Real Cult Rock

A dark, aggressive indie rock track driven by a gritty, overdriven electric guitar riff with a bluesy, desert-rock edge, tight palm-muted verses that explode into open, distorted chords in the chorus, punchy live drums with a heavy kick and sharp snare locked into a stomping mid-tempo groove, subtle swing and swagger in the rhythm, thick bass guitar following the riff with weight and grit, minimal but tense arrangement that builds pressure through repetition, layered guitars for width and power, occasional slide guitar or feedback accents for menace, raw male vocal delivery with confident swagger and restrained desperation, slightly saturated vocals sitting forward in the mix with light slapback delay and room reverb, dark indie rock atmosphere that feels urgent, obsessive, and nocturnal, blending modern rock punch with classic rock grit, focused on momentum, attitude, and controlled chaos rather than polish

116 BPM, protest-folk rock with fast-paced narrative vocal delivery, Rolling train-beat drums, acoustic strumming, electric guitar punctuation, violin accents, harmonica fills, and a driving bassline, Urgent, journalistic vocal phrasing with clipped consonants and spoken-sung cadence, Story-driven verses with long, breathless lines, Raw, live feel; minimal reverb, 1970s Dylan protest anthem energy, socially charged, cinematic, relentless forward motion, Tambourine on backbeats, piano stabs for urgency, subtle crowd-noise texture in sections, and occasional shouted background interjections for chaotic realism, Dry vocal grit with slight tape saturation, Guitar and harmonica trade fills between vocal breaths, Final verse intensifies with doubled vocals and rising snare patterns, Arrangement feels like a live band in a small room—tight, imperfect, human, politically electric

rock, soulful, conversational delivery, emotional, gospel, vocal, funky rhythm, energetic live drums, raw emotional male vocals, classic rock, soul, male vocals, gospel-tinted chorus, raw, funky, 1970s blue-eyed soul / rock-soul fusion with gritty hammond b3 organ, and a soulful

rock, soulful, conversational delivery, emotional, gospel, vocal, funky rhythm, energetic live drums, raw emotional male vocals, classic rock, soul, male vocals, gospel-tinted chorus, raw, funky, 1970s blue-eyed soul / rock-soul fusion with gritty hammond b3 organ, and a soulful

rock, soulful, conversational delivery, emotional, gospel, vocal, funky rhythm, energetic live drums, raw emotional male vocals, classic rock, soul, male vocals, gospel-tinted chorus, raw, funky, 1970s blue-eyed soul / rock-soul fusion with gritty hammond b3 organ, and a soulful

southern rock influence, southern rock, blues, rock, jazz

Gritty, sludgy alternative-punk rock track inspired by Green Day’s “Brain Stew, ” Slow, dragging tempo (70–78 BPM) with a heavy, detuned, palm-muted guitar riff that repeats hypnotically, Thick, crunchy distortion, Minimal but powerful drums: stomping kick, raw snare, and a lazy, dragging groove, The production should feel grimy, industrial, and exhausted—dark highway energy, Male vocal delivered in a gritty talk-sing style, slightly monotone and cynical, with occasional raspy rises in intensity, Keep the atmosphere tense, dirty, and slow-burning, not upbeat, Let the chorus and yelling sections expand with slightly more distortion and aggression, Overall mood: late-night highway grind, bleak, heavy, hypnotic, alt-punk, Add dark, gritty brass elements: low trombone blasts, baritone sax growls, and muted trumpet stabs used sparingly for tension and weight, Horns should sound dirty and industrial, not bright or ska-like, Use subtle horn drones in the verses, swelling brass in pre-chorus

Gritty, sludgy alternative-punk rock track inspired by Green Day’s “Brain Stew, ” Slow, dragging tempo (70–78 BPM) with a heavy, detuned, palm-muted guitar riff that repeats hypnotically, Thick, crunchy distortion, Minimal but powerful drums: stomping kick, raw snare, and a lazy, dragging groove, The production should feel grimy, industrial, and exhausted—dark highway energy, Male vocal delivered in a gritty talk-sing style, slightly monotone and cynical, with occasional raspy rises in intensity, Keep the atmosphere tense, dirty, and slow-burning, not upbeat, Let the chorus and yelling sections expand with slightly more distortion and aggression, Overall mood: late-night highway grind, bleak, heavy, hypnotic, alt-punk, Add dark, gritty brass elements: low trombone blasts, baritone sax growls, and muted trumpet stabs used sparingly for tension and weight, Horns should sound dirty and industrial, not bright or ska-like, Use subtle horn drones in the verses, swelling brass in pre-chorus

Gritty, sludgy alternative-punk rock track inspired by Green Day’s “Brain Stew, ” Slow, dragging tempo (70–78 BPM) with a heavy, detuned, palm-muted guitar riff that repeats hypnotically, Thick, crunchy distortion, Minimal but powerful drums: stomping kick, raw snare, and a lazy, dragging groove, The production should feel grimy, industrial, and exhausted—dark highway energy, Male vocal delivered in a gritty talk-sing style, slightly monotone and cynical, with occasional raspy rises in intensity, Keep the atmosphere tense, dirty, and slow-burning, not upbeat, Let the chorus and yelling sections expand with slightly more distortion and aggression, Overall mood: late-night highway grind, bleak, heavy, hypnotic, alt-punk

Gritty, sludgy alternative-punk rock track inspired by Green Day’s “Brain Stew, ” Slow, dragging tempo (70–78 BPM) with a heavy, detuned, palm-muted guitar riff that repeats hypnotically, Thick, crunchy distortion, Minimal but powerful drums: stomping kick, raw snare, and a lazy, dragging groove, The production should feel grimy, industrial, and exhausted—dark highway energy, Male vocal delivered in a gritty talk-sing style, slightly monotone and cynical, with occasional raspy rises in intensity, Keep the atmosphere tense, dirty, and slow-burning, not upbeat, Let the chorus and yelling sections expand with slightly more distortion and aggression, Overall mood: late-night highway grind, bleak, heavy, hypnotic, alt-punk

Soft, soulful, atmospheric rock inspired by Audioslave’s “I Am the Highway, ” Clean electric guitars with shimmering delay, gentle ambient pads, and warm bass, Drums should not be removed—give them a soft, steady presence in the verses with light hits, then gradually increase intensity as the vocals rise, The lift should feel emotional and spacious, not heavy, The drums should swell only during the louder lines marked with (!) in the lyrics, tightening into a stronger heartbeat groove without becoming aggressive, Male vocal in a soulful Chris Cornell–style tone: warm, breathy, aching, with controlled rasp, The bridge and the yelling sections marked with (!) should break open with more force, while the rest of the song stays soft, meditative, and highway-like, Keep the mix airy, spiritual, and cinematic—never a rock ballad, Tempo around 70–80 BPM

Soft, soulful, atmospheric rock inspired by Audioslave’s “I Am the Highway, ” Clean electric guitars with shimmering delay, gentle ambient pads, and warm bass, Drums should not be removed—give them a soft, steady presence in the verses with light hits, then gradually increase intensity as the vocals rise, The lift should feel emotional and spacious, not heavy, The drums should swell only during the louder lines marked with (!) in the lyrics, tightening into a stronger heartbeat groove without becoming aggressive, Male vocal in a soulful Chris Cornell–style tone: warm, breathy, aching, with controlled rasp, The bridge and the yelling sections marked with (!) should break open with more force, while the rest of the song stays soft, meditative, and highway-like, Keep the mix airy, spiritual, and cinematic—never a rock ballad, Tempo around 70–80 BPM

High-energy alt rock / electro-rock track in the style of Beck’s “E-Pro, ” Crunchy distorted guitars, gritty breakbeat drums, a fat, looped bassline, glitchy textures, and a slightly lo-fi, garage mix, Male vocal, laid-back but intense, half-sung half-spoken verses with deadpan sarcasm and surreal storytelling, Big “na na” hook sections that feel like a crowd chant, Tempo around 120–135 BPM, driving and relentless, with occasional stop-start moments and distortion bursts, Overall mood: chaotic night out, broke, self-destructive, funny and tragic at the same time, very Beck-like attitude

High-energy alt rock / electro-rock track in the style of Beck’s “E-Pro, ” Crunchy distorted guitars, gritty breakbeat drums, a fat, looped bassline, glitchy textures, and a slightly lo-fi, garage mix, Male vocal, laid-back but intense, half-sung half-spoken verses with deadpan sarcasm and surreal storytelling, Big “na na” hook sections that feel like a crowd chant, Tempo around 120–135 BPM, driving and relentless, with occasional stop-start moments and distortion bursts, Overall mood: chaotic night out, broke, self-destructive, funny and tragic at the same time, very Beck-like attitude

High-energy alt rock / electro-rock track in the style of Beck’s “E-Pro, ” Crunchy distorted guitars, gritty breakbeat drums, a fat, looped bassline, glitchy textures, and a slightly lo-fi, garage mix, Male vocal, laid-back but intense, half-sung half-spoken verses with deadpan sarcasm and surreal storytelling, Big “na na” hook sections that feel like a crowd chant, Tempo around 120–135 BPM, driving and relentless, with occasional stop-start moments and distortion bursts, Overall mood: chaotic night out, broke, self-destructive, funny and tragic at the same time, very Beck-like attitude

Genre: Rap-metal × nu-metal × punk hip-hop Vibe: aggressive, sarcastic, political, high-energy rant Vocals: gritty rap-sung male vocal, rhythmic shouting, swagger, attitude Instruments: • distorted electric guitars (drop-D) • slap bass + sub bass • huge Tom-rolls (Tommy Lee style) • crunchy DJ scratches • industrial percussion • hip-hop drum kit with nu-metal snare • subtle synths for tension BPM: 96–104 BPM (heavy head-nod groove) Structure: rap verses → pre-hook → shouted hook → big chant chorus Mood: rebellious, chaotic, modern, culture-critiquing, explosive

Genre: Rap-metal × nu-metal × punk hip-hop Vibe: aggressive, sarcastic, political, high-energy rant Vocals: gritty rap-sung male vocal, rhythmic shouting, swagger, attitude Instruments: • distorted electric guitars (drop-D) • slap bass + sub bass • huge Tom-rolls (Tommy Lee style) • crunchy DJ scratches • industrial percussion • hip-hop drum kit with nu-metal snare • subtle synths for tension BPM: 96–104 BPM (heavy head-nod groove) Structure: rap verses → pre-hook → shouted hook → big chant chorus Mood: rebellious, chaotic, modern, culture-critiquing, explosive

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge [“when I wake up I won’t stop…”], Occasional crowd-yell ad-libs [“yeah!”, “let’s go!”, “fuck that!”], Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood:Defiant, fed up, energetic, zero-filter attitude

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge [“when I wake up I won’t stop…”], Occasional crowd-yell ad-libs [“yeah!”, “let’s go!”, “fuck that!”], Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood:Defiant, fed up, energetic, zero-filter attitude

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge (“when I wake up I won’t stop…”), Occasional crowd-yell ad-libs (“yeah!”, “let’s go!”, “fuck that!”), Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood:Defiant, fed up, energetic, zero-filter attitude

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge (“when I wake up I won’t stop…”), Occasional crowd-yell ad-libs (“yeah!”, “let’s go!”, “fuck that!”), Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood:Defiant, fed up, energetic, zero-filter attitude

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge (“when I wake up I won’t stop…”), Occasional crowd-yell ad-libs (“yeah!”, “let’s go!”, “fuck that!”), Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood:Defiant, fed up, energetic, zero-filter attitude

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge (“when I wake up I won’t stop…”), Occasional crowd-yell ad-libs (“yeah!”, “let’s go!”, “fuck that!”), Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood:Defiant, fed up, energetic, zero-filter attitude

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge (“when I wake up I won’t stop…”), Occasional crowd-yell ad-libs (“yeah!”, “let’s go!”, “fuck that!”), Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood:Defiant, fed up, energetic, zero-filter attitude

Aggressive rap-rock in the style, no screamo, spoken-rant attitude, swagger, heavy groove, sarcastic tone, Instrumentation: Tommy Lee–style metal drum slam, big punchy toms, distorted nu-metal guitars, slap-bass accents, vinyl scratch FX, gritty rap-rock synth stabs, Vocal Style: Lead vocal: spoken rant + rhythmic rap delivery, confident, pissed-off, sarcastic, Secondary vocal: deep Timberland-style baritone for the bridge (“when I wake up I won’t stop…”), Occasional crowd-yell ad-libs (“yeah!”, “let’s go!”, “fuck that!”), Energy: Explosive, rebellious, humorous, chaotic, but clean enough to understand every word, Structure: Short intro → rant-rap verse → deep-voice bridge → huge chant-chorus → outro hit, Tempo: 120 BPM (perfect for rap-rock bounce and mosh-pit energy), Mix: Crunchy guitars, sub-heavy kick, slap-room snare, filtered vocal moments for tension, Mood: Defiant, fed up, energetic, zero-filter attitude, Lyrics: Use the following lyrics exa

96 BPM rap-rock, methods of mayhem style, heavy hip-hop drums with crushing snare, distorted downtuned guitars playing stop-start riffs, gritty funk-rock bass, DJ scratches, vinyl-stop breaks, talk-sung verses with sarcastic attitude, yelled anthem chorus, crowd-gang shouts, swagger, groove-driven aggression without metalcore screaming, Tom-drum buildups and explosive drops, urban apartment chaos energy, raw rap cadence mixed with nu-metal bounce, wide punchy mix, saturated vocals, high-energy release sections

96 BPM rap-rock, methods of mayhem style, heavy hip-hop drums with crushing snare, distorted downtuned guitars playing stop-start riffs, gritty funk-rock bass, DJ scratches, vinyl-stop breaks, talk-sung verses with sarcastic attitude, yelled anthem chorus, crowd-gang shouts, swagger, groove-driven aggression without metalcore screaming, Tom-drum buildups and explosive drops, urban apartment chaos energy, raw rap cadence mixed with nu-metal bounce, wide punchy mix, saturated vocals, high-energy release sections

southern rock influence, southern rock, blues, rock, jazz

southern rock influence, southern rock, blues, rock, jazz

140–147 BPM, late-60s swamp-rock with raw energy, driving quarter-note kick, loose hi-hat, snappy snare, gritty rhythm guitars with tremolo edge, overdriven tube-amp crunch, swampy Fender riffs, sliding pentatonic licks, steady eighth-note bass groove locked to the drums, slight swing, Southern-rock bite, live-room grit, Vocal: sharp, urgent, strained-tenor delivery, raspy shout-singing, protest-rock phrasing, short clipped lines, defiant tone, Production: dry, minimal reverb, garage-band tightness, analog saturation, stereo rhythm guitars panned wide, punchy mono drums, Occasional blues-rock fills, momentary breaks before chorus hits, Overall mood: patriotic protest-rock, high-adrenaline, rebellious, confident, all-forward momentum

140–147 BPM, late-60s swamp-rock with raw energy, driving quarter-note kick, loose hi-hat, snappy snare, gritty rhythm guitars with tremolo edge, overdriven tube-amp crunch, swampy Fender riffs, sliding pentatonic licks, steady eighth-note bass groove locked to the drums, slight swing, Southern-rock bite, live-room grit, Vocal: sharp, urgent, strained-tenor delivery, raspy shout-singing, protest-rock phrasing, short clipped lines, defiant tone, Production: dry, minimal reverb, garage-band tightness, analog saturation, stereo rhythm guitars panned wide, punchy mono drums, Occasional blues-rock fills, momentary breaks before chorus hits, Overall mood: patriotic protest-rock, high-adrenaline, rebellious, confident, all-forward momentum

140–147 BPM, late-60s swamp-rock with raw energy, driving quarter-note kick, loose hi-hat, snappy snare, gritty rhythm guitars with tremolo edge, overdriven tube-amp crunch, swampy Fender riffs, sliding pentatonic licks, steady eighth-note bass groove locked to the drums, slight swing, Southern-rock bite, live-room grit, Vocal: sharp, urgent, strained-tenor delivery, raspy shout-singing, protest-rock phrasing, short clipped lines, defiant tone, Production: dry, minimal reverb, garage-band tightness, analog saturation, stereo rhythm guitars panned wide, punchy mono drums, Occasional blues-rock fills, momentary breaks before chorus hits, Overall mood: patriotic protest-rock, high-adrenaline, rebellious, confident, all-forward momentum

140–147 BPM, late-60s swamp-rock with raw energy, driving quarter-note kick, loose hi-hat, snappy snare, gritty rhythm guitars with tremolo edge, overdriven tube-amp crunch, swampy Fender riffs, sliding pentatonic licks, steady eighth-note bass groove locked to the drums, slight swing, Southern-rock bite, live-room grit, Vocal: sharp, urgent, strained-tenor delivery, raspy shout-singing, protest-rock phrasing, short clipped lines, defiant tone, Production: dry, minimal reverb, garage-band tightness, analog saturation, stereo rhythm guitars panned wide, punchy mono drums, Occasional blues-rock fills, momentary breaks before chorus hits, Overall mood: patriotic protest-rock, high-adrenaline, rebellious, confident, all-forward momentum

116 BPM, 1973–1975 New-York-era rock: gritty electric guitars, jangly 12-string rhythm, slap-back vocals, funky bass, and loose, live drums with a raw room feel, Bright honky-tonk piano stabs and Hammond organ swells, Lennon-style lead vocal: nasally warm, slightly sarcastic, conversational, punchy phrasing, double-tracked in choruses with light tape saturation, Female soul backing vocals (New York “free the people” style) doing call-and-response, long oohs, and occasional gospel-tilt shouts, Production feel: raw analog tape, minimal polish, street-corner swagger, protest-rock energy, claps on 2 & 4, tambourine lift in choruses, New-York-City electricity: horns optional (short stabs), distorted megaphone moments, police-siren-like guitar bends, Mood: triumphant, urban, gritty, gritty hopefulness with Lennon-style humor and emotional truth, “NYC rock-soul anthem” atmosphere

116 BPM, 1973–1975 New-York-era rock: gritty electric guitars, jangly 12-string rhythm, slap-back vocals, funky bass, and loose, live drums with a raw room feel, Bright honky-tonk piano stabs and Hammond organ swells, Lennon-style lead vocal: nasally warm, slightly sarcastic, conversational, punchy phrasing, double-tracked in choruses with light tape saturation, Female soul backing vocals (New York “free the people” style) doing call-and-response, long oohs, and occasional gospel-tilt shouts, Production feel: raw analog tape, minimal polish, street-corner swagger, protest-rock energy, claps on 2 & 4, tambourine lift in choruses, New-York-City electricity: horns optional (short stabs), distorted megaphone moments, police-siren-like guitar bends, Mood: triumphant, urban, gritty, gritty hopefulness with Lennon-style humor and emotional truth, “NYC rock-soul anthem” atmosphere

Driving 1980s rock with vintage American bar-band energy — think soulful horns, bright guitar riffs, steady groove, melodic yet driving, A fusion of rock, soul and bit of blues-rock polish, The tempo sits around 110–115 BPM (≈112 BPM) in A♭ major

Driving 1980s rock with vintage American bar-band energy — think soulful horns, bright guitar riffs, steady groove, melodic yet driving, A fusion of rock, soul and bit of blues-rock polish, The tempo sits around 110–115 BPM (≈112 BPM) in A♭ major

Driving 1980s rock with vintage American bar-band energy — think soulful horns, bright guitar riffs, steady groove, melodic yet driving, A fusion of rock, soul and bit of blues-rock polish, The tempo sits around 110–115 BPM (≈112 BPM) in A♭ major

Driving 1980s rock with vintage American bar-band energy — think soulful horns, bright guitar riffs, steady groove, melodic yet driving, A fusion of rock, soul and bit of blues-rock polish, The tempo sits around 110–115 BPM (≈112 BPM) in A♭ major

funky rhythm, classic rock, rock, conversational delivery, raw emotional male vocals, 1970s blue-eyed soul rock-soul fusion with gritty hammond b3 organ, raw, energetic live drums, soul, male vocals, gospel-tinted chorus, and a soulful, soulful, gospel, vocal, emotional, funky

rock, soulful, conversational delivery, emotional, gospel, vocal, funky rhythm, energetic live drums, raw emotional male vocals, classic rock, soul, male vocals, gospel-tinted chorus, raw, funky, 1970s blue-eyed soul / rock-soul fusion with gritty hammond b3 organ, and a soulful

funky rhythm, classic rock, rock, conversational delivery, raw emotional male vocals, 1970s blue-eyed soul rock-soul fusion with gritty hammond b3 organ, raw, energetic live drums, soul, male vocals, gospel-tinted chorus, and a soulful, soulful, gospel, vocal, emotional, funky

southern rock, jazz, blues, rock

southern rock, jazz, blues, rock

rock, soulful, conversational delivery, emotional, gospel, vocal, funky rhythm, energetic live drums, raw emotional male vocals, classic rock, soul, male vocals, gospel-tinted chorus, raw, funky, 1970s blue-eyed soul / rock-soul fusion with gritty hammond b3 organ, and a soulful