2:49

Dangerous Woman
v4.5-all
Dark pop-R&B groove with tense, minimal verses built on pulsing bass and snapped percussion; chorus explodes with thick synth pads, distorted guitars, and stacked female vocals, Hooks stay tight and repetitive, with a late-game half-time drop and ad-libs pushing the danger and desire
2:26

I Run This Place
v4.5-all
High-energy pop-trap banger with confident female vocals; tight drum groove, elastic bass, and glossy synth stabs, Verses stay minimal for attitude and swagger, hook explodes with stacked harmonies and chant-style ad-libs, Short spoken drops and filtered pre-chorus for tension, then full, bright chorus that feels made for strutting onstage
3:23

Pack your stuff
v4.5-all
Moody midtempo R&B over warm, detuned keys and a pulsing bass line, female vocals, Verses sit close and conversational with tight drums and subtle vocal doubles; chorus lifts with airy harmonies and a brighter pad, hook repeating the title, Short bridge strips back to just keys and bass before the final, bigger chorus with ad-lib runs and a slightly saturated, radio-ready mix
2:39

Karma in the Parking Lot
v4.5-all
Moody alt-pop with a dark, swaggering groove; verses ride a minimal bass pulse, finger snaps, and muted guitar, then the chorus explodes with layered female vocals, big drums, and distorted synth swells, Bridge drops to half-time with filtered instruments and a spoken-style delivery before the final hook slams back in
3:23

The Mirror
v4.5-all
Sultry R&B slow-burn with muted electric piano, soft sub-bass, and tight, minimal drums, Female vocals sit intimate and close-mic’d, with airy doubles on the hook, Pre-chorus swells with subtle pads; chorus widens using stacked harmonies and a distant, reverbed counter-melody, Keep the groove relaxed but insistent, letting space and silence frame the emotion
3:25

Poolside Time of my life
v4.5-all
Bright pop with a sunlit bounce and tight drums, shimmery guitars, and bubbly synths, Female vocals, confident and playful on the verses, big stacked harmonies on the chorus, Pre-chorus pulls the energy back with palm-muted guitar then chorus explodes with splashy percussion and gang vocals from “the friends, ” Bridge drops to claps and bass before final, triumphant hook
3:31

Read Receipts & Rumors
v4.5-all
Glossy alt-pop with tight, punchy drums and bright synth bass, Female vocals, conversational and up-front in the mix, Verses stay minimal—plucky keys, dry claps—then choruses bloom with stacked harmonies, airy pads, and a sticky top-line, Bridge dips into half-time, filtered drums, and a distant phone-tone motif before a final, explosive hook, drama
2:15

I Can Break You
v4.5-all
Dark pop trap with sharp, taunting female vocals; minimal verse built on plucky synths and sub-heavy drums, then a chorus that slams in with distorted bass, risers, and doubled hooks panned wide, Tight ad-libs and pitched-down backing vox shadow the lead, Middle eight strips to bass and vocal before a final, louder chorus hits with extra harmonies and stuttered edits
3:50

Outgrew Your Shadow
v4.5-all
Indie pop with clean electric guitar, warm bass, and tight drums, Verses stay intimate and close-mic’d, almost confessional; pre-chorus adds airy pads and subtle percussion build, Chorus hits wide with layered female vocals and a bright, anthemic lift, Final repeat strips to guitar and voice, then full band crashes back for a confident, feel-good outro, sad
3:30

Flowers Weren’t Just Sorry
v4.5-all
Moody alt-pop with girl vocals, sparse piano and distant pads in the verses, then drums and warm bass blooming in the chorus, Intimate close-mic vocal, double-tracked hooks on the title line, subtle harmonies answering key phrases, Bridge strips to vocal and piano before a final, more intense chorus with layered backing vocals and a slightly distorted, emotional topline

