3:33

Acoustic-driven emotional rock, tempo ~120 BPM, key D major, The song is centered on real acoustic guitar strumming as the main rhythmic and harmonic foundation, recorded close-mic with a warm, intimate tone, Minimal percussion only: occasional dramatic low kick hits and very sparse, dry drums to support pulse without overpowering the guitar, Orchestral elements are used selectively and sparingly as emotional rise effects only, Orchestral rise appears in the intro, as a chorus hook accent, during the interlude, and in the outro, Strings and soft cinematic pads gradually swell upward and then resolve quickly, always supporting the vocal and guitar rather than leading, No continuous orchestration, no heavy brass, Female vocalist with emotional and rich falsetto and warm chest voice, in the style of Jenapop, heartfelt storytelling, alternative rock, afrobeat swing
2:29

Upbeat acoustic pop-rock comedy groove, Medium-fast tempo (~106 BPM), key G major, Bright acoustic guitar leads with punchy downstroke strumming, muted rhythmic hits, and playful accents, Light rock drum kit supports bounce (tight kick, snappy snare), bass follows guitar groove closely, No heavy distortion—clean, lively acoustic rock feel, Intro opens with solo acoustic riff, Verses stay minimal and rhythm-focused, Choruses explode into catchy, chant-like hooks with stacked vocals, Interlude features guitar riff repetition and group shouts, Bridge drops briefly then lifts emotionally before final chorus, no layered vocal
Female vocalist with emotional and rich falsetto and warm chest voice, in the style of Jenapop (Kwon Jin Ah), Verses use whispery chest voice with talk-singing comedic timing, Pre-chorus builds through chest→mix transitions, Chorus delivers ultra-catchy hook with chest-to-falsetto flips, bright articulation, layered harmonies, and playful shout accents, ‑ambient
3:32

Acoustic alternative pop with playful sophistication, medium-fast tempo (~110 BPM), key A major, Core groove driven by strong, highly articulated acoustic guitar rhythm: aggressive down-up strumming, palm-muted funk strokes, percussive body taps, slap harmonics, ghost strums, and occasional fingerstyle flicks that create a bouncy, comic-forward pulse, Guitar is close-mic’d and very present, acting as both rhythm and percussion, Female vocalist with emotional and rich falsetto and warm chest voice, in the style of Jenapop, Verses use whispery chest voice with witty, syncopated phrasing and conversational timing, Sudden high-note pops appear unpredictably — short, bright falsetto bursts that “툭툭” 튀어나오듯 punctuate phrases, Frequent chest→falsetto flips give a fresh, sparkling character, Tone is crisp, youthful, and playful rather than heavy, Pre-chorus tightens rhythm with staccato vocal phrasing and quick melodic jumps, Chorus feels light but infectious, 노래하지 않는 곳 orchestral rise
2:47

Aggressive female Jenapoprap track with electric guitar riff played in an acoustic strumming style, Mid-tempo ~92 BPM, key F minor, Ultra close-up mic vocal sound, Jenapop transformed into a female rapper, Close up mic voice, Dominant, forward-pushed spoken-rap delivery
Track starts instantly with a low-register electric guitar strum riff and close-mic breath, Electric guitar tone: clean to tight low-gain crunch, designed to emulate acoustic rhythm feel, Focus on low-string strums, palm-muted downstrokes, dead-note scratches, and percussive rhythmic hits, Guitar functions as the main groove engine, not melodic, Recorded very close, dry, and forward, with strong transient attack, Drums: strong kick, clear snare, punchy, and modern, Tight kick locking with guitar downstrokes, crisp dry snare with sharp transient, minimal cymbals, Groove-driven, hip-hop oriented, no swing exaggeration, very clean separation, Drums stay sharp and audible at all times, slap bass picking groove
2:39

Hate
v5
Modern K-pop, fast tempo (~124–128 BPM), key F minor, Female vocalist with emotional and rich falsetto and warm chest voice in the style of Jenapop, Diva vocal and clear high-pitch voice, A compelling and rounded vocal style, Core groove is driven by a powerful low-end synth bass with sub-heavy presence, sidechained tightly to a strong kick for club-level impact, Drums are aggressive and clean: hard kick, crisp snare, sharp hi-hats, syncopated percussion fills, and rapid transitions typical of high-end K-pop production, drum and bass, cyberfunk bass, bass beats, warm strings, r&b, trap, low pitch rap
3:20

Upbeat acoustic pop-rock comedy groove, Medium-fast tempo (~106 BPM), key G major, Bright acoustic guitar leads with punchy downstroke strumming, muted rhythmic hits, and playful accents, Light rock drum kit supports bounce (tight kick, snappy snare), bass follows guitar groove closely, No heavy distortion—clean, lively acoustic rock feel, Intro opens with solo acoustic riff, Verses stay minimal and rhythm-focused, Choruses explode into catchy, chant-like hooks with stacked vocals, Interlude features guitar riff repetition and group shouts, Bridge drops briefly then lifts emotionally before final chorus, no layered vocal
Female vocalist with emotional and rich falsetto and warm chest voice, in the style of Jenapop (Kwon Jin Ah), Verses use whispery chest voice with talk-singing comedic timing, Pre-chorus builds through chest→mix transitions, Chorus delivers ultra-catchy hook with chest-to-falsetto flips, bright articulation, layered harmonies, and playful shout accents, ‑ambient
3:02

[Female vocalist with playful falsetto and bouncy phrasing, in the style of Jenapop, Acoustic K-pop track with fast-paced strumming, percussive fingerpicking, and no ambient elements, Vocals are light, rhythmic, and expressive, featuring whisper falsetto, breathy ad-libs, and harmony stack in the chorus, Mood is cheerful, sassy, and energetic, perfect for a bright mid-day break vibe, Song length: under 2 minutes, ]
3:27

dream pop, glitch, drum and bass, acoustic guitar strum, tropical rhythm synth
Female vocalist with emotional and rich falsetto and warm chest voice, in the style of Jenapop, lo-fi hiphop, electricguitar


