Spice 'n Pepper

Post Gothic rock meets progressive Post punk rock with dynamic shifts in tempo and odd time signatures, Verses use arpeggiated electric guitar and crisp, syncopated drums, building into chorus sections with soaring lead lines and prominent keyboards, Pinched hoarse high tenor male vocals vocals cut distinctly through layered harmonies

Hurdy-gurdy–driven Nordic dark folk cinematic piece, emphasizing ambient and ritualistic textures without electronic elements, Ethereal female vocals alternate between airy falsetto, deep overtone hums, and kulning-inspired calls, entirely wordless using pseudo-Nordic phonetics (“ia”, “lyr”, “drae”, “soen”, “var”, “uhh”, “nael”, “ohr”), Frame drums and tagelharpa provide slow, grounding pulses, while low strings and sustained hurdy-gurdy drones create a vast, immersive, meditative soundscape, The composition unfolds gradually, moving from intimate, reflective motifs through subtle anthemic peaks, then dissolves into quiet, contemplative stillness, Atmospheric, monumental, and ritualistic — evoking icy landscapes, forgotten rites, and the mystic pull of Myrdahl

The song opens with resonator guitar triplets, foot stomps, and sparse harmonica, transitioning to stark verses marked by twinkling, intricate guitar arpeggios, shifting time signatures, and quiet-loud dynamics accentuated by lingering slide, Emotional tension builds with layered guitars and melodic, prominent bass under punchy drums, surging into cathartic full-band choruses, Mid-song, it slides into a slow 12-bar blues with swinging brush snare, steady bass, piano, and swelling organ, climaxing in a gritty solo, Suddenly, the arrangement mutates into crushing doom metal: massive, low-tuned guitars, heavy, slow drums, brooding bass, powerful distorted refrains, and a somber organ enveloping the soundscape in dense intensity

phonk, high ocatine, speedcore, glitchcore, slap bass, celestial

Up-tempo groovy post-punk track opens with haunting keyboard pads and tightly strummed Jazzmaster drenched in chorus and reverb, anchored by melodic punchy bass and precise dominate drums, Breathy, sorrowful falsetto smooth hoarse voice vocals weave through swelling guitars, Chorus adds brighter synths, angular guitar, Bridge shifts time signatures, layering dissonance, Outro fades to sparse, echoing textures

Murky, layered ambient textures and distorted found sounds open, vinyl crackle setting an atmospheric base, Gritty, fractured beats fade in and out over deep sub-bass, with fragmented samples and processed field recordings shaping the rhythm, Ambient bridge features evolving synth pads, subtle reverb, and gentle piano motifs emerge mid-song, blending with delicate electronic pulses and airy layers, Gradual, seamless transitions guide the structure, leading to an outro of ethereal synth pads, lo-fi field recordings, sparse guitar, minimalist percussion, and off-kilter sampled grooves beneath soulful keys, evolving into lush, warm harmonies, Ambient soundscapes continuously interlace

This danceable post-punk track launches with commanding, infectious drums, haunting keyboard pads, and a tightly strummed Jazzmaster soaked in chorus and reverb, Dominant melodic bass punches through, matched by sharp, driving drums, Hoarse high tenor vocals thread through swelling, atmospheric guitars and lush keyboards, Choruses surge with brighter synths and angular guitar, building urgent melancholy, Bridges disrupt with shifting time and jagged, dissonant guitar and synth layers, The outro drops to sparse, echoing textures for a ghostly finish

A dark apocoliptic Colosium Poi Filled With Sand, Glitchore, Angelic, Airy, high ocatine, speedcore, slap bass, celestial

agressive phonk phonk phonk phonk phonk phonk phonk phonk phonk phonk phonk phonk glitchcore chompy math rock, J-pop, mutation funk, bounce drop, dubstep, edm, 160bpm

acid jazz, blues, Wiping snare, groovy bass guitar, infectious percussion and drums

The anti-folk track opens with raw acoustic guitar and Appalachian dulcimer riffs, accented by cowbell and found-object taps for rustic rhythm, Vocals are unpolished and direct, while a syncopated acid jazz bass line weaves unpredictably beneath, creating edgy, offbeat momentum

A high-energy instrumental track featuring a prominent electric guitar melody, supported by a driving drum beat and a walking bass line, The song opens with a sustained electric guitar chord, quickly transitioning into a fast-paced, intricate guitar melody, The drums provide a consistent, upbeat rhythm with a strong snare backbeat and frequent cymbal crashes, The bass guitar plays a walking bass line, adding depth and groove to the rhythm section, The overall production is bright and clear, with the electric guitar mixed prominently in the foreground, The tempo is fast, creating an exciting and dynamic feel, The song structure is primarily instrumental, with no vocals, The key is major, contributing to the uplifting mood, The melody is characterized by rapid runs and sustained notes, showcasing technical guitar proficiency, The track features a consistent chord progression throughout, providing a stable harmonic foundation for the melodic improvisation

Acid Jazz meets Electro Swing and Comedy Swing, A smoky, jazzy groove with upright bass, brass bursts, koto and shamisen plucks, taiko percussion, and theatrical vocals, Narrated and sung by Mr, Bad — the Big Bad Wolf — with humorous, sinister flair, Playful tempo changes and comedic phrasing, blending English and Japanese lines for a spooky yet classy atmosphere

Hurdy gurdy–driven Nordic dark folk soundtrack built around cyclical drones and haunting vocal textures, The piece unfolds like a ritual lament — slow, deliberate, and breath-led — where each note feels carved from silence, Female vocals blend falsetto chants, throat drones, and layered overtone harmonies that ebb and swell like mountain winds, Frame drums pulse sparsely beneath the drone, joined by tagelharpa counter-lines and soft ambient air textures, The atmosphere is sacred and cinematic, evolving from quiet invocation to a vast, choral bloom before fading into stillness, “Ylvraen” evokes the feeling of ancient rites remembered only through tone and breath — a hymn to loss, transformation, and the unseen

Language: German, Style: dark symphonic industrial, gothic cyber ritual, Tempo: 92 BPM, Key: E minor, Duration: ~4:10, A dark German gothic-industrial song titled “Das Schloss des Teufels”, sung by a haunting female cyber-witch voice with ethereal whispers, distorted synths, ritual drums, and cinematic choirs, fusing darkwave, gothic metal, and cyber ambient, The atmosphere is ancient and demonic yet futuristic, echoing through haunted stone halls, Style of Nyxa Virelith - emotional, powerful, otherworldly, A dark, electro-industrial arrangement opens with metallic percussion, pulsing synth bass, and distorted ambience, Female vocals enter with ethereal layering, weaving between sparse verses and dense, mythic choruses, Dissonant textures and processed samples build tension, resolving in a haunting, minimalist outro

Ultra-minimal Deep Dubstep, Slow halftime pulse, deep sub pressure, air vibration, No melody, No groove, Spoken word — monotone, rhythmic, distant, German and English fragments drift through space like signals, Sound design: dry, transparent, physical, Textures: bass air, reversed delay, granular hiss, metallic dust, Reverb: long, thin, cold, Everything moves slowly, like gravity breathing, Space is infinite, sound is memory, Mood: weightless, abstract, meditative, cosmic, Tags: deep dubstep, minimal, spoken word, sub pressure, vacuum, resonance, ambient dub, space, audiophile, continuum

electronic-wave-dance-punk-rock, 80s vibes, Disco-Punk

Tempo: 92 BPM, Key: D# minor, Sound: a combination of dark electro, ritual metal, ambient industrial, and cinematic choir pads, A dark, electro-industrial arrangement opens with metallic percussion, pulsing synth bass, and distorted ambience, Female vocals enter with ethereal layering, weaving between sparse verses and dense, mythic choruses, Dissonant textures and processed samples build tension, resolving in a haunting, minimalist outro

Southern Rock / Blues-Punk- 144 BPM | Key: A Minor-gritty, stompin’ blues-rock banger -raw vocals, heavy fuzz, hand claps

Southern Rock / Blues-Punk- 144 BPM | Key: A Minor-gritty, stompin’ blues-rock banger -raw vocals, heavy fuzz, hand claps

A solo piano piece in a classical crossover style, featuring a melancholic and reflective mood, The instrumentation consists solely of a grand piano, played with a delicate touch, The chord progression is primarily diatonic, utilizing extended harmonies to create a rich, resonant sound, The melody is lyrical and flowing, characterized by arpeggiated figures and sustained notes in the upper register, often accompanied by a walking bass line or sustained chords in the lower register, The tempo is slow, allowing for expressive phrasing and rubato, The piece has a clear song structure, moving through distinct melodic ideas that build and recede in intensity, The production emphasizes the natural acoustics of the piano, with a clean and spacious mix that highlights the instrument's dynamic range and tonal qualities, There are no vocals or percussion

Minimal Deep Dubspace with dancefloor tension and cosmic emptiness, Tempo 124 BPM, Sound built on negative space: dry kick, precise sub-bass hits, crisp snare, microscopic percussive air, Each element isolated in vast stereo field — every hit feels like light in vacuum, Bassline tight, shifting subtly in rhythm and phase, creating hypnotic pulse, Reverb extremely controlled: short, metallic, echoing like reflections off orbital metal, No melody, no pads — just pulse, pressure, and silence, Spoken fragments (Eng/Ger) appear as coded messages, fragmented and rhythmic, adding human trace, Groove sharp but deep, physical but weightless, minimal yet driving, Unexpected drops, micro-delays, and bass mutes keep tension alive, Mood: cold, spacious, alien, magnetic — a transmission designed for movement in zero gravity

Electro-funk-jazz groove with a punchy syncopated bass and wah-soaked funk guitar intertwined over tight, swinging drums, Jazzy, sultry vocals glide atop swirling Rhodes keys and crisp synth stabs, building toward a luscious instrumental bridge with layered horns, all pulsing with late-night energy, pop, latin

Gypsy, Gypsy folk, Witch house, Dark, Complex, experimental, eerie, old fashioned

Gypsy folk, Haunting, Acoustic

female vocals, sung poetry, art rock, nu rock, gypsy, light music, sad, musical

jazz, very slow, melancholic, philosophical

warm female vocals, gothic, deep voice, sensual, ironic, warm alt female vocals, ambiguous, soul, trumpet solo, nu rock, avant garde, sexy, wavy, punk

rugged voice, deep voice, synth bass, alt-rock infused pop, Post-punk edge, Modern Rock, fight

rugged voice, deep voice, synth bass, alt-rock infused pop, Post-punk edge, Modern Rock, fight

rugged voice, deep voice, synth bass, alt-rock infused pop, Post-punk edge, Modern Rock, fight

Dark Alt-country, goth-country, Dreadnought Acoustic-guitar, steel guitar (slide), random burst of off-key fiddle arco with Pitch bending", absurd off--key horns section burts between verses and chorus, Marimba and xylophone with "Hindi Sitar Rhythm" many "augmented 4th" tritone chords, rubato jazz phrasing, wacky manic hyper baritone male vocals, angry German male vocals, Deep throated "rolling R" gurgling vocals

Intense, gypsy-punk playful Eastern European groove that blends crunchy, distorted guitars with a warm, slightly chaotic piano melody, Erratic, zany percussion fills and extreme glissando violin détaché, and change unexpectedly, Antique-sounding horns punctuate the song with a comedic, fanfare-like flair, The overall vibe is unpredictable and fun, chaotic but energeticwith a mix of confident professionalism and absurd humor, ], ‑rap, ‑beat, ‑hip-hop, ‑melody, ‑repitition, ‑introduction, ‑musical interludes

Zmysłowa, młoda wokalistka, Śpiewa bardzo fałszywie, szerokimi, przeciągłymi, urywanymi tonami i nagłymi, urywanymi pauzami, Dziwaczny, ćwierkający wokal, hiperbełkot – ale pełen pasji i urywany wokal, Punkowy sarkazm, ale zmysłowy wokal, Skrzypce, lira korbowa, piccolo, gwizdek i melodia gypsy punk, Nieregularny rytm i glissando, oparte na akordach małej sekundy i zmniejszonej małej kwinty, Film Score, Cinematic Classical, Light Music, Musette, Circus March, Gypsy Punk, Folk Music, Cabaret, Hora tempo evolutions, Hymnal, Big band, Musical wealth, Anthemic, Melodic, Very feminine, very sultry, Balkan music, Offbeat, Imperial, Intense, Powerful, Off time, off-key female singer, awkward "off-key harmonies" and yodeling, Hurdy-Gurdy and autoharp, xylophone, percussion, męski głos, minor 5th, pitch-shift glissando, ‑rap, ‑soul, ‑beat, ‑introduction, ‑harmony

Brjálaður, ofsóknaræðislegur gamall maður, yfirlætisleg rödd, gurglandi hálshljóð, Nefbundið, þrýst öskur, babbling teenage female scheeching chant harmonies (background) - nonsense words in background, Glissando Mandolin, arlando-rubato, percussive flute, Vibrato harp, sloppy off-time erratic cajon percussion, erratic female screaming, Random minor 4th and dimished 6th chords, several random octave changes, erratic off-key vocals, and off-time harmonies, ‑rap, ‑soul, ‑beat, ‑rhythm, ‑harmony, ‑harmony

Infectious groovy Classic waltz rhythm underpins post-punk drums and bass, accented by sharp palm-muted guitars, Sweeping orchestral strings swell in, with lush synths and electronic pulses creating an ethereal atmosphere, Keyboards lead melodic lines, horns deliver bursts of energy, offbeat emerges briefly, Cosmic ambient effects thread throughout, blending the diverse textures into an adventurous sonic journey

male vocals, intimate, art rock, avant garde, English language

The song opens with hazy illbient pads, crackling field samples, and fragmented drum loops grounded by deep sub-bass, Verses pivot to syncopated drums, tight funk bass, staccato keyboard lines, and off-beat handclaps, Choruses bring bold brass stabs, stacked harmonies, and percussive guitar, Warped synths and unconventional percussion bend patterns and time signatures, pushing the hypnotic, avant-garde character throughout

experimental, eerie, old fashioned, 1930s, dynamic bass, intellectual, bass-driven, 남자, southern gothic, minimal electronic

experimental, eerie, old fashioned, atmospheric sounds, 힙합, lo-fi, death growls, live concert, laid-back groove, alternative music, dynamic range vocal

Energetic live Deutschpunk with powerful smoky female vocals, Uptempo Deutschpunk with driving bassline, distorted power chords and raw, clear vocals

Afrobeat grooves set the pace with syncopated guitar and punchy bass, while jungle drums add layers of rapid, rolling rhythms, Bianca’s commanding female punk rock vocals soar above, driven by dynamic horn stabs and occasional soulful organ swells, exuding raw power and boldness

Reverb Mersey beat, 70´s opens with piano, a beatles look alike vocals Male tenor nasal head voice close harmony vocals, and upbeat, Cello, keyboards, Rickenbacker guitar, Fender jazz master bass guitar, drums, Gently piano

This song opens with Cymbals and snare rhythm Up-tempo warm melodious country-rock vibe bursts in with textured 12-string acoustic, while Fender riffs and Gibson Hummingbird leads drive momentum atop classic rock drums, The chorus swells with lush harmonies, melodic piano, layered synths; spatially swirling via Dolby Atmos, The outro lands with mellow keys, whole ton bar chime, and gentle guitar, centering delay warm, strong female vibrato-rich vocals and a tremolo guitar by the chorus

acoustic, nostalgic, sensitive, male voice

The song opens with jagged punk rock guitar and energetic live drums, then fuses in driving krautrock synths and the pulsing bass of drift-phonk, Verses highlight rhythmic spoken poetry in Bianca's German, weaving in K-pop-style syncopation, Drops blend distorted 808s, laser-sharp synths, and wild tempo shifts for a daring, genre-smashing ride