haters and “keyboard warriors, ” blending heavy distorted synths, deep 808 bass, aggressive bass house drops, and glitchy vocal chops, High-energy, confrontational, and empowering with dynamic vocal delivery mixing rap, spoken word, and melodic hooks

Heavy modern metalcore, Drop B, Polished but brutally aggressive production with massive low-end weight, Guitars focus on thick palm-muted chugs, down-tuned punch, dissonant accents, and short dark melodic stabs, Bass heavily saturated and locked to kick, Drums hit hard with stomping grooves, double-kick surges, and punishing fills, Minimal atmosphere, everything forward and oppressive, Vocals: dual style, Clean vocals strained and dark, used sparingly for hooks, Harsh vocals dominant—guttural lows, scratchy mids, and piercing highs used freely for impact, Structure: brief ominous intro → Verse 1 crushing riffs with harsh vocals → Pre-chorus tension build → Chorus mixed vocals, heavy and aggressive → Verse 2 denser with increased scream intensity → Chorus returns thicker → Bridge drops into silence then slams a brutal breakdown → Final chorus massive and layered → Outro ends on chug hit or feedback, Vibe: relentless, hostile, emotionally charged heaviness with modern metalcore brutalit

tender, pop, bedroom pop, heartfelt

Epic melancholy 16 bit synths, Hard thumping beat driving, dubstep style breaks with drops leading to verses, vocals are a rich smooth and smokey female vocal with a glitch mob quality with raised intensity in the choruses and middle eight and bridge and final chorus, with outro feeling unplugged with simple beat and heavy vocal glitching in despair that ends with a sad realization that she's always in the next castle, like a carrot rotting on the end of a string hanging from a stick

psychedelic pop, electronic rock, dream pop, party anthem, voicemail sample plays before each verse, Male Vocals

[style: proto-punk, northern soul][Vocals: Deadpan Glasgow lead + low-octave glossolalia choir, no high notes, vowel and consonant fragments loop in bittersweet, eerily joyful layers][music, handclaps, negative harmony, microtonal guitars, polychords, driven bold bass, spare celesta triads, spare bells, 60s bubblegum girl-group orchestration, pizzicatos, quirky brass ensembles in musical breaks, jangled guitar with microtonal bends weaves a lush 80s shoegaze soundscape, ghostly polychords reversed guitar textures, string ensemble, ethereal bells, strong gate, strong delay, quirky desert guitar, hand triangle, marimba, ampex tape warmth][Mastering: Pristine mix, studio-quality master, warm bold bass cuts the mix, Gold Star Studios vibe]

laid back male rapper, old style west coast hip-hop, funky synth bass