2:22
Style: A French Yé-yé song with moderate otacore influences, Vocal: A high-pitched mature Japanese-French hybrid female singer
3:10
Style: A symphonic Nordic rock with strong yé-yé influences, Vocal: A stern Norwegian male singer who is a bit like young version of Gandalf
4:19
Style: A yé-yé influenced psychobilly Greek song performed in year 2032, Instruments: Lyre, panpipe, recorder, tambourine and upright double bass
Vocals: An effeminate high-pitched Greek countertenor singer with lots of ornamentation voice
4:39
Style: A yé-yé influenced psychobilly Greek song performed in year 2032, Instruments: Lyre, panpipe, recorder, tambourine and upright double bass
Vocals: An effeminate high-pitched Greek countertenor male singer with lots of ornamentation voice
3:52
Style: A yé-yé influenced psychobilly Greek song performed in year 2032, Instruments: Lyre, panpipe, recorder, tambourine and upright double bass
Vocals: An effeminate high-pitched Greek countertenor singer with lots of ornamentation voice
2:34
Style: A yé-yé influenced psychobilly Greek song performed in year 2032, Instruments: Lyre, panpipe, recorder, tambourine and upright double bass
Vocals: An effeminate high-pitched Greek countertenor singer with lots of ornamentation voice
2:46
A Greek-style honky-tonk mixed with style of Akira Yamaoka's Silent Hill
3:28
Style: A yé-yé influenced psychobilly Greek song performed in year 2032, Instruments: Lyre, panpipe, recorder, tambourine and upright double bass
Vocals: An effeminate high-pitched Greek countertenor singer with lots of ornamentation voice
3:39
The song opens with syncopated percussion—congas, bongos, woodblocks—layered under reverb-washed electric guitar riffs and bright organ stabs, Playful bass and handclaps drive yé-yé-inspired call-and-response vocals, while flute and marimba fills add vibrant jungle energy to each chorus, Leader vocal: An effeminate sacred boy, Background choir: Greek holy fire sacerdotes
3:34
The song opens with syncopated percussion—congas, bongos, woodblocks—layered under reverb-washed electric guitar riffs and bright organ stabs, Playful bass and handclaps drive yé-yé-inspired call-and-response vocals, while flute and marimba fills add vibrant jungle energy to each chorus, Leader vocal: An effeminate sacred boy, Background choir: Greek holy fire sacerdotes
4:29
Opening with a lively 12/8 Andalusian rhythm on cajón and bendir, crisp claps lead into a jangly electric guitar and a groovy bassline, Oud, ney flute, and hand percussion interlock under bright vocals, while call-and-response choruses evoke vintage yé-yé energy with a contemporary edge, Vocals: A mysterious Moroccan male singer
4:21
Opening with a lively 12/8 Andalusian rhythm on cajón and bendir, crisp claps lead into a jangly electric guitar and a groovy bassline, Oud, ney flute, and hand percussion interlock under bright vocals, while call-and-response choruses evoke vintage yé-yé energy with a contemporary edge, Vocals: A mysterious Moroccan male singer
3:34
A sparkling contemporary yé-yé beat kicks off with jangly guitars, playful claps, and melodic bass, Bouzouki and oud add Greek flavor, weaving counter-melodies with lush Andalusian hand percussion and palmas, Lively brass and bossa-style guitar chords infuse Tropicalia warmth in the chorus
3:59
A sparkling contemporary yé-yé beat kicks off with jangly guitars, playful claps, and melodic bass, Bouzouki and oud add Greek flavor, weaving counter-melodies with lush Andalusian hand percussion and palmas, Lively brass and bossa-style guitar chords infuse Tropicalia warmth in the chorus
2:57
Style: A mysterious calypso strongly influenced by bubblegum, Uncommon chords, Vocals: A high-pitched sissy high school boy singer
2:53
Style: A mysterious calypso strongly influenced by bubblegum, Uncommon chords, Vocals: A high-pitched sissy high school boy singer
3:02
Style: An effeminate-rhythm honky-tonk song with strong Kayōkyoku influences, Vocals: Greek boyband members roleplayed as innocent Japanese maidens
3:19
Style: An effeminate-rhythm honky-tonk song with strong Kayōkyoku influences, Vocals: Greek boyband members roleplayed as innocent Japanese maidens
3:24
Style: A Laïko with strong bubblegum feeling, Effeminate male vocal, Mandarin lyrics, using instruments: bouzouki, lyra, baglama, flute, panpipe, tambourine, epic but playful, as if singing at the Olympic flame, dramatic atmosphere, bubblegum rhythm, minimal modern pop instruments
2:15
Style: A Laïko with strong bubblegum feeling, Effeminate male vocal, Mandarin lyrics, using instruments: bouzouki, lyra, baglama, flute, panpipe, tambourine, epic but playful, as if singing at the Olympic flame, dramatic atmosphere, bubblegum rhythm, minimal modern pop instruments
3:23
The song opens with syncopated percussion—congas, bongos, woodblocks—layered under reverb-washed electric guitar riffs and bright organ stabs, Playful bass and handclaps drive yé-yé-inspired call-and-response vocals, while flute and marimba fills add vibrant jungle energy to each chorus, Leader vocal: An effeminate sacred boy, Background choir: Greek holy fire sacerdotes
2:37
Opens with a lively, reverb-soaked folk ensemble: hammered dulcimer, accordion, and upright bass establishing a distinctly Polish melodic phrasing, Mid-tempo drums, tambourine, and electric guitar add yé-yé energy, Call-and-response vocals and flute flourishes infuse vintage pop sparkle, Leading vocal: An unsettling, pitiful Polish young girl singer
3:08
An unsettling psychobilly song with Celtic melodies, Demonic dominant male vocals
3:36
A Uyghur folk song mixed with bubblegum pop and bluegrass, Still played in traditional Uyghur instruments, Vocals: A Uyghur youth male singer
3:47
Style: A yé-yé influenced psychobilly Greek song performed in year 2032, Instruments: Lyre, panpipe, recorder, tambourine and upright double bass
Vocals: An effeminate high-pitched Greek countertenor singer with lots of ornamentation voice, ‑female vocals
3:14
An odd, unsettling Singapore-inspired country folk, Using Singapore folk instruments plus tabla, Playful yet gentle teen male vocals
3:15
An unsettling Singapore-inspired folk with odd chords, reminiscence a bit horror and a bit escapism, Using Singapore folk instruments plus tabla, Playful yet gentle teen male vocals
3:02
Style: An epic Greek folk influenced by modern yé-yé in 2020s
Singers: Blonde Greek boy and girl, duet
3:14
Style: An epic Greek folk influenced by modern yé-yé in 2020s, and with strong Greek Mythology vibe, Instruments: Bouzouki, laouto, aulos, syrinx, toubeleki, davul, Vocals: Singer 1 is a beautiful sea nymph like Thetis from Greek Mythology, Singer 2 is a Greek hero like Peleus from Greek Mythology, Duet
3:24
Style: An epic Greek folk influenced by modern yé-yé in 2020s, and with strong Greek Mythology vibe, Instruments: Bouzouki, laouto, aulos, syrinx, toubeleki, davul, Vocals: Singer 1 is a beautiful sea nymph like Thetis from Greek Mythology, Singer 2 is a Greek hero like Peleus from Greek Mythology, Duet
2:28
Style: A symphonic Nordic rock with strong yé-yé influences, Vocal: A stern Norwegian male singer who is a bit like young version of Gandalf
2:36
The song opens with syncopated percussion—congas, bongos, woodblocks—layered under reverb-washed electric guitar riffs and bright organ stabs, Playful bass and handclaps drive yé-yé-inspired call-and-response vocals, while flute and marimba fills add vibrant jungle energy to each chorus, Leader vocal: An effeminate sacred boy, Background choir: Greek holy fire sacerdotes
2:29
A yé-yé influenced psychobilly Greek song performed in year 2032
4:07
Yé-yé, syncopated anime, sweet female vocals, emotional higher pitch voice
4:29
[A gangsta rap with strong cottagecore influences, ]
[Dominantly using rich organic instruments, ]
[Irregular syncopations, ]
[Smooth instrumental outro fading out, ]
[Deviant, effeminate high-pitched male vocals, ]
4:49
[A jumpy Bollywood song with strong cottagecore aesthetics, ]
[Dominantly using rich organic Indian instruments, ]
[Irregular syncopations, ]
[Deviant, effeminate high-pitched French boy singer (with strong French accent) with lots of ornamentation voice (raga), ]
7:54
Style: An unsettling Italian folk strongly influenced by modern yé-yé, Fast-paced and youthful/
Instruments: Mandolin, tamburello, piffero, celesta, clarinet, cello, Vocals: Wandering Italian holy saint youthful boy vocal
8:24
Style: An unsettling Italian folk strongly influenced by modern yé-yé, Fast-paced and youthful/
Instruments: Glockenspiel (most used), Mandolin, tamburello, piffero, clarinet, cello, Vocals: Wandering Italian holy saint youthful boy vocal
5:32
An unsettling Mediterranean-style ethereal wave which is strongly influenced by yé-yé melody and rhythms
5:12
An unsettling Mediterranean-style ethereal wave which is strongly influenced by yé-yé melody and rhythms, Effeminate and breathy countertenor male singers disguised as girls
6:27
Style: A godlike, epic Mediterranean song with cottagecore influences, Vocals: Leader: Commanding, roaring godlike male vocals
Background choir: Ethereal boys and girls
7:29
The song opens with gentle fingerpicked acoustic guitar and airy woodwinds, blending in a subtle kanun for a hint of Egyptian folk, Light percussion with hand drums and tambourine supports the pastoral flow, The chorus layers soft harmonies and flute, while the bridge weaves in modal scales on oud, creating a warm, organic soundscape with delicate Eastern accents, Vocal: A commanding roaring male vocal accompanied by ethereally sweet teen girls' choir
3:36
This Shibuya-kei track fuses quirky eclectic samples, rapid fire drum programming, and bright synths with Greek folk string instruments and a pronounced honky-tonk piano, Verses bounce with syncopated rhythm and bluesy piano, while interludes drop in Mediterranean melodic twists for an off-kilter edge
3:32
This Shibuya-kei track fuses quirky eclectic samples, rapid fire drum programming, and bright synths with Greek folk string instruments and a pronounced honky-tonk piano, Verses bounce with syncopated rhythm and bluesy piano, while interludes drop in Mediterranean melodic twists for an off-kilter edge
2:19
Style: A Laïko with strong bubblegum feeling, Effeminate male vocal, Mandarin lyrics, using instruments: bouzouki, lyra, baglama, flute, panpipe, tambourine, epic but playful, as if singing at the Olympic flame, dramatic atmosphere, bubblegum rhythm, minimal modern pop instruments
3:24
Style: A laïkó song with strong dixieland vibe, Instruments: Lyre, laouto, flute, panpipe, toubeleki, tambourine
Vocals: A graceful goddess-like countertenor singer
2:12
Style: A laïkó song with strong dub poetry vibe, Instruments: Lyre, laouto, flute, panpipe, toubeleki, tambourine
Vocals: A graceful goddess-like countertenor singer
3:21
A yé-yé influenced hillbilly song with strong Myanmar vibe, Strange, experimental chords, Using Neo-soul instruments
1:50
An unsettling Mediterranean-style ethereal wave which is strongly influenced by yé-yé melody and rhythms, Effeminate and breathy countertenor male singers disguised as girls
3:16
A special Nordic folk using Celtic instruments, and with strong bubblegum feeling