Ai Outlaw – Dust on the Spirit Road
Ai Outlaw Delta Blues concept — stripped down, soaked in soul, and captured like a lost 1932 field recording
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17 songs
2:44
Final track, Pure harmonica minimalism—slow, breathy, with space between every note, Foot stomp fades halfway through, Violin enters like a distant wail, Ends with 30 seconds of pure vinyl crackle and silence, Ai Outlaw
5:03
Low-end harmonica phrases soaked in reverb, bleeding into a foggy violin drone, Foot stomp delayed and echoing like steps through a wet bayou, Static, insect noise, and faint thunder roll in background, Ai Outlaw
3:03
Stomp at Sundown
v4.5
A driving foot stomp track, rhythmic and relentless, Harmonica rides on top with bluesy growls and sharp bends, No violin, just dirt, dusk, and breath, Field mic distortion adds analog fire, Ai Outlaw
4:39
Minimalist rawness, One harmonica, sparse phrases, No rhythm but breath, Tape hiss, a faint distant train horn, and foot stomp as a heartbeat, Like waiting for an answer that never comes, Ai Outlaw
3:14
A conversation between weary violin glides and moaning harmonica phrases, Foot stomp imperfect and human, Hollow mic tone like it was captured through a barn wall, Authentic, rough, and spiritual, Ai Outlaw
3:49
Dust in My Chest
v4.5
Harmonica wheezes like lungs full of coal dust, Every draw note clings to survival, The stomp lands like a coffin lid closing, Mono crackle and distant crow caws make it hauntingly real, Ai Outlaw
4:07
A lonesome violin saws through a humid stillness, paired with breathy harmonica and heavy boots on dry wood, Gritty, scratched recording tape, background wind noise, and ghostlike echoes, A funeral march in a cotton field, Ai Outlaw, ‑Violin for the Dead
4:02
Solo harmonica crying through cracked reeds, Every note bent with dirt and struggle, One mic, one man, one slow, pulsing foot stomp, Mono recording with vinyl hiss and porch ambiance, Raw Delta soul, Ai Outlaw
2:56
One Stomp Left
v4.5
1932 Delta blues field recording, Solo harmonica with foot stomp, breathy tone, steady rhythm, Gritty, crackling vinyl hiss, captured in mono on vintage ribbon mic, A raw call into the dust, Ai Outlaw
3:09
Untitled
v5
A warm, laid-back blues band in Bm plays at 75 BPM with a 12/8 shuffle, Spacious guitar licks—bends, slides, double-stops—float above rounded drums full of ghost notes and an assured walking bass, Guitar and bass trade fills within each tight 12-bar cycle, The mix is intimate, lush in low-mids and smooth in highs, the organic compression creating an enveloping, late-night live atmosphere
3:09
A warm, laid-back blues band in Bm plays at 75 BPM with a 12/8 shuffle, Spacious guitar licks—bends, slides, double-stops—float above rounded drums full of ghost notes and an assured walking bass, Guitar and bass trade fills within each tight 12-bar cycle, The mix is intimate, lush in low-mids and smooth in highs, the organic compression creating an enveloping, late-night live atmosphere
3:43
A warm, laid-back blues band in G plays at 75 BPM with a 12/8 shuffle, Spacious guitar licks—bends, slides, double-stops—float above rounded drums full of ghost notes and an assured walking bass, Guitar and bass trade fills within each tight 12-bar cycle, The mix is intimate, lush in low-mids and smooth in highs, the organic compression creating an enveloping, late-night live atmosphere
2:56
Untitled
v5
A warm, laid-back blues band in G plays at 75 BPM with a 12/8 shuffle, Spacious guitar licks—bends, slides, double-stops—float above rounded drums full of ghost notes and an assured walking bass, Guitar and bass trade fills within each tight 12-bar cycle, The mix is intimate, lush in low-mids and smooth in highs, the organic compression creating an enveloping, late-night live atmosphere
4:37
Untitled
v5
Warm guitar opens with a relaxed blues shuffle groove at 75 BPM in G, the 12/8 drums softly pulsing with ghost-noted snare and supportive, rounded kick, Bass walks assuredly, locking with drums for a head-nodding sway, Guitar delivers space-filled, triplet-based G blues phrases—ahead-of-the-beat bends, slides, double-stops—phrases breathe naturally, Guitar and bass take turns weaving in and out of the 12-bar changes, always letting the groove lead, Mix glows with low-mid warmth, soothing highs, and natural compression for headphone comfort, The overall feel is confident and vibrant: a true live blues band in a comfortable, celebratory late-night mood
3:33
Untitled
v5
Opening with a slow 12/8 shuffle in Am at 75 BPM, the groove is anchored by round, ghost-note-laden drums and a walking bass, each exchanging clever, understated fills, Expressive guitar lines—bends, slides, double-stops—stand out, all nestled in lush low-mids and smoothly compressed highs, capturing an organic, intimate live ambience
3:48
Untitled
v5
Opening with a slow 12/8 shuffle in Am at 75 BPM, the groove is anchored by round, ghost-note-laden drums and a walking bass, each exchanging clever, understated fills, Expressive guitar lines—bends, slides, double-stops—stand out, all nestled in lush low-mids and smoothly compressed highs, capturing an organic, intimate live ambience
3:31
Untitled
v5
Laid-back blues in B at 75 BPM unfolds with spacious 12/8 shuffle grooves, The guitar weaves expressive bends, slides, and double-stops over rounded drums rich in ghost notes, while the walking bass locks in, both trading tasteful fills, The mix envelops—lush low-mids, smooth highs, organic compression, and a warm, intimate live feel