6:17

A melancholic indie rock song in a minor key, featuring a male vocalist with a clear, slightly melancholic tone, The instrumentation includes a clean electric guitar playing arpeggiated chords, a bass guitar providing a steady root, and drums with a simple, driving beat, The song has a moderate tempo, Production elements include a reverb on the vocals and a subtle delay on the guitar, creating a spacious atmosphere, The song structure follows a verse-chorus pattern with an instrumental bridge, The melody is primarily diatonic, with a focus on sustained notes in the vocal line
4:53

5:47

6:14

This is a high-energy electronic complextro track with a driving beat and a powerful, almost gabber atmosphere, This complextro song features a prominent synth melody that is bright and catchy, often layered with other synth textures, The percussion consists of a strong four-on-the-floor kick drum, crisp snare, and shimmering hi-hats, creating a consistent dance rhythm, There are moments of vocal interjections, delivered by a female voice with a theatrical, almost spoken-word quality, adding a narrative element to the instrumental, The overall production is clean and polished, with a focus on clear synth sounds and a powerful, bassline, The song incorporates dynamic shifts, building tension and releasing it with changes in synth layering and rhythmic intensity, The structure includes distinct sections that build and release energy, with a clear intro, main theme, and breakdown sections, The tempo is fast, sometimes suddenly doubles into hardstyle or brostep, 145-270bpm, 6/7 metric 🫴🫴
5:31

Create an introspective progressive rock song exploring the idea that the microscopic space between two people mirrors the vast distances between stars, Use poetic, scientifically inspired lyrics to describe how atoms never touch, yet connection is still felt — emotionally, energetically, cosmically, Instrumentation should include clean electric guitar arpeggios, melodic basslines, and dynamic drums with subtle syncopation, The vocal should be clear and expressive, high-register preferred, with harmonies in the chorus, Keep the tone reflective and slightly dreamy, but grounded, Think Rush’s “Chain Lightning” meets Pink Floyd’s “Echoes, ” with an emphasis on atmosphere and clarity, Use spatial reverb, ambient textures, and gradual dynamic builds to reflect themes of distance, light, and invisible force, The arrangement should evolve naturally with a clear chorus, a melodic bridge, and a final lift into a big, emotional finish
4:51

This is a female-fronted alternative rock song with a driving rhythm section and atmospheric guitar textures, The song is in a minor key, creating a melancholic yet powerful mood, The tempo is moderate, with a consistent drum beat featuring kick, snare, and cymbals, The bass guitar provides a solid, melodic foundation, Electric guitars layer clean, arpeggiated figures with distorted power chords, building intensity throughout the song, The lead vocal is clear and emotive, delivered with a slightly breathy quality in the verses and a more powerful, sustained delivery in the choruses, There are moments of vocal harmony, adding depth to the sound, Production elements include reverb on the vocals and guitars, creating a spacious feel, and a dynamic mix that allows instruments to swell and recede, The song structure follows a verse-chorus format with a bridge and an outro, The melody is memorable and carries a sense of longing and introspection, The chord progressions are relatively simple but effective, supporting the vocal melody and instrumental build-ups, The overall feel is one of emotional intensity and a journey towards a resolution
4:29

3:45

Hall of Mirrors
v4.5+
[style: japanese post-punk cabaret, 80s UK dark art post-punk, 80s UK art noise post punk, 80s shoegaze, noise guitars, UK dark art jazz, romanian folk, warped backward sounds, surreal cabaret, german art-pop, experimental sampling, open-chord delayed guitars, odd-meter acoustic drums, bold melodic bass, quirky shoegaze guitars, wobble, harpsichord, celesta, quirky cellos, warped pizzicatos, sustained guitars, xilophone, Papadic Octoechos][vocals: flat deadpan female, RP UK English, BBC news anchor, mature female, deep, flat, erotic, sensual, croaky giggle, soft, restrained, commanding, clip delivery, low, introspective, never reach upward or sustaining notes, each word short and emotionally contained, NO SUSTAIN, sultry, deep nasal resonance, slightly worn edge, ad-lib shouts follow melody, agressive, no belting, out of phase doubled echo, multitracked choral depth out of phase, double vocals echo][master: bass cuts through mix, metropolis studios vibe], ‑no western scales
4:59

Sensual, Sexy Latin-Jazz House Fusion, Smooth, Intimate, and Rhythmic, Tempo: 80 BPM, 4/4, Instrumentation: Heavy, Melodic Latin Sub-Bass, Finger-Snapped Percussion/Brush Kit, Electric Piano (Rhodes), Warm Synth Pads, Soulful Bossa Nova/Latin Jazz Guitar, Vocals: Sultry Female Lead (Breath-heavy, Rhythmic Delivery), with soft Male Vocal Harmonies, Mood: Intimate, Smooth, Flirtatious, and Passionate
4:33

Dark progressive hip-hop, G-funk noir in widescreen, industrial ambient energy reshaped into a groove-heavy, midtempo club piece, hybrid drum programming that blends a steady low kick pulse with syncopated off-beat claps and intricate hi-hat and percussion patterns, rhythm that feels rolling, swung, and hypnotic rather than rigid, warm 808 and Moog-style sub bass with occasional slides and bends for stank face, moody harmony with simple but lush chords, atmospheric analog pads and Rhodes textures, eerie metallic percussion and drones inspired by an abandoned factory at night, lonely cinematic lead synth motifs in the high register, long-form arrangement with 16–32 bar arcs, evolving texture and intensity like a crime film score inside a nightclub, mix focused on powerful kick and sub in the center with wide, washed-out pads and leads around them, subtle sound design details (metal hits, air, rumble) preserving a sense of ritual and dread while making the track infectious and danceable, ‑acoustic guitar, ‑piano, ‑harp, ‑rock power chords, ‑metal guitar chugs, ‑acoustic drum kits, ‑trap hi-hat clichés, ‑bright festival EDM synths, ‑big room supersaws, ‑cheesy pop hooks, ‑happy or triumphant chord progressions, ‑upbeat party vocals, ‑choral pads, ‑orchestral strings swells that feel sentimental, ‑reggae or ska rhythms, ‑country or folk elements, ‑retro 8-bit or chiptune sounds, ‑comedic sound effects, ‑crowd chants, ‑claps that feel like stadium pop, ‑swing jazz brass sections, ‑latin percussion grooves, ‑overly busy drum fills, ‑anything that breaks the dark, ‑industrial, ‑street-noir atmosphere, ‑any additional lyrics or spoken phrases beyond the single French line specified
3:32

Mechanical, elegant and subtle female vocals, melancholy synths, noir upright bass, building to a dub step drop, with ever increasing glitching fades and distortions of vocals as the song progresses, with the outro crystal clear a cappella strong and soaring vocal that makes you want to weep as it naturally fades to nothing














