3:48
Search History (Reprise)
v4.5-all
Big, irreverent Broadway finale: full cast, brassy pit orchestra, gospel-choir stack on the hook, female lead and mixed ensemble, Start with cheeky soft-shoe and piano, explode into stomping 4-on-the-floor chorus, electric guitar punches, soaring modulated key change on last refrain, ad-libbed call-and-response over a held final chord, broadway
4:34
Louder Than Death
v4.5-all
Big Broadway gospel-meets-rock finale, female ensemble vocals led by one fearless belter; full choir, bright brass hits, distorted guitars, and pounding drums, Starts as a mock-hymn in hushed unison, then explodes into stacked harmonies and shout-singing, Key change and tempo push in the last chorus, huge gang vocals and ad-lib runs over a held final chord, broadway
2:56
Nun Of Your Business
v4.5-all
Big Broadway showstopper with hip-hop swagger; bright pit orchestra hits, punchy drum groove, gospel choir stacked behind a sassy female lead, Verses keep it tight with walking bass and snappy brass punches; chorus explodes with modulations, handclaps, and call-and-response choir, Final bridge throws in key change, half-time breakdown, and belted ad-libs for a roof-raising finale, broadway
4:12
Remember Me
v4.5-all
Big Broadway showstopper with darkly comic edge; full pit orchestra, bright brassy hits, gospel choir stacked in tight harmonies behind a commanding female lead, Opens as a classic inspirational ballad then twists into irreverent satire with punchy rhythmic stabs and call‑and‑response shout lines, Drums drive a steady, theatrical groove that swells into a huge final key change and shouted ad-libs from the whole cast, broadway
3:26
Omen-ing
v4.5-all
Big Broadway gospel-rap mashup, female vocals in the lead with raucous choir call-and-response, crunchy distorted band hits under churchy organ and thumping kick; verses spit like a defiant sermon, chorus explodes into stacked harmonies and shout-singing, bridge drops to sparse handclaps and organ before a key-change finale where the choir goes full belt and the band drives to a chaotic, triumphant climax, broadway
3:43
Dante Hates This Song
v4.5-all
Big Broadway gospel-funk finale, full choir, blazing horns, church organ turned up, hip-hop drum groove; female vocals leading with sassy belting and tight three-part harmonies; call-and-response with the choir, sudden a cappella breaks, key change on last chorus, wild ad-libs over a roaring, handclap-driven outro, broadway
5:37
Blasfhemy For The Win
v4.5-all
Big Broadway gospel-funk finale with full choir, stomping rhythm section, bright brass hits, and key-change fireworks; female vocals leading a stacked ensemble, sharp comedy timing and call-and-response ad-libs, huge modulation for the last chorus with organ glissandos and crowd-chant outro, broadway
6:03
Breaking My Code
v4.5-all
Big brassy Broadway finale, female vocals, full gospel choir, bright horn stabs and swaggering rhythm section that swells into a roof-raising key change; verses playful and punchy, chorus explodes with call-and-response choir, crunchy electric guitar accents, and pounding piano; final tag stacks ad-libs and choir shouts, ending on a sustained belt with full-band button, broadway
4:35
Hell Freezes Over
v4.5-all
Big brassy Broadway showstopper with full choir, male and female vocals trading lines, Start as a slow mock-hymn with organ and soft strings, then explode into jazzy horns, stomping rhythm section, gospel-style claps, and over-the-top belting, Key changes climb in the final chorus, choir stacked thick, comedic ad-libs and dramatic stops accent punchlines, broadway
5:19
The Final Number.exe
v4.5-all
Big, irreverent Broadway finale: full cast, brassy pit orchestra, gospel-choir stack on the hook, female lead and mixed ensemble, Start with cheeky soft-shoe and piano, explode into stomping 4-on-the-floor chorus, electric guitar punches, soaring modulated key change on last refrain, ad-libbed call-and-response over a held final chord, broadway