mi6

MusicGen Large mode, Limited GPU memory usage to 80%, Duration must be greater than zero, Duration must be 4:00, Make the POST request to generate audio, neo honky tonk, soft rock, shambolic

experimental soft rock, avant-garde Neo honky tonk, experimental audio drug therapy, avant-garde background vocals

Piano rock, boogie woogie, 50s rock, orchestra, solo piano, teen idols, barbershop, gospel background

mustique music, concrete outsider guitar ambition, record industry noise, good taste minimal improv guitar, micro country avant-garde, neo hinky tonk sound art, psychology of guitar electro field

free improv avant-garde neoclassic art damage psychology, electroacoustic, field

mystical feedback music, outsider guitar ambition, record noise, good taste improv guitar, micro country avant-garde, neo kinky tonk sound art, psychology of electric guitar

mystical feedback music, outsider guitar ambition, record noise, good taste improv guitar, micro country avant-garde, neo kinky tonk sound art, psychology of electric guitar

dissonant Singer, shambolic saxophonist, experimental guitar, theorist, sultry punk, first love band, Lydian dim scale

Shambolic, Neo horn section, crescendo drum, song structure joke, switch verse to chorus, LOOKA DAT HIS FIRST GIRLFRIEND DAT PICNIC TABLE UMBRELLA HOLD stride

Outlaw country, choir, barbershop, duck calling, honky Tonk, country, swamp rock, truck driving country, guitar solo

moog, experimental ReMi, weird Art damage, intentional music theory exercise of playing parts of unknown music and quickly getting it

Bluescountryrock, rollrockabilly, Cult Classic, 1950s, Dear John, Red Dirt, Southern rock, gospel, choral, rock

All guitar solos, Neo honky tonk experimental seductive drug consumptive Shambolic 1977 soft Rock, gospel mixed blues

All guitar solos, Neo honky tonk experimental seductive drug consumptive Shambolic 1977 soft Rock, gospel mixed blues

Mystical Feedback, Outsider Guitar Ambition, Record Noise, Good Taste Improv Guitar, Micro Country Avant-Garde, Neo Kinky Tonk Sound Art, Psychology Of Electric Guitar, Singing like drug abuser, Chorus Feedback Music, Outsider Guitar Ambition, Record Noise, Good Taste Improv Guitar, Micro Country Avant-Garde, Neo Kinky Tonk Sound Art, Psychology Of Electric Guitar, Singing like drug abuser

dance-wacking, can't they? MERRY CHRISTMASNICE Oh, yeah, ain't got no Please audio sequencer, automation, balance, bass, correct gain-structure, never-boost noise-SNR (signal-to-noise ratio), 50dB SNR-boost, bounce-channel, Clipping compression, compressor, Neve-console, Cubase Cut, dB — dB/oct dBSPL, decay on-Delay Track depth, Digidesign DigiRack, EQ-distortion, drumkit Drums-Tracking early reflections-effect, equalizer-fader, feedback-Figure, frequency-spectrum-Sophisticated Cinematic-noir-soundscape with sophisticated-edge, elegant hints of tension and mystery, lush strings and muted brass, reminiscent spy-thriller soundtrack builds suspense, Smooth and Soulful, Keep vocals smooth and soulful with slight reverb to give ethereal distant quality, Let instrumental sections breathe with legato phrases and expressive slides that connect the notes fluidly, Melodic and Reflective Emphasis on melodic-lines reflect introspective octave-slides to create a sense-of-movement and

Chicken-Picking twang fingerpick and thumbpick fingerpicking with the $90 bespoke picks, extended guitar-soloist, Reeves Gabrells, country-spirited guitar-solos in-concert with Rhodes-Mark-V-Electric-piano, Moog, Weird Art-Damage, Sho-bud Pedal-Steel with phase and chorus, Drumkit / Percussion stack: Timbales Alternate With Toms 2/4 Clave-Time, honky-tonk-piano play as Intentional Unknown Music: boost tuba (900 Hz +3dB), Mississippi juke-joint experiment using Electro-Harmonix Micro-Synth guitar-pedal and Moollon Tremolo into Neve-1073OPX mic-preamp warming-up the Akg-D112 And Sennheiser-604 mics (Neve 1073DPA provides two world-famous Class A Neve 1073 microphone preamplifiers in a single rack space — 1073 is premier mic-preamp, big punchy 1073 from rock to rap to jazz to classical Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions, With the 1073DPA, the highly sought-after 1073 mic

Sho-bud Pedal Steel with phase and chorus, red Rhodes velvet hammer pickups, Reeve Gabrels guitar solo with signature Reeves Gabrels Spacehawk Supreme with kill switches for stuttering rhythm shimmer, room sound Shure mic ceiling feed Neve 1073OPX placement reflections off wood ceiling, High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300Hz, Audio Output: Maximum output is >+26dBu into 600Ω, transformer balanced and earth free, Distortion: Not more than 0, 07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600Ω, Frequency Response: ±0, 5dB 20Hz to 20kHz, -3dB at 40kHz, EQ Out, Noise: -83dBu all line gain settings (22Hz to 22kHz bandwidth), EIN: Better than -125dBu @ 60dB gain, Delay and Backward Output, Dusty Vinyl Crackle, guitar turnaround, Low Frequency: Smooth +/-26Db Shelving With Selectable Frequencies Of 55Hz, 60Hz, 110Hz & 220Hz, Mid Frequency: Smooth +/-18Db Peaking, Fixed ‘Q’ Selectable Centre 3, 2Khz, High Pass Filter

Fairchild 670-Dual-Channel-Limiter Neve-1073-preamp-EQ FOR Balanced-Harmonic-Saturation tracking Rock-Band to 32-Channel Neve-Console direct-in to Fairchild-670-Limiter For Dynamic-Range Fast-Attack Tracking, Guitar-Stack: Reeves-Gabrels Plays Signature Reverend-Spacehawk-Supreme guitar, plays Christmasy music, Recording Bounce-Back-And-Forth — Left-And-Right-Channels, gallop-variations on-pattern eighth-note-followed-by-two-sixteenth-notes, Abrupt Shifting and Underquoted drum-quoting in 4/4 to 6/8-time signatures, Live-Out-Of-Phase Tracking with Rhodes-electric-piano Vibrato-Enabled-into-Limiter, Guitar Stack: Reeves-Gabrells into Klon-overdrive guitar Tremolo and Delay pedals for funk-jazz-swing w chops-oriented syncopated doubled-harmony mixed with double-unison riff-lines quoting classic-riffs (sampling-realtime), even-percussion with drumkit lines abruptly shift quoting behind-the-beat delay-drenched rock-licks with buttery-tone cranking-up Dumble-growl, pedal-steel mic-through

↓ pulmonic ingressive Ю tracheo-œsophageal creak compression effects for breathy output eq by vintage RCA Ribbon Mic, room mic is Shure close to ceiling into Neve 1073OPX, mic placement reflects off wood for Reeves Gabrels Spacehawk Supreme guitar, three Railhammer pickups and kill-switch for immediate on-off while guitar resonance is from limiter compressor distressor from timeworn Korina tonewood Top and Alnico Grande pickups, 2 guitar b-bender for pedal steel flourishes with red Rhodes velvet hammer pickups, guitar amp is Dumble Super-Overdrive 100-watt, playing cosmic 1970s California Country Rock into Neve High Pass Filter: 18dB per octave slope, switchable 50Hz, 80Hz, 160Hz & 300Hz, transformer balanced Distortion: no more than 0, 07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600Ω, Frequency Response: ±0, 5dB 20Hz to 20kHz -3dB at 40kHz, EQ Out, Noise: -83dBu all-line gain (22Hz to 22kHz)

32-Channel Neve Mobile-Studio Live-Truck Console Concert Starts With Audience Applause And Group Singing Catcalling Approval, Buccal And Pulmonic-Ingressive Framptone-Voicebox Guitar-Effect For Warm Washed-Out Voice Effects And 1970s-Studio-Recording at Sunset-Sound TWOOOOO, [breakdown] [marching band] what I’ve seen on the border bars of Tijuana after ingesting foodies try and cry And pray to Lucullus MFK fisher and JULIA Child’s ESCO Fee Yay Like Paul Bo cues coupons capons from Bresse his Michelin Shop in Leon Peu importe comment tu l'aimes, tu l'aimes trois étoiles de plus than your mother’s dry chicken no matter ma slavishly slaves over the spatchcock larder lardons watchin’ YouTube podcasts en French roulette of Roulais buried cooking nose inside esco fee yay Inscription to Robert Goo Lay So snagged Elvis Auction Vegas Julian’s lot I got when I spied it above E’s TV in Graceland on a Yellow silver wallpaper nightmare media room scatter E’s monkey motif bestrewn crazily nominativ

Kick off with a punchy Black Lacquer kick drum and crisp stainless snare, blending bluescountryrock and rollrockabilly grit, Add driving rack toms mahogany shells, no hoops, ?throaty warmth on 5x8, 14x14, 16x16, Slide in gospel-tinged choral harmonies atop crunchy Southern rock guitars, Copper-lacquer signature snare adds snap, while toms shine with clear Ambassadors, Bass grooves boldly, add vintage texture, 3 on the kick powers the groove, Vic Firth give the backbeat swagger, and sharp fills cut through mud, Dirty attitude, cult classic vibe with velar fricative singing]

32-Channel-Neve Console Tracking Reeves-Gabrels, Guitar-Stack: Reeves-Gabrels Plays Guitar Into Neve Pre-Amp-1073 From Dumble-Super-Overdrive-100-Watt Amp Mic’d Through Sen67 Mic, Drum-Stack: Soft-Percussive-Finger-Snaps And Woodblock-Hand-Percussion Where Rhythm-Clean-Wide-Stereo-Image And Focused-Center-Vocal For Project Entitled "Squiceh, " Professionally Designed Studio-Designed And Engineered At Sunset-Sounds Studio Hollywood, Features Various "Swish”Sounds, Linguistics-Stack: The Vocals Are Clear And Centrally-Panned, Background-Features Sustained-Lo-Frequency-Synth-Pads With Slow-Attack-And-Decay, Sustained-Low-Frequency-Synth-Pads With Arp-2600-Synth, Vocal-Stack: Vocalizing Words, Vocoder With Vocal-Glissando-Trombone-Effect And Vocal-Legato-Cello-Characteristics, Dynamic-Spectral-Change In Vowels: Ɪ, Ε, E, Æ, Aɪ-Produced-Words Of Structure (Bvts, Bvdz), Variation-Formant-Dynamics And Function And Phonetic-Vowel-Emphasis And Consonantal-Context