3:12

Start a Riot
v5.5
Explosive hardcore-pop-punk with rap-metal cadence, gang shouts, blitzing downstrokes, punchy live toms, gritty bass grit, and a giant shouted chorus that lifts into fist-in-the-air harmonies; verse delivery is half-spit, half-scream, with a breakdown that slams into a chantable final hook, pop, rap, metal, punk, rock, hardcore
2:04

rock, High-velocity pop-punk with hardcore edges: brisk distorted power chords, gritty male vocals that jump between tuneful shouts and gang chants, tight punchy drums with occasional double-time bursts, Verses stay lean and tense, chorus slams open with layered shout-alongs and fuzzed bass, Brief breakdown hits half-time with choked guitars before a final explosive chorus, leaving a raw, sweaty live-show feel, pop, hardcore, punk
2:33

rap, Aggressive rap-metal with male vocals; chugging drop-tuned guitars and pick scrapes, halftime stomp in the verses that explodes into double-time pop‑punk choruses, Barked rap lines over syncopated riffs, gang shouts on key phrases, and a brutal breakdown with squeals and dissonant chords, Mix keeps the vocal right in your face with dry grit, slight slapback on key hooks, and a final shouted outro that clips the edge of chaos, punk, pop, hardcore, metal
2:39

What The Fuck!?
v5.5
rap, Chaotic pop-punk x rap-metal hybrid with screamed male vocals, thrashy guitars, double-time drums, and hardcore gang shouts; verses spit tight, percussive rap over chugging palm mutes, choruses explode into shout-along hooks with octave leads; breakdown dives into half-time, detuned riff and layered screams before a final all-out sprint to the end, hardcore, punk, pop, metal
2:44

rap, Rap-metal meets pop-punk aggression: distorted drop-tuned guitars, trap-infused drums, shouted gang vocals on choruses, Verses ride a snarling half-time groove with rap spit and dissonant chugs; choruses explode double-time with catchy top-line and octave leads, Male vocals switching between screamed hooks, melodic grit, and rapid-fire bars, with occasional glitchy stutter FX on key phrases, punk, metal, hardcore, pop
2:14

Leave Me Be
v5.5
rap, High-tension mash of palm-muted pop-punk guitars and rap-metal riffs, male vocals, Verses ride a half-time stomp with barked, rhythmic delivery; choruses explode into shout-along gang vocals and octave leads, Tight tom fills into cymbal-heavy hooks, occasional pick slides and feedback swells, Bridge drops to bass-and-vocal chant then slams back with double-time drums and layered screams on key lines, punk, pop, hardcore, metal
2:56

rap, Aggressive pop‑punk rap‑metal hybrid with male vocals; palm‑muted guitars and double‑time drums under shouted hooks, verses ride a tight half‑time groove with distorted 808 under the riff, choruses explode with gang vocals and octave leads, middle section drops to chugging guitars and screamed ad‑libs before a final, piled‑on chant outro, metal, pop, punk, hardcore
2:47

rock, Hybrid of hardcore punk and modern metalcore: down-tuned, palm-muted riffs, blast-beat bursts into halftime breakdowns, gang shouts on the hook, Male vocals that flip between shouted verses and melodic pop-punk style in the chorus, with a tight, locked-in bass driving everything, Final chorus adds octave guitars and layered chant vocals for a fist-in-the-air finish, pop, metal, hardcore, punk
2:15

rap, Aggressive rap-metal crossover with male vocals: downtuned guitars chugging over trap-influenced drums, distorted 808s, and snarling verses, Hook explodes pop-punk style with shouted gang vocals and wide power chords, Tight, punchy arrangement that swings from tense, muted riffing in the verses to full-throttle wall-of-sound in the chorus, with occasional stop‑start hits for maximum swagger, punk, pop, hardcore, hip-hop, metal
2:47

rap, High-octane pop-punk/metalcore hybrid with screamed male vocals trading off against rapid-fire rap, double-time drums, and crunchy down-tuned guitars, Intro slams in with a chugging half-time riff, then snaps to a faster, pogo-ready verse groove, Choruses explode with gang shouts and a soaring hook over wide power chords; middle section hits a breakdown with pitch-shifted growls, then a final chorus in a higher key for maximum impact, hardcore, metal, punk, pop
2:48

rap, Hybrid rap-metal meets pop-punk energy, male vocals, Tightly gated, drop-tuned riffs with hardcore chugs and pinch squeals, halftime verses that snap into double-time choruses, Gang shouts on hooks, brief screamed accents on key words, and a middle-eight breakdown with tom-heavy drums and pick slides before a final, shout-along chorus, metal, pop, punk, world, hardcore
3:21

rap, Aggressive metal-pop-rap hybrid with male vocals; detuned 8-string riffs lock to a stomping halftime groove, then flip into double-time blasts under the rap, Chorus explodes with glossy pop topline over massive gang shouts and stacked harmonies, Synthetic sub-bass and riser FX push the pre-chorus, breakdown drops to filtered guitars and whispered vocals before a final all-out wall of sound, metal, classic, pop, remix
