淡水少女 / タンシュイ・ガール

Slow tempo (72–76 BPM), cinematic Japanese pop ballad, gentle early autumn atmosphere, Soft piano intro from first bar, warm pads and light strings for calm, nostalgic mood, Female vocal, low-mid register, intimate and slightly husky, emotionally restrained, reflective and tender throughout like remembering a quiet riverside love in Tamsui at sunset, Minimal drums or soft brushed percussion later, rounded bass, no sharp sounds, dynamics smooth and flowing, Verse 1 and 2 share consistent melody, tempo, phrasing and vocal tone, Bridge slightly introspective with subtle harmonic lift, return to warm final chorus, Add half-beat spoken-style male monologue before last emotional line (“原来 我爱上了你”), gentle and thoughtful, End softly with cinematic fade-out over water

Slow tempo (72–76 BPM), cinematic Japanese pop ballad, gentle early autumn atmosphere, Soft piano intro from first bar, warm pads and light strings for calm, nostalgic mood, Female vocal, low-mid register, intimate and slightly husky, emotionally restrained, reflective and tender throughout like remembering a quiet riverside love in Tamsui at sunset, Minimal drums or soft brushed percussion later, rounded bass, no sharp sounds, dynamics smooth and flowing, Verse 1 and 2 share consistent melody, tempo, phrasing and vocal tone, Bridge slightly introspective with subtle harmonic lift, return to warm final chorus, Add half-beat spoken-style male monologue before, gentle and thoughtful, End softly with cinematic fade-out over water

Slow tempo (72–76 BPM), cinematic Japanese pop ballad, gentle early autumn atmosphere, Soft piano intro from first bar, warm pads and light strings for calm, nostalgic mood, Female vocal, low-mid register, intimate and slightly husky, emotionally restrained, reflective and tender throughout like remembering a quiet riverside love in Tamsui at sunset, Minimal drums or soft brushed percussion later, rounded bass, no sharp sounds, dynamics smooth and flowing, Verse 1 and 2 share consistent melody, tempo, phrasing and vocal tone, Bridge slightly introspective with subtle harmonic lift, return to warm final chorus, Add half-beat spoken-style male monologue before, gentle and thoughtful, End softly with cinematic fade-out over water

Female vocal, Taiwanese singer-songwriter style, inspired by 80s–90s Mandopop ballads, Key: G Major, piano-led unplugged ballad with expressive acoustic piano, intimate night radio mood, nostalgic and warm, slow tempo, very soft dynamics, flat dynamic curve, no climax, emotional control maintained, whispered delivery, low register, no belting, minimal vibrato, clear phrasing, respect line breaks, chorus remains soft and restrained, no vocal peak, clear structure, interlude and bridge must appear after second chorus, song continues to final chorus, no early ending, subtle 80s–90s harmony, gentle strings, soft erhu as emotional color, soft female backing vocals, wordless humming, supporting only, single female lead, no duet, no male vocal, no live atmosphere, no audience, single female lead throughout, no duet, no male vocal

80s Japanese female pop, nostalgic and melancholic whispery tone, fragile and breathy vocal with a faint husky edge, restrained and reflective emotional delivery, A cappella trio harmony (3-part harmony): lead + soft high harmony + low harmony, Voices only (no instruments), All voices sing the written lyrics only, No scat, no vocalise, no “ooh / aah / doo-wop" syllables, Harmony voices closely follow the lead melody and lyrics with gentle delayed entrances, no independent background phrases, Close-mic intimate vocals, softened consonants and audible breath, slow suspended phrasing with lingering pauses, soft dynamics, very minimal slightly dark reverb, intimate late-night atmosphere, fading memories and quiet nostalgia, sense of distance and time passing, Subtle doo-wop-inspired harmonic color only (harmonic influence only, no nonsense chorus)

80s Japanese female pop, nostalgic and melancholic whispery tone, fragile and breathy vocal with a faint husky edge, restrained and reflective emotional delivery, A cappella trio harmony (3-part harmony): lead + soft high harmony + low harmony, Voices only (no instruments), All voices sing the written lyrics only, No scat, no vocalise, no “ooh / aah / doo-wop" syllables, Harmony voices closely follow the lead melody and lyrics with gentle delayed entrances, no independent background phrases, Close-mic intimate vocals, softened consonants and audible breath, slow suspended phrasing with lingering pauses, soft dynamics, very minimal slightly dark reverb, intimate late-night atmosphere, fading memories and quiet nostalgia, sense of distance and time passing, Subtle doo-wop-inspired harmonic color only (harmonic influence only, no nonsense chorus)