𐌄ⵍᘐ𐌋𐌆𐌔𐋏 𐌄𐌛𐌆𐌂

historical epic metal, thrash metal, ethnic russian folk influences of powermetal, NWOBHM, Post Hardcore, glitchy Nu-Metal, dramatic choir chants, militant marching rhythms, melancholic minor-key melodies with modal folk inflections, folk-dance inspired interludes (polka, Hungarian tanć, eastern european rhythms), pedal tone riffs and powerful orchestral percussion, symphonic layers with accordion-like synths and violin motifs, dark and heavy atmosphere with triumphant climaxes

style: 70's Düsseldorf Krautrock, HummerBeats, AllegroTempo, concrete music, industrial, minimal techno, stoner rock, mechanic voices, male vocal atmosphere: The bleak atmosphere of a city in ruins, A barren worldview, dry and lo-fi, emotion: Mindlessness, despair, nihilism, survival instinct, flat resentment and anger, a voice lacking inflection

Epic Ottoman Mehter Metal, symphonic epic metal, mehter band, janissary chant, yeniçeri chant, ottoman military music, 15th century ottoman atmosphere, conquest atmosphere, dark imperial, ceremonial, powerful male choir, deep male lead vocal, modal scales, phrygian dominant, harmonic minor, heavy low brass, zurna, mehter drums, davul, nakkare, huge cinematic percussion, slow epic intro, war ritual music, constantinople conquest theme, historical, dramatic, sacred, imperial, hypnotic rhythm, DUM tek tek DUM tek mehter rhythm, no modern pop influence, no electronic dance feel, organic acoustic percussion layered with metal, epic climax, emotional, fatalistic, majestic, ancient empire awakening

extremely math rock, complex drums, shred guitars, lightning-fast organ playing, early 70's art-rock, prog-rock, jazz-rock, UK hard rock, baroque n' roll, psychedelic, distorted bass guitar, Hammond's B3, ES-335 with HIWATT guitar-amp

Roland Mc-4/Mc-8 Microcomposer, Roland Tb-303, Arp Odyssey, Prophet-5, Pre-Techno Electro, Late 1970'S, Full_Vocoder of voices, Ascending Step Sequencer Refrains, Analog Sequencer, Dominant Upward Step Sequence, Ascending Sequencer Pattern Dominated, Early Detroit Techno, 105Bpm, electro_funk

style of 1966 in London, Mod Soul, British invitation, beat psychedelic guitarpop, dominated Hammond's B-3 electric organ and featured Rhodes on lead and improvisation solo, jazz pop, powerpop, allegretto, bpm150, tremolo guitars, Fender '51 esquire on the Twin guitaramp, precision bass, dry Gretch drums, lo-fi recorded and mastered