3:16
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:40
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:11
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:24
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:26
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:50
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:51
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:07
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:19
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:44
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:09
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:37
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:50
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:21
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:37
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:41
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:31
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:11
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:29
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:36
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:14
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:44
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
7:59
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
6:20
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
6:42
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:27
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:05
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:26
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
4:40
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
4:33
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:46
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
4:44
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:19
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
5:27
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
5:19
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:54
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:24
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:26
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
4:09
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
5:49
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
5:34
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:27
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:12
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
4:14
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:06
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:44
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
3:04
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
4:47
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
4:02
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects
2:33
Late 1960s British psychedelic rock with experimental influences and maximalist analog studio processing, Complex experimental tempo at 106 BPM with avant-garde rhythmic structures and polyrhythmic complexity, Multiple electric guitar tracks through British amplifiers with contrasting experimental analog effects, bass guitar with avant-garde analog processing, and drums with experimental percussion elements and heavy analog processing, Layers of analog synthesizers, Mellotron experimental textures, Hammond organ through Leslie speakers, and backwards experimental arrangements, Vocals with elaborate harmony structures processed through multiple analog delay systems and experimental British preamps, Found sounds of British experimental music venues, art happenings, and countercultural events processed through vintage analog equipment, Extensive studio experimentation including tape speed manipulation, backwards recording, and experimental analog flanging effects