Canciones de Sanación

cinematic rock ballad, softer piano, acoustic guitar, soaring electric guitars, drums, layered vocals, strings or synth pads in the background

soaring instrumentation, piano intro → strings → full band explosion in the chorus, Intro (Verse 1) Piano (soft, single chords or arpeggios) → sets a reflective, fragile mood, Ambient pads/synths → create a smoky, atmospheric texture, symbolizing “ruins” and “ashes, ” Light percussion (soft kick or heartbeat‑like pulse) → subtle, almost like a distant echo, Pre-Chorus Strings (violin/cello swells) → begin to rise, adding emotional tension, Acoustic guitar (gentle strumming) → introduces warmth and movement, Percussion builds → snare rolls or cymbal swells to signal lift, Chorus Full band enters: Electric guitar (bright, sustained chords) Bass (steady, grounding rhythm) Drums (kick + snare driving the beat, cymbals open up) Strings layered with guitars → cinematic lift, making the chorus soar, Vocals layered/harmonized → emphasize “Out of the ashes, I’m turning to light, ” Verse 2 Pull back slightly: Acoustic guitar + piano lead again, Light percussion continues, but less in

Intro (Verse 1) Acoustic guitar (finger‑picked or gentle strumming) → sets a warm, intimate tone, Soft piano chords → add emotional depth and grounding, Light ambient pad → subtle background texture, like a safe atmosphere, Pre-Chorus Strings (cello or violin swells) → gently rise to support the emotional lift, Percussion enters softly → maybe a brushed snare or hand drum, heartbeat‑like rhythm, Vocals layered slightly → harmonies begin to appear, reinforcing “carry me home, ” Chorus Full acoustic ensemble: Guitar and piano together, brighter strumming, Bass enters, grounding the sound, Drums (soft kick + snare with brushes) → steady but not overpowering, Strings fuller → warm, embracing sound, Vocals harmonized → chorus feels communal, like being carried, Verse 2 Pull back slightly: Acoustic guitar and piano lead again, Percussion softer, almost fading, Keeps intimacy while maintaining momentum, Pre-Chorus (second time) Build stronger than the first: Strings more prono

bold, gritty, and triumphant, Intro; arpeggios Electric guitar, low toms or kick pulse Drums, Bass guitar Pre-Chorus; Guitar distortion begins to swell, low cello/viola), Drums build with snare rolls, Chorus; Full band explosion: Distorted electric guitars power chords, wide stereo spread, Bass driving the rhythm, Drums kick, snare, cymbals strong backbeat Vocals layered/harmonized, Strings soaring above guitars, Verse 2 Pull back slightly, Guitar riff continues but less intense Drums steady, lighter hi‑hat pattern Pre-Chorus; Build faster and stronger than the first Guitar riffs more aggressive Drum fills leading into chorus Energy surges toward the next explosion Chorus; Bigger than the first chorus choir‑like harmonies Strings more prominent, soaring above the band Cymbals open wide, filling the soundscape Bridge Drop intensity Vocals intimate, almost spoken Guitar clean, single notes kick bass Gradual build back in with guitar swells, cymbal crescendos Final Chorus Max power Full b

joyful, upbeat tempo, bright guitars, soaring synths, and a rhythm that feels like running into the wind

reflective release — soft, ambient, and ethereal, Think synth pads, gentle piano, and airy vocals, almost like floating, It’s the calm after the storm, the moment of inner peace

celebration of renewal — cinematic pop‑rock with soaring guitars, driving drums, and layered harmonies, It closes the healing soundtrack with triumph and joy, leaving the listener uplifted