3:32

4:39

An atmospheric and dynamic alternative metal track, fusing ethereal shoegaze with raw nu-metal aggression, It MUST feature abrupt transitions and moments of sudden silence ('sound breaks') to create surprise and unease, Vocal performance is the absolute key:
Verses are a high tenor, delivered as a breathy, sensual, and intimate whisper, The phrasing must be syncopated and off-kilter, with unexpected pauses between words to sound hypnotic and non-AI, A signature seductive echo must follow each phrase, Chorus vocals are NOT melodic singing, They are a raw, rhythmic, and percussive shout/cry, almost atonal and full of desperate, textural strain, Instrumentation must be dynamic:
Verses are calm with shimmering, clean shoegaze guitars, The pre-chorus builds tension intensely, The chorus explodes with crushing, dissonant, heavy guitar riffs, The one-minute instrumental bridge is an epic nu-metal assault with intense double bass drumming, before collapsing into a calm, whispered outro
3:17

A high-energy, aggressive electronic dance track with a driving beat and prominent vocal samples, The song features a consistent, fast tempo throughout, The primary instrumentation includes a powerful kick drum, sharp snare, and a variety of synthesized sounds, There are vocal samples that are heavily processed, often chopped and repeated, creating a percussive and rhythmic element, The overall production is clean and punchy, with a focus on rhythmic impact, The song structure is repetitive, building intensity through the layering of sounds and vocal samples rather than traditional melodic development, There is a distinct breakdown section where the main beat drops out, followed by a powerful re-entry, The vocal samples are mostly short, declarative phrases, often distorted or filtered, The track maintains a high level of energy, suitable for a club or dance setting
2:45

melancholic, peaceful, post-metal, electronic, hard rock, minimal
3:34

4:32

500 BPM at 1420 MHz, stylish, flawless, mesmerizing, ‑ANYTHING, ‑EVERYTHING
1:33

Create a very high-energy oldschool Boom Bap action beat with a dark, futuristic cyberpunk atmosphere, Hard, punchy 90s-style drum breaks with aggressive swing, sharp snares, and gritty kicks drive the rhythm, Deep, distorted bassline with tension and constant forward motion, Use eerie minor-key synth stabs, cold metallic textures, glitchy effects, and subtle “digital code” sound design to create a dystopian, high-tech feel, Incorporate raw phonk rap samples, chopped, pitched down, and rhythmically gated, used sparingly as dark accents, The vibe should feel urgent, rebellious, and cinematic—perfect for chase scenes, underground fights, and intense action moments
5:02

3:29

funk, synthpop, analog bassline, punchy drum machine, shimmering pads, melancholic, danceable, male vocals, 80s retro production, bassline, nostalgic, electro, lo-fi, melancholy, slow, pop
4:35

I’m just blue
v4.5-all
A beautiful yet uncomfortable bluesy country song sung by a group of male and female vocals, With sad instrumentals of Harmonica, distorted electric bass guitar and drums, A haunting melody that makes you uneasy and creeped out, Strong vocals layered harmonies and a straight forward melody, Country, emo
3:57

A dark indie rock song with a slow tempo and a minor key, a bass guitar providing a walking bass line, and a drum kit with a dark, bass beat, The female original vocalist sings in a lunacy, raspy altering between tones, often using a slightly strained and twisted delivery, The song structure is verse-chorus with a clear distinction between sections, The production is gradually building, emphasizing the vocal and guitar, The overall mood is somber and introspective, turning eerie, eerie melodies, slow nu metal, heavy breakdowns, deep grooves, metal, syncopated riffs, heartfelt, emotional powerful female metal vocals, less technical drumming, deep bass hits, no vocal echo or reverb
3:18

Classic Motown, Tragic Soul, Duet, Heartbreak, Angry, Raw Vocal, Male Vocal, Female Vocal, Horn Section, Drama, 60s Soul, Breakup Anthem, Storytelling, Vinyl Sound, Gritty, Soul Shouting, Epic, Answer Song, Finale, No Hope, The End, Tape Sound Effect, Radio Static, Detroit Sound
4:20

[style: ambient trap, experimental hip hop, industrial rap, psychedelic rap]
[mood: hypnotic, dark, atmospheric, introspective, powerful, transcendent]
[instrument: heavy 808 bass, distorted sub-bass, crisp trap hi-hats, ambient pads, industrial sfx, reversed melodies, ethereal vocal samples, glitched textures]
[bpm: 70-75]
[vocal: male, clear diction, layered vocals, atmospheric backing vocals]
[atmosphere: vast, futuristic, cyberpunk, meditative, slightly unsettling]
[genre: Experimental Hip Hop, Ambient Trap, Industrial Rap]
3:52

3:51

The production blends dark alternative rock, minimal electronic, and cinematic pop, Built around low-tuned guitars, muted synth bass, and slow, deliberate drums, The groove is steady and heavy without being aggressive, letting the weight come from tone rather than speed, Percussion stays dry and close, kicks and toms feel physical and grounded, while subtle electronic textures and noise sit in the background, adding tension without distraction
As the track develops, the arrangement opens with wider guitars, distant choirs, and sustained synth pads, The chorus lifts emotionally but remains restrained, focused on atmosphere instead of impact, Vocals are front and center, raw and slightly rough, with minimal processing to keep a human, imperfect edge, The overall sound feels introspective, nocturnal, and mature, Designed for live bands, dark stages, and listeners who connect more with tone and meaning than hooks
3:05

The production blends minimalist piano balladry, dark cinematic pop, and subtle electronic textures, A slow tempo and restrained rhythm section let the song breathe, with soft piano chords, low-frequency pads, and distant sub-bass creating emotional weight, Drums are barely present at first, only light kicks and brushed percussion, gradually building toward a fuller but still controlled arrangement
In the second half, the track expands with ambient guitars, understated strings, and layered vocal harmonies, The sound remains intimate and grounded, never overproduced, allowing imperfections in the vocal to carry emotion, The contrast between sparse verses and a fuller, emotional chorus creates a sense of quiet strength rather than drama, Designed for close listening, live acoustic settings, and moments of reflection
3:18

I’m here
v5
Minimal psychedelic pop, cold and restrained, Minor key, slow tempo, sparse arrangement, Organ and synth drones instead of melodies, No catchy hooks, no groove, Vocals almost spoken, distant, emotionally numb, Repetitive structure, hypnotic and uneasy, Feels European, introspective, post-60s influence without nostalgia, Avoid retro sounds, avoid pop sweetness, [Late 1967–1968 psychedelic pop with a modern edge, ]
[Moody, introspective, slightly cold atmosphere, ]
[Minor key progression, unresolved chords, floating melody, Slow to mid-slow tempo, hypnotic, not groovy, not swing, Prominent Hammond organ and Mellotron, sparse piano notes, ]
[Drums minimal and distant, almost mechanical, ]
[Bass melodic but restrained, ]
[Intimate, detached lead vocal with soft, ghost-like harmonies, ]
[Autumnal, reflective, quietly unsettling, ]
[Avoid beat music, avoid happy melodies, avoid nostalgia pastiche, ]
3:20

Unconscious
v4.5-all
dance, progressive house, emotional, introspective, simple, minimal, gradual, deep, electronic
3:11

funk, Afrobeat–meets–melodic house, 110 BPM in A minor, male vocals, Rooted in organic percussion and warm Moog-style sub, with marimba/kalimba riffs weaving around deep house chords, Verses stay intimate and low, with echoed vocal chops and airy pads; chorus opens wide and anthemic, stacking harmonies and subtle call-and-response, Arrangement builds in waves for a spiritual, romantic, late-night dancefloor moment, marimba, male vocals, heartfelt, hypnotic, joyful, vocal, emotional, warm, deep house, afrobeat, romantic, deep, magical, electronic
2:49

Empty Streets
v4.5-all
dark nostalgic electronic melody, emotional minor key, cold night atmosphere, slow dramatic synth lead, deep reverb, urban loneliness, melancholic mood, cinematic, minimal drums, analog texture, nostalgic, electronic, slow, deep, minimal, dramatic, emotional
1:32

post hip hop sinister, ambient illbient experimental, music playing in an abandoned shopping mall, extreme diffuse reverb with long pre-delay, tiled atrium reflections, distant PA system tone, warped stereo field, tape drift and analog warmth, slavic elevator score, emotionally vacant, liminal, nocturnal, reverb becomes the music
3:13

Get Up!
v5
rock, protest, psychedelic, british invasion, noise rock, stoner, wall of noise, deep warm female backup vocals, syncopated drums, dark droning cello, slightly out of tune, heavy layered warm hammond organ, heavy distorted bass guitar, jangly acoustic guitar, warm fuzzy guitar, raw clear natural sounds, warm, natural, raw, cello, acoustic, complex, noise, deep
3:42

dreamy post-rock ukrainian shoegaze indie fused electro, atmospheric choir slavic harmonies echo, haunting slow harmonic bloom, hypophonic ambient, IDM textural movement beneath the surface, analog warmth, sacred melancholia, nocturnal, timeless vocals tube-screamer back up bg vocals, analog creeping lounge fractured pulse, ambient, dreamy post-rock and art-rock, post trip-hop, prog-rock, soviet synth, witch-house vocal atmosphere, ambient flair, Alt indie, fairy-trap, melodies array, autumn, lo-fi chill, slight breeze, blue day sky fading, coffee
3:44

Afrobeat-deep house fusion, warm organ stabs and rubbery bass over a steady four-on-the-floor groove, Shuffling percussion, soft marimba plucks, and airy synth pads, Female vocals start intimate and rhythmic, chorus blooms with stacked harmonies and call-and-response ad-libs, a late subtle sax line adds sensual glide, female vocals
4:08

Deep Sea Ambience, Water Immersion Sounds, Low-end Drone, Warm Analog Synth, Minimalist, 50BPM, Calming, Muffled
2:51

Neoclassical metal guitar, metal pop backing, cold of Winter
6:14

Progressive Trance, 80s Synthwave, Retro-Futuristic, Melodic House, 128 BPM, Analog Jupiter Synth Lead, Gated Reverb Drums, Extended Club Mix, Euphoric, Hypnotic Arpeggios, Long Format
3:34

2:57

5:58

steady easy uptempo energetic intense comfortable simple bold underground dominating dark deep warm brooding balanced tasteful acid TR-808 subs dry smooth soothing pleasant wellness healing frequencies minimal high techno joyous fluid illicit cavernous hollow surround cadence lucid lsd trance inducing hypnotic subtle tasteful dmt intensification pulsing slightly flanged spatial high voltage hum waves eb flow echos endless round helicoptering rub-a-dub dub minimal gabber ska dub live sonar scanner rotor swooshes shuffle feathers gurgling cyclotron futuristic cyber robot warning sirens chill ufo landing bleeps psy-dub relentless semi modular beat machines sci-fi psy-fi empty wide open space massive sound system very distant horizon to horizon floating distant muffled ecstatic alien soundscape greebling positronic quantum big band equivalent deep space thriller sound design FX grand depth roots dolby atmos IMAX dance rave dj nightclub mix hi-tech post-production exaggerated volumetric 3d, ‑unpleasant, ‑harsh, ‑shrill, ‑cold, ‑boring, ‑maximalist, ‑overproduced, ‑top-40, ‑blues, ‑folk, ‑opera
5:49

Road in the night
v4.5-all
dark electronic instrumental, warm, minimal, deep, electronic, smooth
6:34

genre: "ambient techno, hypnotic, introspective, ~110 BPM", synthesis: "FM synthesis bass with non-repeating cycles and evolving modulation, wavetable movement with spectral morphing, resonant bandpass filtering, sub-driven bass with clean punch, rounded harmonic profile with asymmetric waveforms, controlled high harmonics with smooth top end and anti-aliasing, formant-driven bass, granular textures, band-limited synthesis, Reese bass movement, odd-harmonic emphasis, center-focused bass with phase-coherent foundation", production: "heavy delay and reverb, sidechain compression, vinyl analog warmth, tape saturation, slow filter sweeps, minimalist percussion, hypnotic repetition, voodoo-inspired texture layering, immersive spatial design, wall of sound construction, mono-stable low end with phase-coherent foundation", ‑bright synthesizers, ‑energetic beats, ‑pop structures, ‑aggressive percussion, ‑uplifting chord progressions
3:08

Slow, heavy, dreamy rock built around physical tiredness and real-world weight, Guitars are clean with light overdrive, slightly gritty, shimmering like fading afterglow, Chords ring out with long, hazy reverb and blurred edges, carrying emotional heaviness, Drums hit with a tired force:
deep, heavy kick;
dry snare with a delayed, exhausted punch;
loose, swaying hi-hats that feel half-awake, Bass is warm, rounded, and dragging, pulling the track forward with lazy weight, Pads float like leftover weekend memories but darker and more grounded, Short electronic tones cut through like reality tapping your shoulder, Light glitch textures drift as subtle resistance, never harsh, Mix is warm, hazy, and pressure-filled, Low-end is soft but heavy, mids feel tired and hollow, highs shimmer like morning light, Overall mood: drifting forward with reluctance, caught between dream residue and the unavoidable pull of reality
4:22

[Trap, Soft Emotional Trap, 120 BPM, breathy melodic male vocals, High-Fidelity, Perfect Production, melancholic intimate atmosphere, mid-high vocal range, electric violin leads throughout, deep rolling 808s]
Hard-hitting yet soft 808 bass with subtle sub drops and gliding slides, soaring electric violin melodies layered with reverb and delay, atmospheric pads and minor key plucks, crisp hi-hats with triplet rolls and light percussion, Electric violin as primary melody instrument with emotional bends and vibrato, subtle synth drones underneath, faint vocal chops in background, lush reverb tails on strings, no harsh distortion, high layer count with harmonious fusions, Direct start with Chorus, no intro, instant rhythm drop, punchy syncopated rhythm with handclaps, layered electric violin melodies over drone, minor chord progressions with harmonious fusions, layered breathy vocals in hooks, zero mid-verse breaks, endless melody flow, no empty gaps, high layer count (5+ tracks), no spars
3:48

Post-Punk / Darkwave
Guitars: Clean, reverb-heavy riffs with chorus effects, icy and melancholic, Bass: Dark, driving bassline (80s post-punk style) that carries the rhythm, Drums: Mechanical, steady beat with sharp snare and echoing reverb, hypnotic and minimal, Synths/Keys: Cold synth pads and haunting arpeggios for atmosphere, Vocals:
Male vocal: deep baritone, mournful, half-sung half-spoken (emotional storytelling)
2:07

Hyper-Global Dance Trap 2026 TikTok tsunami, 138 BPM 808s tidal + dancehall wave + K-pop flash stabs + afro-trap tidal percus + techno surges, Voix duo femme/homme tsunamis multilingue déchaînés, hooks 6s TSUNAMI-VIRAL, Prod 2026 laser-sharp, danse ondulatoire mondiale tous âges, Trap ocean viral, [v5 Pro]
1:59

Minimal horror-trap beat with sub-bass swells and distant metallic percussion, Male vocals delivered in a low, close-mic whisper that occasionally jumps to a cracked, manic tone, Chorus gets thicker with layered doubles and eerie childlike backing hums, Sparse piano plinks and reversed textures rise in the bridge, then everything drops to just breathing and bass for the final hook, male vocals
4:51

[Alternative Rock] [Neo-Psychedelia] [Driving Beat] [Atmospheric] [Raw Emotion] [Wall of Sound] [Dynamic Shift] [Lush Arrangement] [Crisp Drums] [Warm Bass] [Distorted Guitars] [Ethereal Synth Pads] [BPM: 118] [Key: D minor]
7:16

3:07

Nirvana
v5
This track is an electronic dance music piece with a driving rhythm and a dark, atmospheric quality, The instrumentation primarily features synthesized drums, including a prominent kick drum, snare, and hi-hats, creating a consistent four-on-the-floor beat, A deep, resonant bassline provides the harmonic foundation, often playing a simple, repetitive pattern, Synthesized pads and arpeggiated melodies contribute to the atmospheric texture, with some sounds having a metallic or industrial quality, The song structure is largely repetitive, building tension through the addition and subtraction of layers, as well as subtle filter sweeps and volume automation on various synth elements, There are occasional vocal samples, heavily processed and often unintelligible, used as percussive or atmospheric elements rather than carrying a clear lyrical message, The tempo is moderately fast, and the overall key appears to be minor, contributing to the dark mood, Production elements include significant reverb and delay on many synth sounds, creating a spacious and immersive soundscape, The mixing emphasizes the low-end frequencies, giving the track a powerful and club-ready feel
2:43

Hush
v4.5-all
Liquid Drum and Bass, Contemporary R&B, 2-Step, Alt-pop, lo-fi, Chiptune, UK Garage
Vocal Description: Female vocals, ultra-breathy and whispered vocals, soft airy textures, delicate melodic phrasing, layered harmonies, high-fidelity polished pop vocals, intimate and cute tone, ethereal backing vocals, 164 BPM, Bedroom Pop, Danceable, female vocals
9:44

Genre: Ambient | Style: Sci-fi, Cinematic, Healing | Mood: Tranquil, Mystical, Regenerative, Inside a glowing, high-tech alien UFO healing chamber, soft ambient textures swirl in sacred harmony, A gentle hum of intelligent energy vibrates the air like a cosmic hug, Warm synth pads flow like liquid light, intertwined with the Solfeggio healing frequencies:
– 528 Hz (DNA repair, love activation)
– 396 Hz (liberation from fear & guilt)
– 417 Hz (facilitating change & undoing trauma)
– 639 Hz (enhancing connection & relationships)
These tones pulse subtly beneath shimmering plasma chimes and crystalline alien tones that phase in and out like sentient energy, A deep grounding frequency—like the ship’s core—rumbles beneath it all, while ethereal AI voices whisper in harmonic layers, wordless and healing, Each frequency feels like a lightwave massaging your soul, You are being re-tuned by a multidimensional intelligence in a chamber of love, light, and cellular regeneration
3:06

Приходит день уходит день
v4.5-all
Techno melody, Dj mix, Drop, Drums, Drum house, acid house, House Fantasy, Tropical, Atmospheric, Psychedelic Trance, Melodic House, Electropop, Violin, R&B, House, Progressive, Deep, Dubstep
4:27

This peak-hour club weapon fuses glassy, two-hand tapped math-rock guitars ripping dense, jagged 11/8 & 7/8 figures over a relentless 4-on-the-floor house kick, camouflaging complex meters, Every accent & phrase is led by the guitars, with bass, FM-drenched synth stabs, & dirty house growls locking tightly in call-and-response, echoing every accented hit, Gargantuan, ultra-clean sub-bass & warped 808s trade body-slamming drops, syncopated hats & clipped rims dart across the grid, explosive dubstep-weighted silences break into catastrophic drops, All textures reinforce the angular guitar lines, Emo male vocals cut through, strained yet melodic, channeling urgent angst over interlocking, polyrhythmic madness & communal riff drops, pristine controlled sub, cinematic separation
2:40

4:31

A pulsing drum’n’bass groove drives crisp acoustic guitar and airy folk vocals in the verses, set against warbling, sub-heavy bass, Psychedelic synths and percussive string plucks add motion, Explosive indie pop choruses feature lush harmonies, stacked textures, and dynamic, catchy LFO effects, A pulsing drum’n’bass groove anchors crisp acoustic guitar and airy folk vocals in the verses, contrasted by deep sub-heavy and warbling bass, Psychedelic synths weave trippy accents throughout, percussive string plucks add motion, and indie pop choruses explode with lush harmonies and vibrant layered textures with wildly dynamic yet surprisingly cohesive modulation and experimentally cool and catchy sounding lfo
4:05

electronic, experimental, minimal, percussion, deep voice, ambient, ethereal, spacey, bass drones, organic, sparse
4:29

Idols
v5
Intro: Glitchy static, reversed piano, sub-bass rumble—claustrophobic and eerie, Verse: Sparse beat, whispered vocals, delayed clean guitar, detuned synth pads—paranoid and numb, Pre-Chorus: Rising tension with modulated synths, heartbeat kick, layered vocals—anxiety builds, Chorus: Full drop—distorted guitars, heavy drums, synth strings, vocal harmonies with static—violent beauty, Bridge: Breakdown—no drums, ambient noise, spoken word or vocoded vocals—disassociation and collapse, Final Chorus: Heavier return—wall of sound, fractured vocals, noise textures—desperation and ruin, Outro: Sudden silence, mechanical breathing, child’s voice humming—haunting and unresolved















































