3:22
Elven woman • hyper-detailed style brief for Suno:
Genre: ethereal folk × neoclassical × ambient; luminous, devotional, not saccharine, Tempo 78–92 BPM (breathing pace), Tonality: modal (Dorian/Aeolian with “starlight” color tones), drones under long legato lines, Instruments: harp (primary ostinato), crystal flute, psaltery/zither, handbells, soft frame drum/shallow bodhrán, light strings as moonlit pads; optional wind chimes and glass harmonica, Vocal: airy bell-like head voice, intimate ribbon mic feel; featherlight mordents, sighing portamenti, occasional runic whispers, Rhythm: tidal/additive pulses (5+7, 3+2+3) that swell and recede; subtle polymeter layers, Structure: Intro (vowel toning over drone) → Verse (nature invocation) → Pre (rising harmonic overtones) → Chorus (soaring but restrained) → Verse 2 → Pre 2 → Bridge (wordless vocables) → Final Chorus (small key lift) → hush coda, Production: wide, airy reverb (wood/stone early reflections), granular echo tails, soft tape
4:12
Dwarven War Duet — two voices born in thunder, steel, and avalanche fire, Genre: High-Speed Mountain Metal × Industrial × War Anthem; furious, molten, unstoppable, Tempo 130–160 BPM (Mine Blitz), Tonality: Phrygian minor with iron resonance and lava-edge guitar, Instruments: hammer-on-anvil, blast drums, double-kick pedal, steel plate crash, pickaxe strikes, molten riff guitar, chain whip, bass hammer, furnace roar, stone horn blare, crowd chant “Khazâd!”, Male vocal – deep roar, mountain-king growl with war snarl, Female vocal – razor alto belt, feral shout through sparks, Duet – rapid alternating verses, unison battle chorus, Rhythm: hammer-triplet (3+3+2) × double-kick drive, Structure: intro (rock eruption) → verse (mine onslaught) → pre (lava surge) → chorus (iron uprising) → bridge (guitar meltdown + drum fury) → final chorus → outro (cave collapse), Production: dry metallic echo, crushing low end, volcanic compression, blast-forge mix, Atmosphere: sweat, flame, rock, steel —