
From My Womb
Songs that are straight from my 4 track analog recording studio to SUNO.
·
58 songs
5:17

Hard rock, alt-metal, post-grunge, modern rock, melodic hard rock vocals, aggressive rock energy, punchy drums, wide stereo guitars, high-gain rhythm tone
4:15

electroclash, indie dance, eurotrance, UK female vocal (sassy spoken-sung verses-chanty hook)
4:44

depressing, sad gospel bluegrass, gospel, down beat, sad, melancholy bluegrass
5:52

90's alt-metal, grunge, hard rock, distorted guitars, dynamic shifts, male harmonies on choruses, angst-driven male vocals, gritty tone
3:18

A hard rock / alt-metal / post-grunge hybrid at 65 BPM features low-tuned, high-gain guitars soaked in thick, sludgy sustain, panned wide for depth, Bass is dirty and massive, fused to guitar lines, Drums are punchy, ritualistic, mostly kick and snare, Vocals: deep baritone, chesty, gravelly, restrained and melodically sparse, nearly spoken, Verses are brooding, choruses vent tension without catchy hooks, Sparse, grim guitar leads, Subtle industrial and siren-like effects slip in, The mix is raw, with a dense, muddy low-end and relentless, oppressive weight throughout
3:38

3:57

128 bpm, electronica, lo-fi, sensual, 808, bass, catchy
“Deep baritone male vocals with resonant tone and subtle gravel with chest-heavy and moody, ”
3:32

5:03

Forbidden Sanctuary
v4.5+
A dark, heavy hard rock track in A minor, moderately fast at 125 BPM, Thick, distorted drop-D guitar riffs anchor the verses with syncopated chug and wide, dissonant chords, A wah-infused lead guitar adds swirling, psychedelic accents and soaring solos during instrumental breaks, The bass grinds low, mirroring the riffs while adding weight and sustain, Drums hit with booming toms, a sharp snare backbeat, and dynamic cymbal crashes, shifting between tension and release, The vocals are male, clean but raw, cutting through with powerful sustained notes that build urgency and edge, The chorus erupts with layered guitars, driving rhythm, and anguished vocal lines, creating cathartic release, The production is big and atmospheric, balancing grit and clarity with subtle reverb and a spacious mix that surrounds the listener in dense, immersive energy
5:04

Fire Side
v4.5+
A melancholic indie rock song in a minor key, featuring a male vocalist with a baritone range, The instrumentation includes a clean electric guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and drums with a consistent, understated beat, The song structure follows a verse-chorus pattern with an instrumental bridge, The tempo is slow, contributing to the somber mood, The production is clean with a slight reverb on the vocals and guitar, creating a spacious feel, The chord progression is primarily diatonic, emphasizing the minor key, The melody is simple and repetitive, reinforcing the introspective nature of the lyrics
3:26

A slow, brooding indie rock ballad in 4/4 at 60 BPM, led by a warm baritone vocal that carries weight and restraint, opening into falsetto harmonies in the chorus for contrast and lift, A clean electric guitar traces arpeggiated chords, while a sustained electric organ spreads an atmospheric glow beneath, The bass anchors with steady root notes, locking into a drum groove of brushed snare and a resonant kick, pulsing gently but firmly, Layers of falsetto harmonies weave in on the chorus, expanding the space without breaking its intimacy, The production is warm and compressed, with deep reverb on vocals and organ, creating a sense of distance and longing, The chord movement between major and minor shades adds emotional ambiguity—hope flickering through melancholy, The song follows a verse-chorus structure, with a sparse instrumental bridge and a lingering outro where the main motif slowly dissolves into reverb
4:18

2:30

Tell me what you see
v4.5+
A raw, riff-driven rock song in A minor at 120 BPM featuring fuzzy, lo-fi guitars and a walking bass line, Verses showcase low, tense baritone, spoken-word vocals over a muscular backbeat, Choruses explode with half-shouted, melodic vocals bathed in roomy reverb, A gritty wah-heavy solo slices in, maintaining garage-rock grit, Production is rough, unpolished, capturing a sweaty, hypnotic basement energy with swagger and garage revival punch
3:41

Maybe
v4.5+
The track kicks in with heavily distorted, drop-tuned guitars and a thick, grungy bassline layered over tight, punchy drums, Ethereal synth textures weave underneath, melding with brooding melodies, Verses lean dynamic and minimal, while explosive choruses drown in saturated fuzz
4:39

slowcore folk, acoustic guitar, harmonies, steel guitar, cello, viola
3:28

4:24

Bedroom, grungegaze, catchy, psychedelic, acoustic tape recording, male vocals with choral harmonies, piano, synth, viola, cello, violin
4:22

3:27

For Always
v4.5+
Minimal acoustic folk instrumentation: a soft, fingerpicked guitar centers the track, repeating a gentle cyclical pattern, Vocals are close, breathy, and subdued, with minimal reverb, Production stays bare, letting silences breathe, creating a warm yet fragile, intimate, and ephemeral feel
4:16

4:36

3:51

Rodeo
v4.5+
Bedroom, grungegaze, catchy, psychedelic, acoustic tape recording, female vocals, piano, synth, viola, cello, violin, choral
2:59

dark indie, post-americana, midwest grunge, bedroom cello
3:27

angry, minimal, acoustic, slow, alternative, heavy, doom metal
3:57

slow, sad, melancholy, grand piano, intimate, acoustic, dark
3:14

3:57

4:14

A gritty desert-rock track at 140 BPM in A minor, built on hypnotic, palm-muted guitar riffs, thick fuzzed-out bass, and pounding drums that drive with swagger and sudden bursts of energy, Vocals in a low baritone alternate between half-spoken, detached verses and urgent, melodic choruses, Lyrics use surreal, dreamlike imagery: “ride my kite, ” “rubber band pajamas, ” “spinning freckles on a rusted wheel, ” The chorus repeats like a conflicted mantra: “Hello my friends and freaks, why are you dancing with me / go away and don’t dance with me, ” The bridge shifts darker and more intense with raw confessions: “I want you to see the lies, I need you to hear the cries, I want you to die inside, I need you to feel the tide, ” Overall mood: hypnotic, raw, tense, and strange — fusing desert swagger with chaotic, playful eeriness
4:12

Dark indie, post-Americana, Midwest grunge, bedroom
4:49

An anthemic indie rock ballad featuring a prominent acoustic guitar foundation and soaring male vocals, The track begins with a rhythmic acoustic guitar strumming pattern in a 4/4 time signature at a moderate tempo of approximately 80 BPM, The arrangement builds with the introduction of a clean electric guitar providing melodic accents and a steady drum kit with a crisp snare and resonant kick, The lead male vocal is expressive and powerful, utilizing a wide dynamic range that transitions from intimate chest voice in the verses to a high-energy, belted head voice in the choruses, The harmonic structure follows a diatonic progression in a major key, emphasizing emotional crescendos, Production is polished with natural reverb on the vocals and a wide stereo field for the guitars, creating an expansive, stadium-ready sound, The song structure follows a traditional verse-chorus format, peaking with an intense vocal delivery in the final chorus
3:57

Dark indie, post-Americana, Midwest grunge, cello bedroom, UK accent singing, protest
4:42

Alternative rock, grunge textures, shoegaze wash, male voice, raw lo-fi production, distorted guitars, minimal percussion
4:39

Acoustic cover, acoustic guitar, unplugged, minimal strings
4:25

Mid-tempo alternative rock track featuring a prominent acoustic guitar foundation and emotive male vocals, The song is set in a 4/4 time signature at approximately 115 BPM, The arrangement begins with a strummed acoustic guitar using open chords, followed by the entry of a gritty electric guitar that provides melodic counterpoints and power chords during the chorus, The vocal performance is characterized by a raspy, passionate delivery that transitions from a melodic baritone in the verses to a strained, high-energy belt in the chorus, Percussion is driven by a standard rock kit with a heavy emphasis on the snare and crashing cymbals during dynamic peaks, The production is clean but retains a raw, live-band feel with subtle reverb on the vocals and a wide stereo field for the guitars
4:02

4:26

High-energy alternative rock track with a driving 4/4 tempo of 145 BPM, The arrangement features distorted electric guitars playing power chord progressions and syncopated riffs, supported by a gritty, overdriven bass guitar, The drums are aggressive with a heavy emphasis on the snare and crashing cymbals during the chorus, Vocals are delivered by a male singer with a raspy, emotive tone, utilizing melodic belts in the higher register during the hook, The song structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format, Production is polished with a wide stereo field for the guitars and a slight reverb on the vocals to add depth, The bridge features a rhythmic breakdown with palm-muted guitar strokes before building back into a final explosive chorus
4:27

dark neo-chillwave, cinematic bedroom pop, acoustic underground trip-hop, lofi indiegaze
4:19

acoustic grunge, live performance, strings, simple percussion
4:44

4:07

heavy acoustic grunge, dark midwest emo, alt-rock revival
5:03

Acoustic cover, acoustic guitar, unplugged, minimal strings
4:19

To You
v5
Dark indie, post-Americana, Midwest grunge, bedroom, grand piano, minimal chamber orchestra, midwest male and female harmonies
5:04

4:30

Bedroom Grunge Metal, male vocals
4:16

Whimsical synth-pop, bedtime neon, nostalgic indie pop
4:24

4:39

Acoustic cover, acoustic guitar, unplugged, minimal strings
4:53



