2:43

3:17

Drill, melodic, catchy beat, rap, layered, heavy bass, hip hop, familiar sounding
2:53

Drill, melodic, catchy beat, rap, layered, heavy bass, hip hop, familiar sounding
3:30

Kiss of death
v4.5+
indie rock, alternative rock, surf rock, reggae, warm strings, solos, rapid hi-hats, pentatonic scale, emotional bridge, mocking, warm atmosphere, old style, dancefloor, techno, melodic guitar
2:33

punk, bluegrass, sultry synths, edm, pop, and haunting acoustic strings, layers of cyberpunk edm beats provide an underground edge, alt r&b, emo, dark romance, folk, r&b, with a fusion of moody dark indie and folk textures, minimalistic bedroom-pop production
3:05

grunge, blues, male vocals, acoustic, ballad, rock, alternative rock, aching vibe, dark grunge, heartbroken ballad with male vocals and harmonizing, acoustic guitar leads with a bluesy edge, layered with haunting vocal harmonies and raw emotional texture, minimal percussion for an intimate, acoustic rock
3:19

3:39

Sub pop, electric, synths, synthesizer-driven, synthesizer, singalong, electro, experiment, rock, alternative rock, subharmonized, ambient, indie rock, synthwave, alternative rock, punk, solos, dark themes
2:33

grunge, blues, male vocals, acoustic, ballad, rock, alternative rock, aching vibe, dark grunge, heartbroken ballad with male vocals and harmonizing, acoustic guitar leads with a bluesy edge, layered with haunting vocal harmonies and raw emotional texture, minimal percussion for an intimate, acoustic rock
3:13

The track opens with lo-fi textures and atmospheric synth pads, layered over a moody cyberpunk EDM beat and grungy guitar riffs, Verses use minimalistic drums, pulsing bass, and sparse electric keys to highlight the vocalist’s vulnerable tones, The chorus swells with distorted guitars, driving synths, and dynamic electronic percussion, fusing dark alternative indie rock with emotional ballad sensibilities, The bridge strips back to haunting pads and falsetto vocals before the song crescendos, blending vulnerability with edgy, futuristic production elements
2:23

A dark lo-fi indie bedroom pop track with hazy reverb, muted drums, and softly pulsing synths at a mid-tempo (80–100 BPM), Melancholic male falsetto and layered harmonies glide atop swelling guitar, synth pads, and minimal bass, Quiet crescendos heighten emotion, keeping intimacy and a haunting, vulnerable vibe
2:29

Dead at 27
v3.5
dark, melodic, electric guitar, sad, male vocals, dramatic, rap, epic, electric, emo, emo rap
2:54

This track fuses west coast old school rap and hardcore hip hop, layering punchy hip hop drums and thick rolling bass beneath rapid-fire, hyper-technical verses, Cyberpunk synth leads and sharp EDM textures blend with classic G-funk keys, forming a futuristic, electrifying sonic palette
2:42

2:23

A dark lo-fi indie bedroom pop track with hazy reverb, muted drums, and softly pulsing synths at a mid-tempo (80–100 BPM), Melancholic male falsetto and layered harmonies glide atop swelling guitar, synth pads, and minimal bass, Quiet crescendos heighten emotion, keeping intimacy and a haunting, vulnerable vibe
2:44

A relentless fusion of cyberpunk EDM and industrial electronic, driven by thick boombap and Jersey club trap beats, Layers of dark folk textures, face-melting blues guitar solos, and haunting synths build intensity, Sarcastic, gloomy male vocals float above atmospheric, glitchy rock and heavy bass, all wrapped in a lush studio polish, The arrangement surges with dramatic builds, seismic drops, and electrifying emo-pop hooks, blending dark indie and bedroom pop elements to create a heart-wrenching, goth-tinged electronic rock epic
3:27

blues, ballad, reverb-soaked tones, rap, haunting atmosphere, surf guitars, male vocals, dark ballad
3:50

brooding ballad with haunting atmosphere, ballad, heavy bassline, dark blues, blues, surf guitar riffs
4:04

punk, ballad, vocal, heavy baseline, blues, dark blues, dark piano, indie rock and roll ballad, atmospheric layers with cyberpunk edm textures, deep male vocals with a silky, deep, surf guitar riffs, and subharmonic layers create a terrifying, soulful edge, whistling, lo-fi, rock, smooth, edm
3:41

dark, melodic, electric guitar, sad, male vocals, dramatic, rap, epic, electric, emo, emo rap
3:55

A cyberpunk EDM-rock fusion erupts with punchy electronic drums, funk and punk-infused aggressive guitar and bass riffs, and booming wobble bass, Ethereal reverb piano and lush atmospheric synths create space, Rap verses energize over slick cowbells, Polished, angelic vocals soar in the hook
2:28

Face melting guitar solo and riffs, cyberpunk edm style, tron edm style, Acoustic folk rock song in a major key, featuring a male vocalist with a clear, slightly raspy tenor voice, The primary instrumentation is an acoustic guitar, playing a consistent strumming pattern with occasional arpeggiated fills, The tempo is moderate, around 120 beats per minute, The chord progression is simple and repetitive, creating a relaxed and accessible feel, The melody is straightforward and follows the vocal line closely, There are no complex production effects, just a clean, natural sound with a slight reverb on the vocals and guitar, The song structure includes verses and a chorus, with a distinct instrumental break featuring a guitar solo that mirrors the vocal melody, The vocal delivery is conversational and expressive, with a slight country inflection, rap, frustration, indie rock, deep rap, folk-inspired, earthy, neo-rockabilly, symphonic orchestra, harmonized layers, europop, punchy beat
3:39

male vocals, peaking in the final chorus, lofi 1980s, rock, surf rock, a driving rhythm section, and a bittersweet yet nostalgic vibe, build tension with layering instruments and dynamics, reverb-soaked guitars with tremolo, punchy basslines
2:53

Opening with fingerpicked acoustic guitar soaked in subtle distortion, the song blends grunge-tinted textures with plucked banjo and resonator guitar for dark bluegrass flavor, Lo-fi synth atmospheres and pulsing cyberpunk EDM beats layer in, anchored by haunting bass and eerie ambient pads, Verse and chorus shift between intimate dark folk arrangements and sudden synth-driven drops, fusing acoustic grit with futuristic electronic soundscapes
2:06

Acoustic folk rock song in a minor key, featuring a male vocalist with a clear, slightly melancholic tone, The primary instrumentation is an acoustic guitar, playing a fingerpicked arpeggiated pattern throughout the verses and a strummed pattern in the chorus, The guitar provides both rhythmic and harmonic support, The chord progression is consistent, creating a reflective and somewhat somber mood, The vocal melody is simple and direct, emphasizing the lyrical content, There are no drums or bass, giving the song an intimate, stripped-down feel, The production is clean, with the guitar and vocals well-balanced in the mix, There are no noticeable effects on the vocals, maintaining a raw and authentic sound, The tempo is moderate, allowing the listener to focus on the narrative, The song structure follows a typical verse-chorus pattern, with a brief instrumental interlude after the first chorus
1:41

Up-tempo track blending ethereal pads and grand symphonic strings with driving violoncelle lines, Impactful drops cut to aggressive rock guitars and punchy Bay Area hyphy beats, layered under frenetic rap flows, Transitions weave hip hop drums with alternative distortion and sweeping orchestration
3:54

Melding dark folk textures with indie romance ballad sensibility, the track opens with fingerpicked nylon-string guitar and brooding cello, Sparse percussion and ambient electric guitar add edge, The chorus swells with layered harmonies, while subtle synths underscore the moody alternative vibe
3:08

Deep low raspy vocals, male baritone vocals, laid back flowin lyrics, murder music, male tenor voice, trap, jazz, hip hop, hard male vocals, ominous horrorcore rap, psychedelia, percussive style bass, impassioned male vocal style, studio quality sound, godly, cyberpunk edm style, dark edm hip hop beats, progressive electronic
2:12

auto-tuned vocals over a dreamy synth and soft trap beat, atmospheric, chill
2:24

gangster rap, rap, hard-hitting, aggressive delivery, dark, minimalist beats with eerie synths and a heavy 808 bassline, male vocals with a gritty
3:45

Sub pop, electric, synths, synthesizer-driven, synthesizer, singalong, electro, experiment, rock, alternative rock, subharmonized, ambient, indie rock, male & female vocals, ‑Back in my day
2:59

A slow tempo pop ballad with a male vocalist, The song features a prominent acoustic guitar playing arpeggiated chords, a bass guitar providing a steady root-note foundation, and a drum kit with a soft, brushed snare sound, The chord progression is simple and repetitive, creating a melancholic atmosphere, The male vocalist sings in a clear, slightly breathy tenor, with a gentle vibrato, The melody is simple and memorable, staying within a comfortable vocal range, Production elements include a clean mix with a slight reverb on the vocals and guitar, giving the track a spacious feel, The song structure appears to be verse-chorus based, though only a short excerpt is provided, The key is minor, contributing to the somber mood
3:22

Style and inspiration Bradley Nowell's songwriting style was a unique mix of genres, reflecting his eclectic influences from the diverse music scene of Long Beach, California, His lyrics often blended raw, personal narratives with humorous observations, pop culture references, and social commentary, Musically, his songs moved fluidly between punk, ska, reggae, dub, hip-hop, and rock, featuring trademark elements like distinctive guitar riffs, major tempo changes, and soulful, sometimes gritty, vocals, The song below is written in the style of Bradley Nowell and Sublime, with:
• A fusion of punk, ska, and reggae rhythms, • Vignette-style lyrics that reference specific Long Beach street names, • A narrative that blends street-level observations with a sense of personal unease, • A distinctive guitar riff and bassline, • Dynamic shifts in tempo and style
3:47

So-cal reggae, punk, alternative rock, dark punk sounding singer with a very soulful from the stomach wide range but so cal like sublime, 90’s sublime style, hip hop bass, punk drum set, singer also plays guitar and solos while singing like Bradley from sublime, rap, west coast, Long Beach whiteboy reggae vocals, Sublime singer Bradley vocals, hip hop, lyricist, raspy raw voice, emotioneel, mumble, soulful gospel, a slow, ear candy, power chords, vinyl samples, introspective mood
slow reggae
3:39

So-cal reggae and ska, riddem, dancehall, punk, folk, alternative rock, dark punk sounding singer with a very soulful, but so cal like sublime, 90’s sublime style, hip hop bass, punk drum set, singer also plays guitar and solos while singing like Bradley from sublime, rap, west coast, Long Beach whiteboy reggae vocals, Sublime singer Bradley vocals
2:09

The track starts with a haunting, effect-laden electric guitar riff over ambient textures, Verses feature moody rap on reggae-tinged sparse beats, deep bass, and subtle acoustic guitar, The chorus swells with dramatic male harmonies, heavy 70s-inspired strings, choral backing, and layered guitars in a soaring emo rap–rock blend, Repetitive melodic hooks and dynamic transitions keep the energy simmering
4:28

Stone
v5
Acoustic folk piece in a major key, featuring a single acoustic guitar, The guitar plays a fingerpicked melody with arpeggiated chords, creating a gentle and flowing texture, The tempo is moderate, and the dynamics are consistent throughout, maintaining a soft to medium volume, There are no vocals or other instruments present, The production is clean, with a natural acoustic guitar sound, minimal reverb, and no discernible compression or equalization effects, The chord progression is simple and repetitive, contributing to a meditative and calm atmosphere, The melody is diatonic and uses mostly stepwise motion, with occasional small leaps, The overall feel is intimate and reflective, indie rock, electronic, soaring guitars, clean audio, smooth vocals, electronic bass, dark piano, riff guitar, delicate piano, dark hiphop, male voice, high-energy, atmospheric soundscape, gravy beats, heavy bass, face melting guitar solo and riffs
4:28

Acoustic folk piece in a major key, featuring a single acoustic guitar, The guitar plays a fingerpicked melody with arpeggiated chords, creating a gentle and flowing texture, The tempo is moderate, and the dynamics are consistent throughout, maintaining a soft to medium volume, There are no vocals or other instruments present, The production is clean, with a natural acoustic guitar sound, minimal reverb, and no discernible compression or equalization effects, The chord progression is simple and repetitive, contributing to a meditative and calm atmosphere, The melody is diatonic and uses mostly stepwise motion, with occasional small leaps, The overall feel is intimate and reflective, indie rock, electronic, soaring guitars, clean audio, smooth vocals, electronic bass, dark piano, riff guitar, delicate piano, dark hiphop, male voice, high-energy, atmospheric soundscape, gravy beats, heavy bass, face melting guitar solo and riffs
2:43

Disgusting hip hop, eerie, scary beat, tortured soul, bubonic piano, hardcore terror
2:19

Champagne Problems
v4.5-all
lo-fi, dark, hip hop, alternative rock, rap, indie, folk, spoken word, 90s, slow, acoustic, deep, rock, male vocals
2:52

dynamic, and orchestral drama, shakuhachi accents and guitarra española add intrigue to the shadowy soundscape, perfect for a live concert or a climactic moment in a video game, and trap drums set a haunting stage; a male vocalist delivers an intense narrative, slow, alternative rock, pop, r&b, dark, indie rock meets trap; dynamic bass, layered harmonies, cinematic, ambient, techno, cumbia, ambient textures, climbing to a power chorus with high notes, indie rock
2:12

Zef hip hop style, techno, edm haunting beats, eerie sounds, male deep voice flowing, 70s disco
2:07

haunting demon vocal textures weave in and out as crisp hi-hats push a relentless, hardcore rap, rap, ambient, processed vocal phrases, dynamic, while ambient rap-rave elements create a chilling atmosphere, horror-inspired groove, verses blend clean, relaxed rap flows with warped, maintaining a dynamic tension between gritty edge and atmospheric depth, hard-hitting drums drive a punchy rhythm, clean, vocal, hardcore
4:29

Bad to the Bone
v4.5-all
rap, hip hop, smooth, emo, aggressive, male vocals, deep, romantic, experimental, electronic, grunge, techno
3:09

Alternative garage indie, dark folk, anti folk, acoustic guitar ace melting guitar solo, edm, alternative folk, trep, alternative rock, electric piano solo, lo-fi, hip hop, indie rock, singer songwriter, dystopia, funky rap, bass sequencer, instrumental bridges, wide range, tr-808, smooth rap, alternative rock, edm, lo-fi
3:05

Alternative garage indie, dark folk, anti folk, acoustic guitar ace melting guitar solo, edm, alternative folk, trep, alternative rock, electric piano solo, lo-fi, hip hop, indie rock, singer songwriter, dystopia, funky rap, bass sequencer, instrumental bridges, wide range, tr-808, smooth rap, alternative rock, edm
4:20

rap, underground rap, dubstep, reggae dub, extreme underground rap, experimental, acoustic, piano, sad, indie, male vocals, reggae, dubstep, sad, underground rap, experimental, dub, male vocals, emotional, hip hop, acoustic







