Unter dem Doppeladler

Language: English with German commands and choral hymn fragments — Imperial symphonic-march metal with orchestral brass and military percussion core; distorted bass tuba lead (main riff + 12-bar “Marsch des Ruhms” solo), snare & timpani cadence, low-brass drone (trombones + euphonium), parade bass-drum & anvil strikes, field-trumpet fanfares quoting Kaiserhymne; deep baritone officer commands + unison soldier shouts, full male-choir refrain “Gott erhalte, Gott beschütze”; 4/4 march pulse at 104 BPM, D Phrygian Dominant → F Major modulation for hymn section

Language: German with English interjections Theme: The first Austro-Hungarian offensive on the Balkan front — rain, chaos, and blood, Tempo: 116 BPM, 2/4 march rhythm Key: D Locrian / Phrygian hybrid (disorienting, cold, brutal)

Language: English, Imperial industrial metal with brass-driven power — distorted euphonium lead (riff + 12-bar solo), marching snare & timpani groove, low brass drone (tuba + bass trombone), metallic percussion with chains & anvils, deep baritone vocals + regimented crew chants, 4/4, 120 BPM, D Phrygian Dominant

Language: German, Imperial military-industrial march metal with brass and percussion core — distorted bass tuba lead (riff + 12-bar march solo), snare & timpani cadence, low brass drone (trombones + euphonium), parade bass drum & anvil hits, field trumpet accents, deep baritone commands + unison soldier shouts, 2/4, 116 BPM, D Phrygian Dominant

Language: Polish & German, Imperial funeral-march blackened doom metal with orchestral brass and field percussion core — dual-language vocal structure (Polish lament + German command recitation), distorted bass tuba and baritone guitar unison riffs, snare & timpani cadence in dirge tempo, low brass drone (trombones + contrabass tuba), parade bass drum & chain impacts, field trumpets echoing fragmented “Gott erhalte” motif intertwined with minor fragments of “Jeszcze Polska nie zginęła”; male choir in layered chant alternating between “Brat na brata” and “Bruder gegen Bruder”; tempo 88 BPM, 4/4 half-march pulse with slow 3-beat phrasing; tonal foundation E minor / D Phrygian Dominant; atmosphere of tragic unity and fraternal bloodshed — Poles fighting under opposing empires, brother against brother beneath the collapsing double eagle

War-march heavy power metal, 125–140 BPM, downtuned guitars (Drop C/B feel), crushing chugs, half-time chorus, kick/snare like artillery blasts, militant toms, cold winter ambience, dark low brass and orchestral hits, gritty commanding male vocal, choir as short battlefield chants (not joyful), minor key, cinematic, intimidating, Military snare, Drums like artillery fire, Festung Krakau - in german, rest in english