3:11

BLUE DOT
v5.5
Dramatic J-Pop progression, Fast Improvisational Bebop Alto Sax Solo, Fluid Polyphonic Two-handed Guitar Tapping, Percussive Clean Guitar Cutting, Aggressive Virtuoso Grand Piano, Fluttering Tremolo Electric Piano, Experimental 3D Audio Panning, Psychedelic Screaming Feedback Guitar with Wah-pedal, Left Channel: Cold Monotone System Male, Right Channel: Emotional Raspy Soul Female, Operatic Tenor Climax, Conscious Hip-Hop, Heavy 70s Rock Drumming with intentional rhythmic swing, Fretless Jazz Bass melodic runs, Lo-fi Analog saturation, Glitchy 6G signal noise, Sudden BPM half-time, Cinematic Cello, 128BPM, Wide Stereo Image, ‑low quality, ‑mono, ‑thin, ‑muddy, ‑blurry, ‑repetitive, ‑simple, ‑generic, ‑over-compressed, ‑heavy autotune, ‑muffled, ‑amateur, ‑weak, ‑dry, ‑royalty-free style, ‑perfectly on-grid, ‑robotic timing, ‑female shouting, ‑screaming vocals, ‑high-pitched shrieks
3:12

OVERWRITE / 45℃
v5.5
Modern Cinematic Dark Pop, [Voice: Personalized 5, 5 High-Fidelity], [Audio: True Stereo & Spatial 3D], [Stems: 12-track clean separation], Young emotional female voice, Slightly Husky, Clear English Articulation, Intimate Breathy Whispers, ASMR textures, [Mixing: Pro Studio Mastering, LUFS Optimized for Streaming], 40–60Hz focused sub-bass with tight control, Dramatic Tempo Shifts, Atmospheric Vinyl Crackle, Heartbeat Percussion, 48kHz, Cold Monotone to Emotional Belting, [Vocal: Transition from robotic fast-paced Rap to fragile emotional singing], [Effects: Multi-band Compression & Harmonic Exciters on Vocals], Industrial Soundscapes, [Bridge: Sudden shift to Chaotic Avant-garde Jazz Piano, Out-of-tune dissonance, Glitchy Syncopated rhythm, Fast-paced Rap over Jazz Chaos, followed by a sudden transition to Virtuoso Romantic Piano Solo], ‑Overly bright idol tone, ‑Generic J-pop, ‑Happy, ‑Cheerful, ‑Bright, ‑Acoustic, ‑Folk, ‑Symphonic, ‑Metal, ‑Amateur recording, ‑Muffled vocals, ‑Overly-tuned, ‑[Artifacts: Muddy low-end, ‑Phase issues, ‑Spectral aliasing], ‑Robotic monotone (except for Rap parts), ‑Flat-bass, ‑2D-Audio, ‑Background noise (except for specified ambient), ‑Low-bitrate, ‑Distorted high-frequencies, ‑Repetitive, ‑Simple chord progressions, ‑High-pitched chipmunk voice, ‑Clean jazz, ‑Standard classical piano, ‑Cheesy synth strings
3:03

NO BLUE DOT
v5.5
Aggressive Cyber Jazz-Rock Big-Band, Virtuoso BeBop Alto Saxophone high-speed improvisation, Avant-garde dissonant Jazz Piano, Technical Tapping Clean Electric Guitar, Aggressive Turntablism & DJ Scratches, Heavy Percussive Slap Bass, Heavy 808 Layered Boom-Bap, 95BPM, Cold Male Fast Rap, Spatial Distorted Female Soul, Chaotic Dystopian Atmosphere, ‑fusion, ‑smooth jazz, ‑lounge music, ‑elevator music, ‑pop, ‑cheerful, ‑bright, ‑happy, ‑optimistic, ‑slow, ‑soft, ‑thin, ‑acoustic, ‑folk, ‑country, ‑repetitive, ‑autotune-heavy, ‑pop-diva, ‑muffled drums, ‑weak bass, ‑thin guitar tone, ‑background music, ‑radio edit, ‑simple 4/4 beat, ‑amateur, ‑low quality, ‑silent, ‑whispering
2:44

煉獄 (RENGOKU)
v5.5
Ultra-High-Fidelity, Modern Japanese R&B, Mellow City Pop Groove, Velvety Soulful Male Vocals, Deep Breath-rich Middle Voice, No Screaming, No High Falsetto, Emotional but Controlled Delivery, Liquid Electric Piano, Funky Slap Bass, Precision Bolt-action Rhythm, Muted Trumpet, Sophisticated Harmonies, Sensual Atmosphere, Sudden Tempo Shifts, Ending with a single distant gunshot, ‑(Digital Noise, ‑Lo-fi, ‑Heavy Metal, ‑Aggressive Rock, ‑Distortion, ‑Electronic Synth-pop, ‑Generic Anime Style, ‑Upbeat, ‑Bright, ‑Crowded soundscape, ‑Rough Vocals, ‑Childish, ‑Flat singing, ‑Screaming, ‑Shouting, ‑High-pitched Falsetto, ‑Head voice, ‑High-key belting, ‑)
3:28

High-energy J-Rock, Emotional Anisong, 180 BPM, Powerful female vocals with breathy texture, Intense cinematic drumming, Orchestral strings layer, Melodic electric guitar, High-pitched vocal peaks, Ultra-high definition audio, 3D Stereo Imaging, Analog Saturation, Sharp electronic siren, Epic emotional explosion, [Dynamic Range: Extreme], ‑low resolution, ‑muffled, ‑distorted vocals, ‑monotonic, ‑slow tempo, ‑jazz, ‑acoustic, ‑male vocals, ‑peaceful, ‑soft, ‑folk, ‑lo-fi, ‑weak drums, ‑nanobanana, ‑poor audio quality, ‑background hiss, ‑muddy bass, ‑thin guitar sound, ‑amateur mixing, ‑repetitive melody, ‑emotionless, ‑robotic voice, ‑autotune artifacts, ‑elevator music, ‑country, ‑blues, ‑pop-rock
3:16

I am ASH
v5.5
High-energy J-Rock, Emotional Anisong, 175 BPM, Husky Breath-heavy Female Vocals, Rich Mid-range Harmonics, No High-pitched notes, Prominent Emotional Piano solos, Intricate Technical Guitar Tapping, Clean and complex riffs, Intense double-bass drumming, Dramatic Cinematic strings, High-end polish, [Sharp electronic siren intro], [Analog Saturation], [Wide Stereo Imaging], [Heavy focus on piano-led melodies], ‑High-pitched, ‑Soprano, ‑Piercing Highs, ‑Squeaky, ‑Thin Vocals, ‑Cutesy, ‑Pop-style singing, ‑Bright Treble, ‑Male vocals, ‑low quality, ‑muffled, ‑amateur mixing, ‑repetitive, ‑jazz, ‑slow
3:19

Hyper-Glossy Female J-Pop, 165BPM, Sparkly Future Bass, Kawaii Future Core, Lush Layered Synths, Crystal Chimes, Arpeggio Floods, High-Energy Bubblegum Pop, Wall of Sound, Thick 808 Bass, Studio Master, SSL Mix, (Vocal Fry), (Inhale), (Group Chants), Maximum Compression, 2026 Tokyo Aesthetic, High-Fidelity, Pristine, ‑muffled, ‑lo-fi, ‑mono, ‑amateur, ‑robotic, ‑generic, ‑distorted, ‑noisy, ‑male vocal, ‑slow tempo, ‑dark, ‑heavy metal, ‑dry, ‑thin vocals, ‑empty, ‑hollow, ‑bad quality, ‑grainy, ‑flat, ‑dull, ‑out of tune, ‑inconsistent, ‑low-bitrate, ‑analog hiss, ‑crackling, ‑background noise, ‑muddy mix, ‑muffled bass, ‑weak transients, ‑bad acoustics, ‑cheap synth
4:01

ジギタリスの鏡
v5.5
Extremely Cute Female Idol Vocals, High-pitched Whisper Voice, Sugar-sweet vocals, Piano-centric Melodic Swing Jazz, Emotional Crying Violin, Heavy Brushed Snare, Walking Upright Bass, Art Deco Noir, Intimate Room Reverb, 115BPM, 1920s Vinyl Texture, Breath sounds, ‑Repetitive chorus, ‑extra verses, ‑vocal ad-libs after ending, ‑loop, ‑singing after outro, ‑rambling, ‑continuous beat, ‑drum fill after end, ‑beat goes on, ‑instrumental tail, ‑fading in, ‑encore, ‑unexpected transition, ‑noisy distortion, ‑shouting, ‑singing again, ‑percussion after solo violin, ‑Mature Voice, ‑Deep Voice, ‑Husky
3:28

BGM
v5.5
Solo male vocal, chest voice whisper, speaking-adjacent singing, age 20s, boyish mid-range tenor, breathy but grounded, no falsetto, no belting, no head voice, intimate close-mic presence, low-tension delivery, Ethereal Neo-City Pop, 92BPM, Dreamy Rhodes piano, nostalgic Xylophone melody, Rhythmic liquid water-drop clap as snare, Minimalist bedroom-pop arrangement, High-fidelity Pastel-Gaze aesthetics, rhythmic water-drop percussive accent on snare position
syncopated liquid drop beat, ‑vocal belting, ‑shouting, ‑powerful, ‑loud, ‑female, ‑duet, ‑group, ‑opera, ‑gospel, ‑rock, ‑vibrato, ‑high energy, ‑professional singer
4:02

Crystalline Major-key J-Pop Idol anthem at 182BPM, Sparkling Upbeat Dance-Pop, High-pitched and transparent female ensemble vocals, sweet and clear delivery, rich group harmonies, Shimmering synth bells, festive high-pitched Shinobue flute lead, upbeat orchestral brass section, NO distorted guitars, only clean funk rhythm, [Pristine Studio Master, High-Fidelity 96kHz, SSL Mix, Wide Stereo, Ultra-bright, Maximum Punchy Percussion], (Exclude: rock, aggressive, metal, muffled, dark, male vocal), ‑distorted guitar, ‑aggressive rock, ‑metal, ‑low-bitrate, ‑muffled, ‑dark, ‑melancholic, ‑low-pitched vocals, ‑robotic, ‑messy mix, ‑male vocal, ‑low-quality, ‑shout, ‑sing in a high voice, ‑rock'n'roll
3:39

。の向こう側
v5.5
2027 Neo-Soul J-Pop Fusion, Ultra-Modern Kawaii R&B, Laid-back funk groove, 95 BPM, 16-beat swing, Sweet "Loli-voice" female vocals with breathy emotional delivery and slight auto-tune texture, Lush Rhodes piano, funky muted guitar scratches, heavy sine-wave synth bass, snappy crisp snare, atmospheric city soundscape, High-fidelity production, wide stereo image, futuristic idol pop aesthetics mixed with deep soul sensibilities, ‑Rough vocals, ‑masculine voice, ‑aggressive rock, ‑heavy metal, ‑low quality, ‑mono, ‑flat dynamics, ‑distorted, ‑4/4 straight beat without swing, ‑vintage analog lo-fi, ‑operatic singing, ‑shouting, ‑dark mood, ‑country, ‑folk, ‑acoustic guitar focus
3:36

おえんって、ええじゃろ?
v5.5
Sparkling Kawaii J-Pop, 172 BPM, High-definition crystal-clear production, Vocal: Extremely young, tiny and fragile "loli" voice, sitting right at the front, intimate and dry, Feature: Shimmering technical clean guitar solo, intricate tapping, sounding like delicate digital bells, Structure:
Bright and euphoric throughout, but sudden complete silence for the Outro, Final Outro is ONLY minimalist gentle piano and a faint breathy whisper, No drums, no synths in the end, ‑shouting, ‑yelling, ‑belting, ‑screaming, ‑loud emotional outburst, ‑distortion, ‑muddy, ‑noisy, ‑messy, ‑rock, ‑metal, ‑loud drums, ‑mature voice, ‑husky, ‑gradual fade-out, ‑blurry sound, ‑lo-fi, ‑vibrato
4:09

残火
v5.5
Hyper-Modern J-Pop Rock, BPM 172, Raw visceral male vocals with emotional cracks and intentional breathy instability, Shifting from dry fragile whispers to desperate soul-piercing screams, Cinematic piano vs, explosive distorted guitars, Punchy 808 sub-bass, traditional Koto with digital glitch, High-fidelity Studio Master, SSL Mix, wide spatial imaging, Exclude: low quality, amateur, robotic, clean pop, cheerful, generic, Koto, ‑female vocal, ‑girl, ‑woman, ‑feminine, ‑high pitch, ‑cute, ‑sweet voice, ‑idol style, ‑low quality, ‑amateur, ‑plastic sound, ‑clean pop, ‑overly tuned, ‑robotic vocals, ‑bright, ‑happy, ‑generic J-pop, ‑muffled, ‑mono, ‑excessive reverb, ‑thin bass, ‑MIDI instruments, ‑repetitive structure, ‑fade out, ‑soft, ‑polite, ‑peaceful, ‑boring, ‑emotionless, ‑synthesized, ‑video game music, ‑cheerful
3:42

青焔
v5.5
CyberJazz, Swing, Geometric-Pulse, Glitch-Modulation, Extremely-wet-vocoder, High-definition-vocoder, In-your-face-vocal-presence, Fragile young female tone, Innocent-High-Pitch, Granular-glitch-processing, Stutter-Edit, Glassy-Synths, Cold-Digital-Atmosphere, 16-beat-shuffled-hi-hats, Heavy-Industrial-Drums, Clipped-Kick, Distorted-Sub-Bass, Aggressive-Drop, Wall-of-sound-production, Heavy-master-compression, 118BPM, ‑muffled vocal, ‑distant vocal, ‑buried vocal, ‑quiet singing, ‑weak sound pressure, ‑thin mix, ‑hollow chorus, ‑low-energy drop, ‑background singing, ‑muddy sound, ‑low-fidelity, ‑pure vocal, ‑clean singing, ‑human-like natural tone, ‑dry vocal, ‑soft pop, ‑clear diction, ‑realistic female singer, ‑middle-age voice, ‑monotone, ‑boring robot, ‑straight 4/4 beat, ‑simple 8-beat, ‑toy drums, ‑thin percussion, ‑light acoustic drums, ‑hand-claps, ‑organic drums, ‑acoustic guitar, ‑bright sunny pop, ‑high-pitched kick, ‑Shuzo Kuki, ‑wisdom, ‑calm

