Butterflies of Oblivion

Industrial Rock/Metal ×Darkwave — 100 BPM | Key: minor | Tuning: Drop C (CGCFAD), Mood: mechanical, anxious→relentless, “spiral/sinking”, Drums: stomp 4×4 with syncopated snare, bit-crushed industrial loops under the kit, tom runs, china/crash bombs; pre-drop 1-beat silence, Bass: dual layer—gritty analog/synth bass + distorted bass guitar in unison; sidechain to kick; parallel saturation/soft clip; sub strictly mono <120 Hz; BASS PRIORITY +2 dB, Guitars: tight hi-gain (5150/Recto) with hard gate; verses = edge-of-breakup shimmer; choruses/breakdowns = palm-mutes + open dyads/add2; octave doubles on hooks, Synths/FX: analog pad bed, metallic/organ stabs, distorted arp; servo/gear SFX; granular “spin” stutters on “spin/spinning”; short tape-stop cuts, Vocals: male baritone/tenor (optional Eastern-European accent); verses spoken-sung close, dry-grit; choruses wide/doubled + low 5th; gang shouts on “I’m sinking”; delay throws; short plate + hall tails, Mix/Master: pads HPF 20

Clear-Vocals djent / melodic metalcore, progressive, slight nu-metal influence at 90 BPM, C# minor, Male baritone–tenor lead: clean, present, airy edge; high-fry lift on line ends; low growl underlines on key words (“take it all”); BLEGH hit in breakdown, Tight djent rhythm guitars (Drop C#/C), melodic lead/solos, gritty pick bass, modern punchy drums (halftime breakdowns), electro/industrial backing (dark pads, subtle 16th arp), risers/sub-drops, vinyl-stop and stutter FX, Contrast arc: intimate clean verses → lifting pre-chorus → anthemic chorus with stacked harmonies → chamber-like bridge → heavy breakdown → quiet 2-line chorus reprise → full-power finale, Mix: wide leads/pads, rhythm gtrs hard L/R, center kept clear; mono low end <120 Hz; slap/plate vox (short slap in verses, 1, 6–2, 0s plate in choruses); de-ess 5–7 kHz; HPF 80–100 Hz, Mood: cathartic, defiant, melancholic; hooky, cinematic, modern

Modern Melodic Groove/Alt Metal Ballad — 105 BPM | Key: C minor | Tuning: Drop C (CGCFAD), DRUMS: use the provided FL/Perfect Drums arrangement EXACTLY (do not change bar counts or patterns), Guitars: high-gain modern stack (5150/Recto) with tight gate + TS boost on palm-mutes; verses = clean/edge-of-breakup arps; choruses/breakdowns = full gain with ringing power-chords; lead = melancholic octave/melody, delay 1/4 + dotted-1/8, slide/whammy swells; add2/add9 voicings; bridge may add b2/b5 tension, Bass: pickstyle, mild overdrive; lock to kick syncopations; parallel compression; sub strictly mono <120 Hz; occasional octave jumps in post-chorus hits, Keys/Textures: low dark string pad (HPF 180–220 Hz) under verses/pre; sparse piano doubling lead tags; optional ambient cello swells in breakdowns, Vocals female: intimate verses, anthemic choruses; double lead + 3rd/5th on final chorus lines; optional fry screams in bridge; Female vocals

[Genre: Dance Metal, Industrial Metal, Electronic Rock] [Instrument: Drop-D Electric Guitars with Distorted Riffs, Punchy Acoustic Drum Set with Double Kick, Layered Synth Arpeggios, Sidechained Reese Bass, Pulsing EDM Kick, Metallic Percussion FX] [Vocal Style: Female, Dynamic, Melodic Singing with Aggressive Screams and Spoken Word Accents] [Mood: Dark, High-Energy, Hypnotic, Anthemic] [Energy: Explosive, Driving, Club-Ready] [Texture: Dense, Gritty, Synth-Metal Fusion] [Arrangement: Build-Drop Structure, EDM-Style Drops with Guitar Breakdowns, Call-and-Response Choruses] [Production Style: Polished, High-Contrast, Wide Stereo Imaging, Glitchy Transitions, Heavy Compression on Kicks and Bass] [Tempo: 120–135 BPM, Four-on-the-Floor with Half-Time Breakdowns] Use Extend file Rhythm Copy Music and Copy Voice

A six-part progressive neoclassical metal epic blending introspective piano passages with heavy, syncopated riffs, shifting time signatures, Vocals soar in a high-register, narrating with dramatic intensity, soft and melodic in quieter sections, anthemic and powerful in climaxes, Guitar drives aggression, rapid unison riffs with bass and keys, explodes into an extended solo of virtuosity, weaving whammy bar bends, tapping runs, and sweeping arpeggios across a shifting rhythmic bed, Bass is a lead instrument, delivering counter-melodies and an intricate solo with upper-register clarity, Drumming anchors the complexity with fluid time changes, double-bass bursts, tight tom, snare fills, Keyboards move between dramatic organ pads, piano undercurrents, and thematic synth motifs that recur throughout, acting as a narrative anchor, The piece builds through unison breaks, climaxes in layered vocals and driving riffs, resolves with a dramatic finale where powerful vocals soar over thematic keys