
BACK LINE -B.O.U.O.N-
【Youtube Premiere】BACK LINE TV -暴音B.O.U.O.N- set list
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10 songs
2:49

Genre: Digital Hardcore / Industrial Punk
Mood: Aggressive, Chaotic, Cathartic
BPM: 210–220
Prompt:
A brutal digital hardcore track blending raw live rock band energy with chaotic machine aggression, Features solid distorted guitars, heavily overdriven bass, tight and punchy kick drums, and fast-paced jungle breakbeats layered with glitch effects, Vocals are shouted, distorted, and emotionally intense—reflecting themes of collapse, satire, and digital disillusionment, During the "bug成り" sections, use thunderous, low-frequency death growls—like an overwhelming wall of sound—to express pure sonic violence and system meltdown, The song should feel like a corrupted transmission, glitching between forced hope and impending collapse, punk, madness, bass virtuoso, drum solo, punk metal
3:05

SINNER : Re
v4.5+
Hardcore punk song with aggressive low-end focus and heavy down-tuned guitars, Fast-paced 2-beat rhythm, intense distorted bass, and powerful kick drums, Vocals are mostly English with occasional Japanese shouts, Screamed and shouted vocal delivery with raw energy, The mood is dark, defiant, and emotionally explosive, BPM 180-200, Theme: being a sinner, rejecting fake morality, screaming one’s truth, with electronic glitch elements and industrial textures, add growl/harsh vocals and breakdowns, dirty voice
3:16

"Goodbye, Say Hello" is a high-energy, emotionally charged digital hardcore punk track where heavy distortion and fragile memories collide in a soundscape that’s both fierce and strangely catchy, Beneath its raw intensity lies a sense of pop sensibility, making the chaos feel unexpectedly uplifting, The song begins with a calm, spacious intro, evoking the image of a clear blue sky and drifting smoke, Suddenly, it erupts with tight distorted guitars, precise, hard-hitting kicks, and a deep, growling bass, while raspy, distorted vocals scream with unfiltered emotional release, Inspired by the sight of cremation smoke rising into the sky, this is a powerful sonic journey of farewell and rebirth, where “Goodbye” slowly transforms into “Hello, ”
The track runs at a blistering BPM 180, dirty voce, dirty voice, dirty voice, powerful beat
3:03

ギシキ (Remastered)
v4.5
Title: "GISHIKI"
A violent digital hardcore track with BPM 200+, Features solid distorted guitars, ultra-heavy low-end distorted bass, and heavy, tight kick drums, Add chaotic breakcore elements to intensify the rhythm, Vocals are aggressively screamed and heavily distorted, blending human and machine, The sound should feel raw, destructive, and ritualistic—no melody, just explosive noise and controlled chaos, Use industrial glitch textures and distortion walls, Lyrical fragments (shouted or glitched): “前任狂人 明日は我れ化 / 美貌にデッド えぐる本音 / したたる悦 我いざ行かん”
4:59

BPM 185, Respectful cover of the song “星天” by ELEMAYU — preserve the original melody faithfully throughout the entire song, Start with an intimate, minimal arrangement using only acoustic guitar (fingerpicking or soft strumming), with a warm and emotional tone inspired by the original, Keep the vocal soft, heartfelt, and melodic, closely following the original melody, After the first chorus, dramatically explode into an intense digital hardcore punk section:
razor-sharp and solid distorted guitar riffs, growling and overdriven distorted bass, heavy and tight kick drums, and aggressive snare hits, Vocals should remain melodic (never losing the original melody), but gradually gain intensity and turn into raspy, dirty rock vocals with a faint sense of sorrow and fragility in the later part, Always keep the melody and emotional core of the original intact, while fusing heartfelt emotion with chaotic explosive energy
3:14

undergroundhiphop, hardcore, hardcore, heavyrock, rap, distortion guitar, dirty voice, guitar riff, hardcore, nu metal, hardcore
2:47

A digital hardcore track by a full rock band, fusing heavy distorted guitars, wild distortion bass, and aggressive live drums with digital chaos and glitchy textures, Screamed, raspy vocals, tight kick and snare, catchy but destructive energy, BPM 200–210, Sounds like a riot between analog fury and digital noise, digital punk energy, for an explosive live show, dirty voice, industrial cybercore
1:20

Feverish Memory
v4.5
A short and fragile music box track, 30 to 60 seconds long, The tone is soft and gentle, with a bittersweet, tear-jerking melody that feels like it could make you cry, It carries a nostalgic atmosphere, like tracing the memory of a distant childhood, Slight detuning or timing imperfections add warmth and a human touch, A quiet, delicate melody that stirs unspoken emotions and gently resonates deep within the heart
3:08

防音と暴音
v4.5
A solid and edgy digital hardcore track featuring intense, aggressive distorted guitar riffs with sharp, cutting edges, Growling and chaotic distorted bass rumbles beneath, matched by heavy, tight kick drums that drive the track forward with brutal energy, Vocals are raspy, distorted, and emotionally raw, shouting with desperation and fury, The atmosphere blends industrial noise with tribal elements, creating a primal and dystopian vibe, The track should sound like a violent outburst breaking through a soundproof wall, bursting with uncontrollable energy, BPM around 190–200
2:55

Exit The Lie
v4.5
A hyper-aggressive and unhinged digital hardcore track with chaotic pop sensibility and twisted catchiness, The sound is loud, dirty, and frenzied — slicing distortion guitars and glitchy, hypnotic riffs smash through the mix, The bass writhes and grinds underneath like a broken machine on fire, Drums are brutally tight and mechanical, with pounding kicks and explosive snares at BPM 210–220, Vocals are distorted, unfiltered, and manic — screamed, chanted, or spat out in relentless bursts, mixing fury with addictive melody, Jungle breakbeats stutter and glitch beneath, driving the track with twitchy, unstable energy, The track feels like a cyberpunk meltdown in a pop nightmare — violently catchy, like sugar-laced gasoline, It ends with a chaotic collapse into noise, feedback, and fading broken harmonies — a perfect high to crash an album into the void


