The Strollers

Live remix cover performance with intense audience interaction, Modern alternative rock crossover with jazz roots, Strong drums, deep groove, emotional female vocal, Call-and-response sections, crowd chanting during choruses, Dynamic live build, from intimate verses to explosive sing-along choruses, MC shouts and spoken parts between sections, Audience voices clearly audible, clapping and chanting in rhythm, Raw live energy, imperfect but powerful, Emotional peak during final chorus with maximum crowd participation, Concert hall or live house atmosphere

Alternative Rock / Nu-Metal style with emotional male vocals, heavy electric guitars, atmospheric synth pads, deep bass, and dynamic drums, The sound blends distorted guitar riffs with melancholic piano and electronic textures, expressing frustration and emotional tension in a modern rock tone

Japanese alternative rock, Raw and emotional with distorted guitars, dry drums with ghost note, and tight bass groove glued to vocals, Male vocal shouting style, fast tempo (around 140 BPM), Minimal reverb, urban and edgy atmosphere, noise guitar feedback outro

energetic 2000s pop punk and emo rock with emotional female vocals, crunchy guitars, driving bass, tight drums, and melodic choruses, dynamic arrangement with both aggressive and melodic parts, and heartfelt intensity

An intimate indoor crossover performance that fuses jazz minimalism with aggressive modern rock energy, Hybrid ensemble expanding a drumless jazz trio into a powerful groove-driven band, Drums enter as tight, controlled, low-kit groove with strong rim hits and sub-heavy kick, never flashy, reinforcing pulse, Electric piano maintains the core rhythmic motif with wide swells and dark voicings, Cello becomes a dominant force: distorted, aggressively bowed, providing heavy bass ostinatos and grinding melodic counterlines, Cello functions both as bass and lead, with raw, physical attack and rock phrasing, Female vocal remains husky and intimate, whispery verses evolving into strained, emotional rock delivery, Saxophone solo remains lyrical and expressive, cutting through the mix with emotional intensity, Overall sound balances jazz intimacy with modern alternative rock and nu-metal influenced weight, Dynamic build from restrained tension to crushing groove without losing sophistication

A Japanese garage rock × alternative rock band style with a slightly husky male vocal who shouts with raw emotion, The drums drive with powerful, funky grooves and lots of ghost notes, creating an intense forward motion, The bass locks tightly to the vocal line with a sticky, groovy feel, The guitar has a gritty, crunchy tone — aggressive and melodic at the same time, full of sharp, raw chord cutting, In the middle section, a wild guitar solo explodes with distorted, spiky phrasing that screams with emotion, The arrangement features only guitar, bass, and drums — no keyboards, piano, or horn section, The overall instrumentation is minimal and sparse, giving each instrument space to breathe, Each player performs in a plain, unrefined, almost humble manner, enhancing the raw authenticity of the sound, Every instrument has light compression, keeping a natural dynamic feel, The overall sound feels live, rough, and passionate — like an underground Toyohashi rock club performance

[Genre: Electro-Funk × 80's Disco × Acid Dance-Pop (124 BPM)] [Vocals: Bold female tone with crisp diction and rhythmic swagger ; mixes smooth mid-range with fast, percussive rap phrases; sensual attitude; male voice with an attractive low tone, lively ad-libs (“Roll you down!”, “Roll me up”, “fuh-fuh”), men's lively chants, ] [Instrumentation: Funk-infused 303 bass groove; syncopated claps and snaps; distorted shakuhachi-like synth leads; chopped vocal-sample melodies; chant between men and women, ] [Structure: Funky intro → rapid-fire verse → bouncy pre-chorus → acid-funk drop → rhythmic breakdown → high-energy outro, ] [Mix: Analog warmth, full-bodied mids, crisp hats; bass groove glued to vocals, ] [Style Notes: Funky, stylish, high-voltage — the dance never stops, ]:

Alternative Rock / Nu-Metal style with emotional male vocals, heavy electric guitars, atmospheric synth pads, deep bass, and dynamic drums, The sound blends distorted guitar riffs with melancholic piano and electronic textures, expressing frustration and emotional tension in a modern rock tone

Gothic Electronic Rap Ballad"（ラップ重視 - 感情爆発）Style Input: "Gothic electronic pop with industrial glitches, dark melodic hooks, pulsating synths, and mechanical beats, Blend raw J-Pop rap delivery on verses, fast-paced and confrontational with auto-tune echoes, High-energy choruses with layered harmonies and vocal intensity for raw emotion, Eerie Japanese spoken intro, tempo ramp in final chorus, BPM: 100-115, E minor, gritty distortion on raps

嗄れ声の男性ボーカル, アコースティックギターの弾き語り

Gothic Electronic Rap Ballad"（ラップ重視 - 感情爆発）Style Input: "Gothic electronic pop with industrial glitches, dark melodic hooks, pulsating synths, and mechanical beats, Blend raw J-Pop rap delivery on verses, fast-paced and confrontational with auto-tune echoes, High-energy choruses with layered harmonies and vocal intensity for raw emotion, Eerie Japanese spoken intro, tempo ramp in final chorus, BPM: 100-115, E minor, gritty distortion on raps

dark melodic deathcore, Often uses a two-beat triplet figure right before the chorus, emotional vocal, Starts with minimal instrumentation, gradually building into a fuller, thicker arrangement as the track progresses

A Japanese post-rock / math-rock ensemble with intricate, clean guitar interplay, dynamic shifts, and expressive rhythmic phrasing, Guitars use bright clean tones, fingerpicked arpeggios, broken chords, and syncopated melodic lines, often in interlocking patterns, Bass provides warm, supportive motion with melodic counterlines, Drums emphasize precise but organic groove: busy hi-hat textures, ghost notes, offbeat accents, and fluid dynamic changes, Frequent use of irregular meters, metric modulation, and polyrhythmic feel, The music alternates between quiet, minimal, introspective passages and highly energetic rhythmic drive, Emotional phrasing prioritizes human touch over heavy effects, creating an intimate yet complex sound, Occasional vocals or spoken elements appear as textures rather than traditional singing

Burning blues rock with a deep, dirty groove, featuring male and female vocals, Three-piece band only: guitar, bass, and drums, with vocals woven into the mix, Gretsch Tennessean electric guitar through a Marshall JCM800, warm crunch with tube bite, Only guitar effect: wah pedal, used sparingly for phrasing and vocal-like expression, no other pedals, Expressive bends and wide vibrato, wah accenting midrange sweeps, strings slightly fighting back, Male vocal: low, husky, restrained, slightly behind the beat, Female vocal: smoky, intimate, close-mic, fragile but piercing, Occasional unison lines and subtle call-and-response, Slow to mid-tempo, laid-back heavy drums, thick bass slightly behind the beat, Smoky late-night atmosphere, emotionally dense, gritty and intimate, Raw analog feel, vintage amp saturation, air moving in the room, No modern polish, no digital sheen, imperfect and alive