
HMatsui's Green-Eyed Monsters
A collection of songs so captivating it makes HMatsui jealous
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5 songs
3:20

no wave, garage punk, japanese hardcore, screamo, intense, aggressive, female husky voice, syncopated, lo-fi sounds
2:35

4:01

White Rabit
v4.5+
Glitch death rock with distorted guitar riffs, chaotic noise breaks, aggressive beats, whispered female vocals, yandere madness, horror atmosphere, unstable rhythm, violent and playful energy
7:08

にるぬるぬうう
v5
[Voice]The girl's painful, sighing voice
[Sound]
Psychedelic rock×Progressive rock, Hallucinatory sound images and floating sounds, A fantastic floating sensation, BPM-180
A chaotic worldview, The song has many twists and turns
complex rhythm, complex song structure, A complex structure that makes extensive use of odd time signatures
A groovy performance, Utilizing noise
Silence→speed→floating→madness→convergence
[effect]
Vocals with heavy echo and reverb, flanger, [guitar]
Space-filling guitar sound, Distorted lead guitar, Delay and reverb, choking, A distinctive distorted sound with deep fuzz and distortion, glissando
[bass]
technical baseline, Technical fingerpicking, Groove feeling, A driving bass line, Fluctuating, fantastical sound, Melodious phrases
[drum]
8 beats and 16 beats, odd time signature, Complex and tricky fill-ins, Keeping a strong rhythm, Technical and unique groove
3:15

[Genre / Style] Alternative Rock with Percussive Elements [Instruments] Bright percussive shamisen driving upper rhythm (3–8kHz), Koto used percussively with mid-high accent (2–4kHz), High-definition fuzz guitar focused in midrange (500Hz–3kHz) using single-coil neck pickup, dry amp tone, clear articulation, Driving pick bassline supporting low range (60–250Hz) with tight low-mid focus, Tight drums with explosive chorus and crisp snare [Vocals] Husky and androgynous female vocal, soft and introspective in verses, emotional and expressive with falsetto in choruses [Mood] Emotional and Cathartic [Mixing / Production] Wide stereo image with shamisen right, fuzz guitar left, centered vocal, clear instrument separation, no muddy mids, crisp transients, controlled compression, warm low-end with subtle tape saturation, high-resolution master emphasizing clarity and balance between shamisen (high), fuzz (mid), and bass (low)





