3:09
big band, bebop, upbeat, chaotic jazz improvisation, Lydian, frequent key changes, clear female vocals, The composition features many call-and-answer phrases between the vocalist and the backing band, There are many instrumental drops and stop-time phrases for a chaotic stop-and-go feeling, The key keeps modulating and changing unpredictably throughout the song, never settling on a root note for very long, The entire song is iterating on a repeated theme, creating a rich thematic development that sticks to the listener and invites them to improvise their own variations of the same theme, ‑showtune, ‑broadway, ‑lounge, ‑blues, ‑distorted vocals
3:59
Eclectic, 110bpm, Playful, Quirky, Unexpected, Clear Crisp Male Vocals, Microtonal Electric Piano, Soft Acoustic Guitar, Electric Bass, Standard Drum Kit, Chromatic, Modulating Key Changes, Syncopated, Rapid Key Shifts, Sudden Metric Changes, Unconventional Chord Progression, Unexpected Key Changes, Constant Key Changes, No Tonic Base, Extreme Harmonic Experimentation, Unexpected Tension and Release, Complex Polyphony, Close-Position Harmonies, ‑rap, ‑hip hop, ‑new jack swing, ‑scat
2:25
big band, bebop, chaotic jazz improvisation, Lydian, sweet innocent female vocals, The rhythm and melody in the intro is used throughout the entire song, ‑scat, ‑ad-lib, ‑wordless vocals, ‑nonsense syllables, ‑vocal improvisation
1:48
big band, upbeat, chaotic jazz improvisation, soft innocent female vocals, 180bpm, The rhythm and melody in the intro is used throughout the entire song, ‑lounge, ‑blues, ‑scat
2:19
4:04
big band, bebop, upbeat, chaotic jazz improvisation, Lydian, frequent key changes, The composition features many call-and-answer phrases between the vocalist and the backing band, There are many instrumental drops and stop-time phrases for a chaotic stop-and-go feeling, The key keeps modulating and changing unpredictably throughout the song, never settling on a root note for very long, The entire song is iterating on a repeated theme, creating a rich thematic development that sticks to the listener and invites them to improvise their own variations of the same theme, ‑lounge, ‑blues, ‑scat
3:29
big band, bebop, upbeat, chaotic jazz improvisation, Lydian, frequent key changes, kawaii female vocals, The composition features many call-and-answer phrases between the vocalist and the backing band, There are many instrumental drops and stop-time phrases for a chaotic stop-and-go feeling, The key keeps modulating and changing unpredictably throughout the song, never settling on a root note for very long, The entire song is iterating on a repeated theme, creating a rich thematic development that sticks to the listener and invites them to improvise their own variations of the same theme