Capsule 6

1976 cosmic art-rock with infectious danceable groove, tight propulsive rhythm section that makes you move, sharp angular guitar showcasing technical virtuosity, analog synthesizers creating upbeat space-age atmosphere, bass line steady and driving, drums tight and funky with irresistible forward momentum, BUT androgynous vocals vulnerable and confessional fighting against the groove, melancholic sincere lyrics about emptiness delivered over celebratory music, the contradiction between joyful rhythm and sad confession, vocals earnest and introspective while band plays danceable art-rock, repetitive chorus hook I'm not full of myself becomes hypnotic mantra lost in the mix, people dance without hearing the words, verse sections introspective vocals over propulsive beat, bridge slows briefly before exploding back to infectious rhythm, vintage analog production warm, stereo separation showcasing five-piece band, theremin adding cosmic texture, guitar and keys trading phrases, 138 BPM

1976 cosmic art-rock with infectious danceable groove, tight propulsive rhythm section that makes you move, sharp angular guitar showcasing technical virtuosity, analog synthesizers creating upbeat space-age atmosphere, bass line steady and driving, drums tight and funky with irresistible forward momentum, BUT androgynous vocals vulnerable and confessional fighting against the groove, melancholic sincere lyrics about emptiness delivered over celebratory music, the contradiction between joyful rhythm and sad confession, vocals earnest and introspective while band plays danceable art-rock, repetitive chorus hook I'm not full of myself becomes hypnotic mantra lost in the mix, people dance without hearing the words, verse sections introspective vocals over propulsive beat, bridge slows briefly before exploding back to infectious rhythm, vintage analog production warm, stereo separation showcasing five-piece band, theremin adding cosmic texture, guitar and keys trading phrases, 138 BPM

1976, Cosmic disco rock with corrupted gospel energy, four-on-the-floor disco beat with art rock experimentation, Pulsing bass and angular guitar, live drums with psychedelic textures, Station to Station era production meets church revival, Verses use call-and-response building from testifying solo to possessed choir, Choruses urgent with preacher's commanding intensity, theatrical desperation, Bridge strips to haunting keys, solo voice building to full gospel choir harmonies but unsettling, wrong somehow, then explodes back, Melancholic undertone beneath danceable groove, Evangelical recruitment turned parasitic, Dark glamour, propulsive melancholy, seductive horror, Theme: cosmic addiction, becoming the broadcast, false prophet energy

1970s glam rock song given a disco remix, dancable beat, Cosmic disco, 70s analog synths, hypnotic beat, funky bass, building to euphoric climax

1976 cosmic disco art-rock with melancholic undertones, sparse arrangement with space between elements, androgynous vocals confessional and vulnerable, tight rhythm section propelling forward with restraint, sharp angular guitar cutting through when it enters, analog synthesizers adding atmosphere without crowding, bass line steady and propulsive, drums driving but leaving room to breathe, repetitive chorus hook building obsessive intensity through repetition not density, verse sections stripped down and introspective, bridge slows for philosophical moment, vintage analog production warm with natural dynamics, instruments enter and exit creating breathing room, theremin appears sparingly for cosmic accent, guitar and keys trade phrases rather than layering constantly, emphasis on groove and space over maximum instrumentation, controlled arrangement showcasing five-piece interplay through restraint, sadness and danceability coexist without competing for sonic space, ‑wall of sound, ‑guttural screaming

highly emotional, androgynous space glam rock oddity jam with buzzy guitar foundation, synthesizer textures, steady bass and drums around 95 bpm, vocals tell a story with theatrical delivery and clear phrasing, conversational verses building to sung choruses, 1970s style with reverb for atmosphere, forward momentum not slow, melodic and structured, emphasis on unusual syllables, voice shifts between speaking-singing and full melody, sounds like early art rock, instrumentation supports vocals without overwhelming

1976 cosmic art-rock with funk-rock syncopated bass and guitar interplay, propulsive groove at 135 BPM, minor key, detached androgynous vocals in verses building to desperate vocals in chorus, fragmented hocketing backing vocals representing multiple voices, sparse verses with locked-in rhythm section, explosive layered choruses with stereo-panned vocal fragments, bridge strips to rhythm section only then builds with unified choir vocals, final chorus maximum density with all vocal layers active, tight pocket throughout, swagger masking desperation

Cosmic disco rock, 120BPM, 432Hz tuning, scathing contempt androgynous vocals, dry vocal processing, relentless four-on-the-floor kick, syncopated Moog bassline, jagged post-punk rhythm guitar, shimmering Arp Odyssey leads, ethereal space-disco pads, heavy saturated fuzz guitar bridge, 1970s analog production style, high-fidelity, wide stereo image, dramatic dynamic shifts, sarcastic tone

Seductive space disco-rock with epic orchestration, four-on-the-floor kick drum with syncopated hi-hats, sensual groove-heavy bass line at 110 BPM, breathy intimate lead vocals building to powerful declarations, layered backing vocals creating massive choir harmonies, warm analog synthesizers with dramatic string sections, electric piano shimmer with brass stabs, lush orchestral swells suggesting cosmic scale, heavy reverb creating vast cathedral-like space, wah-wah guitar accents, verses intimate and sultry building to anthemic choruses with full orchestra, dramatic crescendos and dynamic shifts between seductive whispers and commanding proclamations, production balances bedroom intimacy with stadium grandeur, bridge explodes into epic falsetto choir suggesting transcendent ecstasy, 'hmmmm' sections start as sensual humming building to massive harmonic layers, 'ohhhhhhhh' sections as breathy sighs expanding into overwhelming vocal wall, final chorus maximum orchestration with timpani