ある駆け出し冒険者たちが伝説の英雄と呼ばれるまで(仮題)

Energetic Irish rock with powerful drums and steady rock groove, icy whispering female vocal, Prominent Celtic fiddle and bagpipes playing fast reels, Electric guitars and bass supporting with driving riffs, Bright, anthemic melodies, lively folk-rock fusion, earthy, bold, festival-like energy, tight ensemble, uplifting themes

Energetic Irish rock with powerful drums and steady rock groove, icy whispering female vocal, Prominent Celtic fiddle and bagpipes playing fast reels, Electric guitars and bass supporting with driving riffs, Bright, anthemic melodies, lively folk-rock fusion, earthy, bold, festival-like energy, tight ensemble, uplifting themes

Style: Japanese Taiko Ensemble, Kodo Style, Epic Percussion, Intense and Driving, Percussion-Only Focus Instruments: Odaiko, Shime-daiko, Nagado-daiko, Kane (Bell/Gong), Chan-chiki, Chappa Cymbals, Fue (Japanese Flute), Eliminate: No Strings, No Orchestra, No Western Instruments, No Bass Guitar, [Intro] Deep Odaiko and resonant Kane (Bell) setting an Epic mood, Fue Solo with echo effect, Intermittent Chan-chiki hits, [Build] Intense Taiko Build-up, Accelerating the "Tanta Tantan" Festival Rhythm, Chappa Cymbals join the build, [Chorus] Maximum Wadaiko Ensemble Intensity, All Drums Full Volume, Complex Interlocking Rhythms, Call and Response between high and low drums, accented by sharp Chan-chiki strikes, [Outro] Dramatic Decrescendo of all Taiko drums and Metallic Percussion leading to a final massive, powerful Odaiko strike

Symphonic Epic Gothic Metal, Cinematic, Futuristic, Orchestral, subtle Industrial elements, Tone is Cold, Ancient, and Ceremonial, Core instrumentation features heavy down-tuned electric guitar and bass, with powerful acoustic guitar strumming, The rhythm is driven by deep, ritualistic Taiko drums (Wadaiko style) layered with subtle, metallic percussion hits and mechanical sequences, Melodic lead features a haunting, deeply expressive breathly Shakuhachi solo, Use deep atmospheric drone, and cold, metallic synthesizer textures to control the emotional intensity, Ethereal Female Soprano Vocals (cold whisper style), backed by layered deep female Chorus, Conveying Ortholig's solo journey to reclaim the honor of her past friends

Style: Cinematic Epic Folk Metal, World Fusion, Fantasy Soundtrack Instruments: Distorted Guitar, Double Bass Drumming, Growl/Shout Vocals, Synths (Choir/Pads), Japanese Taiko Ensemble (Odaiko, Nagado, Shime), Fue, Kane, Chan-chiki, Focus: Fusion of Riff-Heavy Metal with Epic Taiko Percussion, Taiko drives the main rhythm with Double Bass, Mood: Heroic, Mysterious, High Fantasy, deep male Vocals, Acoustic Focus, down-tempo

Instrumental, Epic Orchestral Metal, Cinematic, ethereal intro featuring majestic brass and strings, smoothly transitions to a determined Epic Folk Metal tempo with heavy guitar riffs and Celtic flute melody, then builds to a powerful climax featuring an emotional metal guitar lead and super-virtuosic solo, conveying the overwhelming and eternal power of the immortal Elven Princess

futuristic Epic Cinematic Symphonic folk Metal, Instrumental, Suspenseful, Mid-tempo, slow and intense orchestral, huge brass section, Bleathly Shakuhachi leads, Classic guitar Strumming, wadaiko ensenble

Style: Symphonic Epic Gothic Metal, Cinematic, Futuristic, Orchestral, subtle Industrial, Tone: Cold, Ancient, Ceremonial, Instruments: Heavy down-tuned electric guitar/bass, powerful acoustic guitar strumming, deep ritualistic Taiko drums, metallic percussion/mechanical sequences, haunting Shakuhachi solo, deep atmospheric drone, cold metallic synths, Focus: Instrumental, Comical/Slapstick Action, Ironic Tone, Tempo: Mid-Fast, Bouncy, Staccato Rhythm, [Verse 1] The rhythm is intentionally **clumsy and staggered**, Taiko drums hit off-beat, creating a **"bonk/dolt" sound**, Down-tuned Guitar plays a simple, lighthearted, clean (not distorted) melody with a "tip-toe" feel, **Shakuhachi plays a high-pitched, awkward, slightly panicked motif, ** [Chorus] Temporary rhythmic structure, **Metallic percussion (Industrial element) provides a sudden "clank/crash" sound effect**, Synths play a slightly ridiculous, high-speed motif, then suddenly fall flat, Tone is always **Ironic and Puzzled**

Style: Cinematic Epic Folk Metal, World Fusion, Fantasy Soundtrack Instruments: Distorted Guitar, Double Bass Drumming, Synths (Choir/Pads), Taiko Ensemble (Odaiko, Nagado, Shime), Fue, Kane, Chan-chiki, Breathful shakuhachi, Eliminate: Vocals, Pop Structure, Clean Female Vocals, Acoustic Focus, Growl, Shout, Structure: Tension/Misty Scene > Comical Encounter > Climax/Foreboding, [Tension] Slow tempo, Deep Odaiko, cold Synths (Pads), haunting Fue melody, Mood: Ominous, misty, [Encounter] Sudden tempo lift, Mid-tempo, **lighthearted/quirky Clean Guitar riff**, Chan-chiki/Shime-daiko brisk, awkward rhythm, [Climax] Abrupt shift to Max Intensity, Double Bass/Heavy Riffs start immediately, **Synths Choir swells, massive dissonant chord** signaling "Warped" movement, Full Taiko Ensemble hits with heavy impact, Mood: Profound Dread/Fateful, [Outro] Long Decrescendo, sustained vibrating Kane fade-out

jungle, shuffle, ambient trance, Gothic metal, HI-tempo, orchestral, cinematic, motivational, Futuristic, gregorian chat, whispering female vocal, Drop-D Bass, wadaiko drums, breathly shakuhachi, Sword and Magic Fantasy Battle

jungle, shuffle, ambient metal, futuristic, gothic, orchestral, cinematic, motivational, high-tempo, tempo modulate, whispering female vocal, Down tuned electrical guitar, wadaiko drums, breathly shakuhachi lead, build up tention, pre-battle atmosphere

A restrained, monochrome cinematic track built on steady jungle and muted shuffle rhythms, The arrangement remains controlled and observational, with minimal harmonic movement and a cold, distant atmosphere, Deep, sharply accented wadaiko drums strike with sudden force, cutting through the mix like shockwaves from a distant battlefield, Drop-D bass pulses sparsely, anchoring tension without forward drive, Gothic metal guitars and orchestral strings appear in fragmented, shadowed layers, Low brass, drones, and ambient trance synths form a bleak, static backdrop, Gregorian-style chants and whispered female vocals emerge intermittently, distant and emotionless, Brief shakuhachi phrases rise and vanish, emphasizing scale and isolation, The track avoids traditional climaxes, escalating through density and impact, conveying the unsettling act of witnessing an overwhelming battle from afar

Instrumental, Epic Orchestral Metal, Cinematic, ethereal intro featuring majestic brass and strings, smoothly transitions to a determined Epic Folk Metal tempo with heavy guitar riffs and Celtic flute melody, then builds to a powerful climax featuring an emotional metal guitar lead and super-virtuosic solo, A positive-thinking, honest young adventurer with the qualities of a hero

Instrumental, Epic Orchestral Metal, Cinematic, ethereal intro featuring majestic brass and strings, smoothly transitions to a determined Epic Folk Metal tempo with heavy guitar riffs and Celtic flute melody, then builds to a powerful climax featuring an emotional metal guitar lead and super-virtuosic solo, conveying the overwhelming and eternal power of the immortal Elven Princess

geek, ambient, hero, aggressive male vocals, rising tension, mysterious atmosphere, bright piano, climax

The track explodes with jungle and shuffle rhythms, Drop-D bass, and pounding wadaiko drums, Layers of Gothic metal guitars intertwine with sweeping orchestral strings and brass, Gregorian chant and whispered female vocals drift over ambient trance synths, while shakuhachi phrases soar atop a high-tempo mix, Each section escalates with dramatic cinematic builds, evoking a sword and magic fantasy battle in a futuristic, motivational soundscape

Symphonic gothic metal + futuristic industrial, Mid tempo, down-tuned electric guitars, heavy low-end chugs, orchestral strings & choirs, pipe-organ accents, Shakuhachi leads, soaring synth drone pads, metallic percussion, cavern reverb, ancient ruins exploration atmosphere, sacred and solemn yet eerie, ominous cinematic mood

Symphonic gothic metal + futuristic industrial, slow tempo, ritualistic and suspenseful, down-tuned electric guitars, minimal low-end chugs (sub-rumble), orchestral strings & distant choirs, pipe-organ accents, Shakuhachi leads (ghostly, breathy), soaring synth drone pads, metallic percussion, pulsing industrial ambience, cavern/temple reverb, ancient ruins exploration, quiet tension, careful footsteps vibe, sacred and solemn yet eerie, mysterious cinematic mood, sense of discovery and awe, thrilling curiosity mixed with anxiety, encountering unknown ancient technology, wonder-with-dread, slow build, sparse to dense, sudden revelation swells, then back to hush

Symphonic gothic metal + futuristic industrial, slow tempo, ritualistic and suspenseful, down-tuned electric guitars, minimal low-end chugs (sub-rumble), orchestral strings & distant choirs, pipe-organ accents, Shakuhachi leads (ghostly, breathy), soaring synth drone pads, metallic percussion, pulsing industrial ambience, cavern/temple reverb, ancient ruins exploration, quiet tension, careful footsteps vibe, sacred and solemn yet eerie, mysterious cinematic mood, sense of discovery and awe, thrilling curiosity mixed with anxiety, encountering unknown ancient technology, wonder-with-dread, slow build, sparse to dense, sudden revelation swells, then back to hush

a dark and heavy rhythm, Industrial Metal, Gothic Metal, Post-Apocalyptic Metal, dystopian, bleak and cold atmosphere, with cold and clear soprano female vocals, supported by low male death growls, distorted industrial percussion, massive symphonic arrangements, heavy downtuned guitar riffs, and unsettling synth textures

Traditional Okinawan style with Ryukyu pentatonic scale, Irish waltz rhythm in 3/4 with rolling triplets, Multiple sanshin instruments playing interlocking parts, Sanshin are the only plucked string instruments, No guitars, Taiko ensemble: dōnaga-daiko, shime-daiko, hira-dō-daiko, Festival groove with dancing accents, Warm ocean wind atmosphere, salt spray, drifting foam, No accordion, no fiddle, no Celtic pipes, No electric instruments or rock drums, Cinematic folk fusion on the open sea at dusk, call and response phrases percussive short plucks breathy ornament phrases

gentle strings pad, calm clock-like percussion ticking steadily, soft square-wave beeps in the background like faint morse code, mysterious and soothing atmosphere, slightly surreal, female soft-spoken vocal, whisper-like, as if gently talking close to the ear, midway, she shifts into a lullaby-like chant, simple and calm, almost like a quiet ritual, ethereal voice layers, soft humming, warm and intimate, slow minimal progression, dreamy and floating

Style: Japanese Taiko Ensemble, Kodo Style, Epic Percussion, Intense and Driving, Percussion-Only Focus Instruments: Odaiko, Shime-daiko, Nagado-daiko, Kane (Bell/Gong), Chan-chiki, Chappa Cymbals, Fue (Japanese Flute), Eliminate: No Strings, No Orchestra, No Western Instruments, No Bass Guitar, [Intro] Deep Odaiko and resonant Kane (Bell) setting an Epic mood, Fue Solo with echo effect, Intermittent Chan-chiki hits, [Build] Intense Taiko Build-up, Accelerating the "Tanta Tantan" Festival Rhythm, Chappa Cymbals join the build, [Chorus] Maximum Wadaiko Ensemble Intensity, All Drums Full Volume, Complex Interlocking Rhythms, Call and Response between high and low drums, accented by sharp Chan-chiki strikes, [Outro] Dramatic Decrescendo of all Taiko drums and Metallic Percussion leading to a final massive, powerful Odaiko strike

[Style: **Uptempo, Driving Rock, 130-140 BPM, High Energy**, Heavy Reverb, Thick Guitar Sound, Anthem, Arena Rock, Post-Punk, Angels & Airwaves-inspired] [Mood: Uplifting, Hopeful, Epic] soaring vocals, punchy drums, aggressive guitar

The song opens with reverb-soaked guitars and pulsing synth pads, launching into driving 8-beat drums at 150BPM, Verses blend twinkling lead lines and thick rhythm guitars, Wide, layered female vocals and pounding toms power the explosive choruses, Pre-chorus and bridge slow down with tempo modulation, featuring spacious delays, cymbal swells, then climaxing in a massive, uplifting chorus with echoing hooks

Traditional Japanese gagaku court music, Featuring sho (mouth organ), hichiriki (double reed), ryuteki (flute), koto, taiko, suzu (bells), and shoko (bronze gong), Very slow tempo (around 60 BPM), Elegant, sacred, ceremonial atmosphere, like ancient imperial court rituals, Instrumental only, no vocals

Traditional Japanese gagaku court music, Featuring sho (mouth organ), hichiriki (double reed), ryuteki (flute), koto, taiko, suzu (bells), and shoko (bronze gong), Very slow tempo (around 60 BPM), Elegant, sacred, ceremonial atmosphere, like ancient imperial court rituals, Instrumental only, no vocals

The piece unfolds slowly with a resonant taiko pulse anchoring the rhythm, while sparse koto plucks cascade through the deep reverb, evoking a sacred space, The flute weaves airy, mystical melodies above, each phrase lingering and echoing to heighten the shrine ritual’s atmosphere

The piece unfolds slowly with a resonant taiko pulse anchoring the rhythm, while sparse koto plucks cascade through the deep reverb, evoking a sacred space, The flute weaves airy, mystical melodies above, each phrase lingering and echoing to heighten the shrine ritual’s atmosphere

Miko Rock Band, Deep Electric Bass, Shakuhachi leads, **seventeen stringed Koto bright strumming**, **Tsugaru style Shamisen percussive attack**, Japanese wadaiko Drums (powerful and deep resonance, heavy 8-beat groove, 120 BPM), repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense, virtuosic improvisation, ethereal Sho background, irregular humming and ad-libs, Japanese festival chants and shouting (Hah, Iyo), Japanese Epic Metal, Anime OST style

Miko Rock Band, Deep Electric Bass, Shakuhachi leads, **seventeen stringed Koto bright strumming**, **Tsugaru style Shamisen percussive attack**, Japanese wadaiko Drums (powerful and deep resonance, heavy 8-beat groove, 120 BPM), repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense, virtuosic improvisation, ethereal Sho background, irregular humming and ad-libs, Japanese festival chants and shouting (Hah, Iyo), Japanese Epic Metal, Anime OST style

Miko Rock Band, Deep Electric Bass, Shakuhachi leads, **seventeen stringed Koto (flowing arpeggios)**, **Tsugaru style Shamisen (percussive bachi attack)**, Wadaiko Drums (powerful and deep resonance, heavy 8-beat groove, 120 BPM), repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense, virtuosic improvisation, ethereal Sho background, irregular humming and ad-libs, Japanese festival chants and shouting (Hah, Iyo), Japanese Epic Metal, Anime OST style

Miko Rock Band, Female Vocals (Japanese, optional), Deep Electric Bass, Shakuhachi leads, seventeen stringed Koto, Tsugaru style Shamisen, Wadaiko Drums at 8-beat rhythm, 120 BPM, repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense, virtuosic improvisation, ethereal Sho background, Japanese Epic Metal, Anime OST style

Miko Rock Band, Female Vocals (Japanese, optional), Deep Electric Bass, Shakuhachi leads, seventeen stringed Koto, Tsugaru style Shamisen, Wadaiko Drums at 8-beat rhythm, 120 BPM, repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense, virtuosic improvisation, ethereal Sho background, Japanese Epic Metal, Anime OST style

Miko Rock Band, Female Vocals (Japanese, optional), Deep Electric Bass, Shakuhachi, seventeen stringed Koto, Tsugaru style Shamisen, massive Wadaiko Drums (minimal mechanical 8-beat rhythm, 120 BPM), repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense improvisation

Miko Rock Band, Female Vocals (Japanese, optional), Deep Electric Bass, Shakuhachi, seventeen stringed Koto, Tsugaru style Shamisen, massive Wadaiko Drums (minimal mechanical 8-beat rhythm, 120 BPM), repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense improvisation

Miko Rock Band, Female Vocals (Japanese, optional), Deep Electric Bass, Shakuhachi, Koto, Shamisen, Wadaiko Drums (Okinawan style tone, minimal mechanical 8-beat rhythm, 120 BPM), repetitive 2-chord loop (A-flat major for 4 bars, G minor for 4 bars), intense improvisation, aggressive, Oriental Fusion, Japanese Folk Metal

cyberpunk hard goa trance, extremely high-BPM, relentless fast drums, heavy distortion, intense combat and emergency extraction music, full-on alert, reakdown and rebuild in interlude, **(ending section: epic final act, euphoric trance breakdown, melodic synth line, uplifting synth pad, massive sonic release, fade out)**

A solo acoustic guitar piece in a minor key, featuring a fingerpicked melody with a consistent bass line, The tempo is moderate, around 100 BPM, The guitar has a warm, natural tone with minimal effects, suggesting a close-miked recording, The melody is intricate and uses a mix of arpeggiated chords and single-note lines, The piece has a melancholic yet contemplative mood, There are no vocals or other instruments present, The song structure is continuous without distinct sections like verses or choruses, maintaining a flowing, improvisational feel, The dynamics are relatively consistent, with subtle variations in picking intensity, Longing for my mother's island home

OKINAWA, RYUKYU traditional music, 128 bpm, Pentatonic C E F G B only, lead melody uses Okinawan Folk Scale, male vocals, layered female vocals, OKINAWAN Eisa festival atmosphere, with Sanshin lead, Shamisen, light drive guitar, slap bass, ethereal and mystical, Taiko Drumming, Ryukyu Pentatonic scale

OKINAWA, RYUKYU traditional music, 128 bpm, Pentatonic C E F G B only, lead melody uses Okinawan Folk Scale, male vocals, layered female vocals, OKINAWAN Eisa festival atmosphere, with Sanshin lead, Shamisen, light drive guitar, slap bass, ethereal and mystical, Taiko Drumming, Ryukyu Pentatonic scale

OKINAWA, RYUKYU traditional music, 128 bpm, Pentatonic C E F G B only, lead melody uses Okinawan Folk Scale, male vocals, layered female vocals, OKINAWAN ROCK, WAGAKKI ROCK, Eisa festival atmosphere, with Sanshin lead, Shamisen, light drive guitar, slap bass, ethereal and mystical, Taiko Drumming

Ethereal Neo-Folk, major chord, Upbeat Tempo, Female Vocal, Toy Piano, Accordion, Celtic Flute, Pizzicato Strings, Melancholic but Adorable, Driving 12-string acoustic guritar, heartwarm and hopeful mood

Ethereal Neo-Folk, major chord, Upbeat Tempo, Female Vocal, Toy Piano, Accordion, Celtic Flute, Pizzicato Strings, Melancholic but Adorable, Driving 12-string acoustic guritar, heartwarm and hopeful mood

J-POP, rock, female vocals, chord progression Am-F-G-C, emotional, Sports highlight BGM, length 5:30, layered with synth textures and electric guitar bursts, acoustic, building into a japanese house-inspired beat; female vocals lead with emotional intensity, emo, acoustic guitar-driven intro with a cinematic touch, female vocals, electric, rich reverb atlight drived electric guitar tremolo background

J-POP, rock, female vocals, chord progression Am-F-G-C, emotional, Sports highlight BGM, length 5:30, layered with synth textures and electric guitar bursts, acoustic, building into a japanese house-inspired beat; female vocals lead with emotional intensity, emo, acoustic guitar-driven intro with a cinematic touch, female vocals, electric, rich reverb atlight drived electric guitar tremolo background

J-POP, rock, female vocals, chord progression Am-F-G-C, emotional, Sports highlight BGM, length 4:30, layered with synth textures and electric guitar bursts, acoustic, building into a japanese house-inspired beat; female vocals lead with emotional intensity, emo, acoustic guitar-driven intro with a cinematic touch, female vocals, electric

J-POP, rock, female vocals, chord progression Am-F-G-C, emotional, layered with synth textures and electric guitar bursts, acoustic, building into a japanese house-inspired beat; female vocals lead with emotional intensity, emo, acoustic guitar-driven intro with a cinematic touch, female vocals, electric

Ethereal Neo-Folk, major key, Upbeat Tempo, Female Vocal, Male Chorus, Toy Piano, Accordion, Celtic Flute, soft Strings, Melancholic but Adorable, Driving 12-string acoustic guritar, heartwarm and hopeful mood, Lyrical Tempo, emotional, cinematic

This is a traditional Japanese ensemble performance recorded in a shrine, shamisen, shakuhachi, taiko drums, koto only, There are no modern band instruments, No guitars exist here, Traditional Japanese ensemble only, Shakuhachi is the only lead instrument, Shamisen is rhythmic accompaniment, no tremolo picking, no fast repetitive plucks, Taiko drums with festival swing rhythm, Absolutely no guitar, no electric guitar at all, remove all guitar sounds, no rock band arrangement, no western band, Wooden buzzing shamisen tone, short dry percussive plucks, Focus on traditional Japanese sound textures, cinematic tension, stormy sea atmosphere, low koto riffs instead of guitar, do not add any guitars under any circumstances