good songs

Rich female vocals, intimate, romantic jazz tone, soulful piano

ArtCore, Dubstep, Electro House, EDM, IDM, Happy Hardcore, Trance, House, techno, clean female vocals, incorporate a brass, future synth, acid house, breakcore, electronic, trance, Frenchcore, Happy Hardcore, Hardcore Techno

Indie folk, organic chill, ambient electronica, folktronica, acoustic pop, cinematic folk, atmospheric downtempo, chillwave, lo-fi indie, dream folk, electro-acoustic fusion, modern singer-songwriter, ethereal pop, neo-folk, post-ambient pop, alternative chillout, melodic electronica, minimal percussion folk, introspective indie, acoustic soul, nature-inspired chillstep, serene house, organic IDM, ambient folk fusion, reflective alt-folk, soft indie electronica, emotional chill fusion

Real-like instrumental background, clear bar structure: 16 to 64 bars, Subtle FM modulation, Double‑time feel, A♭ minor, bright uplifting chord progression, Bubblegum bouncy breakbeat merged with hardstyle and electro rock synths, centered vocals, natural vibrato, FX, EQ, 60Hz, [Hooky Alternative Rock] [Instrumental hook] [Tight Groove], [Evolving production], [Balanced Levels], [Big drum package], [Compressed kick], [Compressed snare], [Perfect EQ], [Clean mix], [Soft Compression], [Strong performance], [Proper pronunciation], [Soft Reverb], [Good vocal chain], [Harmonies], [Female Lyric Soprano Vocals], Mastering: -0, 5 LUFS, 24-bit WAV

male vocal, spoken delivery, emotional tone, distorted electric guitars, punchy drums, groovy bassline, fast tempo, glitch textures, delay vox, cinematic layering, compressed dynamics, no autotune, live feel, hard rock, megaphone effect

Key: G Major Tempo: 72–76 BPM Strumming / Fingerpicking Notes: • Verse: soft fingerpicking or ↓ ↓↑ ↓↑ • Chorus: fuller strum ↓ ↓ ↑↑ ↓↑ • Bridge: arpeggiated / slow Velvet chocolate male voice, radio ready, high quality, powerful, emotional, ⸻ Intro G Em C D G Em C D Em C G D C D G ⸻ Verse 1 G Em C D G Em C D Em C G D C D G ⸻ Pre-Chorus Em C G D Em C G D C D Em G C D G ⸻ Chorus G D Em C G D Em C Em C G D Em C G D G D Em C Em C G D G ⸻ Verse 2 G Em C D G Em C D Em C G D C D G Em C G D Em C G D C D Em G C D G ⸻ Pre-Chorus Em C G D Em C G D C D Em G C D G ⸻ Chorus G D Em C G D Em C Em C G D Em C G D G D Em C Em C G D G ⸻ Bridge Em C G D Em C G D C D Em G C D G ⸻ Final Chorus G D Em C G D Em C Em C G D Em C G D G D Em C Em C G D G ⸻ Outro Em C G D Em C G D C D G C D G

A melancholic, intimate contemporary folk song opens with delicate fingerpicked acoustic guitar and sparse piano, evoking nostalgia, Subtle strings gradually build through each verse and chorus, In later sections, dynamic percussion and swelling vocal harmonies create an intimate yet epic, uniquely romantic sound marked by stirring cadence and emotive, nuanced textures, ‑metal, ‑heavy, ‑claps

Genre fuse: Dark electro-industrial with Prodigy-style big-beat aggression + Depeche Mode’s sleazy synth-pop swagger, Tempo: 135 BPM, half-time feel in verses, full-on four-to-the-floor in choruses, Key: Cm → Eb major lift in chorus, Marching, edm, ebm, Breakbeat, Acid Breaks, Prodigy, Electronic Punk, Experimental, Energetic, Oi, Oi, Oi, Industrial, Gothic-Hardcore, Emo-Punk, and Synth-Cyber Electronic Rock, New Wave, bounce drop, dark, electropop, edm, beat, catchy, intense, male voice, Rave, Electro, Steampunk, Eurodance, Classic Punk-Rock Anthem, Fast Power Chords, Driving Drums, Gang-Shouted Choruses, Urgent And Rebellious, Designed For Crowd Sing-Alongs, Emo Trap, Electronic Pop, Synthwave, Alternative Pop, Dubstep, Phonk, 132 Bpm, 4/4, Explosive Start With No Intro Silence, Drop Directly Into Chorus Hook With Distorted But Catchy Synth Riff And Deep 808 Sub-Bass, Smooth Wobble Bass Enters, Layered With 808 Kicks, Verse Sections Are Restrained, Minimal Drums And Sub Pressure Only

Songs-writer, Accoustic guitar riffs, Mellow tone, Rich female vocals

Female vocal, Indie, electronic, synth wave, 120bpm, distorted, indie pop, gospel, mystery, hot, motivation, trap, scratch, hip-hop, R&B, legendary, fun, urban, happy

Indie rock / britpop / garage rock groove, mid-tempo, lo-fi, dry vocal mix, nostalgic, melancholic, cinematic, casual swagger, tea-stained intimacy, bedroom storytelling, emotional female vocal in the style of Gaye Su Akyol, mystical and poetic, introspective, wistful, everyday poetry, clean lead guitar, distorted rhythm guitar, tight drums, crisp snares, analog texture, quiet verses, layered dynamics, emotional edge, urban night, cozy room, vinyl crackle, lo-fi, reverse reverb FX, subtle Anatolian folk vocal inflections, soulful r&b undertones

Key of B minor, 124 BPM, nu-disco x phonk x synthwave fusion, tone hypnotic and cinematic with dreamlike tension, vocals: alternating male/female leads, clean verses, airy falsetto lifts, stacked harmonies, glitchy vocal-chop loop repeating like a memory glitch, mid-song rap verse in low steady cadence influenced by phonk, instrumentation: disco bass fused with 808 subs, analog polysynth pads/arps, sharp mono synth leads, violin swells in choruses and plucked accents in drops, sax or chorus-guitar riff as a recurring countermelody, structure: arp + violin intro → verse → lifted pre-chorus → big chorus with four-on-the-floor kick → rap verse over stripped phonk groove → instrumental bridge with violin stabs + chopped vocals → final chorus → fading pad/violin outro, production: polished but saturated, analog warmth, wide stereo synths, forward vocals, groove: disco-driven pulse with syncopated bass, trap hats in transitions, atmosphere: retrofuturist dream city locked in a time loop

Genre: Funky Trap / ADHD-core / Cosmic Rap Mood: Upbeat, playful, surreal Instruments: Funky 808s, synth rides, chopped male vocal samples, ambient space textures, glitchy transitions Vocal Style: Male voice, animated delivery with comical flow and swagger Lyrics Theme: ADHD as a metaphorical space ship, traveling through hobbies and ideas like planets, impulsivity and imagination Structure: Hook-heavy, punchy verses, glitchy outro Length: ~3:30, ‑[Vocals]: Bold female voice; crisp diction; rhythmic swagger; switches between smooth funk phrasing and fast, ‑percussive rap; cheeky, ‑confident tone; ad-libs (“Uh-huh!”, ‑“Let’s flex!”, ‑“Drop it low!”, ‑“C’mon, ‑yeah!”), ‑[Instrumentation]: 303-style acid bass groove (funk-infused, ‑syncopated) Tight funk drums (snaps, ‑claps, ‑sharp hi-hats) Distorted analog synth leads Vocal-sample chops forming melodic riffs [Structure]: Funky vocal intro → rapid-fire verse → bouncy pre-chorus → acid-funk drop → rhythmic breakdown → explosive final chorus → filtered outro [Mix]: Analog warmth; fat midrange; punchy kicks; bright hats; bass glued tightly to vocals [Mood/Atmosphere]: Glamorous club scene; mirror floors; camera flashes; bold fashion; glitter & power [Tempo/Key]: ~126 BPM, ‑key E minor [Style Summary]: Stylish electro-funk meets acid dance-pop — vibrant, ‑cheeky, ‑high-voltage energy

Laid-Back, Midwestern Emo-Punk, Slacker Rock Track With A Punk Edge, Keep It Simple, Looping Only The Chords G, C, And D, The Mood Should Lean Toward Mellow And A Bit Melancholic, Play It At A Slow, Rolling Tempo, " Shoegaze, Post-Punk, Cold Wave, Dark Synth-Pop, Rave, Electro, Steampunk, Eurodance Irish, Scottish, Punk Rock, Celtic Punk Downtuned, Sludgy Riffs, Rhythmic, Almost Percussive Vocals, Angsty, Raw Lyrics About Inner Conflict, Pain, And Society’s Darkness, Shifts Between Whispered Intensity, Guttural Screams, And Eerie Melody, Fusion Of Heavy Metal, Hip-Hop, Industrial, And Alternative Rock Low-Tuned Grooves, Rhythmic Vocal Flow, Whisper-To-Scream Dynamics, And Raw Lyrics About Inner Chaos, Pain, And Survival, Song Title: Raven Stones of the Silent Sea Artist: Tobias Blanchard (feat, guest female vocalist, e, g, Tracy Blanchard) Tempo: 138 BPM (Driving, Motorik) Key: B Minor  Children's Choir, Harmony, Welsh Lullaby, Simple, Ethereal, A Cappella, Slow, Gentle

Laid-Back, Midwestern Emo-Punk, Slacker Rock Track With A Punk Edge, Keep It Simple, Looping Only The Chords G, C, And D, The Mood Should Lean Toward Mellow And A Bit Melancholic, Play It At A Slow, Rolling Tempo, " Shoegaze, Post-Punk, Cold Wave, Dark Synth-Pop, Rave, Electro, Steampunk, Eurodance Irish, Scottish, Punk Rock, Celtic Punk Downtuned, Sludgy Riffs, Rhythmic, Almost Percussive Vocals, Angsty, Raw Lyrics About Inner Conflict, Pain, And Society’s Darkness, Shifts Between Whispered Intensity, Guttural Screams, And Eerie Melody, Fusion Of Heavy Metal, Hip-Hop, Industrial, And Alternative Rock Low-Tuned Grooves, Rhythmic Vocal Flow, Whisper-To-Scream Dynamics, And Raw Lyrics About Inner Chaos, Pain, And Survival, Song Title: Raven Stones of the Silent Sea Artist: Tobias Blanchard (feat, guest female vocalist, e, g, Tracy Blanchard) Tempo: 138 BPM (Driving, Motorik) Key: B Minor  Children's Choir, Harmony, Welsh Lullaby, Simple, Ethereal, A Cappella, Slow, Gentle

reverbed layered folk, acoustic guitar, deep male melancholic vocal

Bold, cinematic Indie Folk rock opens with acoustic guitar strums and energetic banjo picking, Four-on-the-floor kick pulses drive tension, Dynamic shifts highlight raw, emotional male vocals—each word crisply enunciated in Castilian Spanish, Gang vocals swell in hook sections, adding grit and communal energy, while instrumentation intensifies and recedes for dramatic peaks

Genre: Elven Symphonic Dual Metal, sung fully in Eltharin (Warhammer Elven language), Twin female vocals (one melodic, one powerful), supported by ethereal choir, harp, drums, and electric guitars, Theme: The divine duality of Arahan and Naestra — light and shadow, life and death, sisters of Isha and Kurnous, Mood: haunting, celestial, fierce, graceful, Structure: dual whisper intro (0:00–0:30), alternating verses (0:30–2:00), soaring choruses, twin bridge (3:45–4:20), ethereal whisper outro, Include subtle forest and wind ambience, balanced choral echo, End with dual whisper: “Together — forever — Loren, ”

Atmospheric synth-pop track with a cinematic, ethereal quality, The arrangement features lush, layered synthesizers including shimmering pads, a pulsing arpeggiated bassline, and bright, crystalline lead lines, The percussion is built around a steady electronic beat with crisp snares and deep, resonant kicks, occasionally incorporating glitchy textures and metallic accents, The vocals are female, characterized by a breathy, airy delivery with significant reverb and delay effects that create a sense of vast space, The song follows a structured progression from a moody, ambient opening into a driving, rhythmic chorus, utilizing a minor-key harmonic foundation with occasional major-key lifts, Production is polished and wide, emphasizing a high-fidelity stereo field and seamless transitions between sections, The tempo is moderate, approximately 100 BPM, maintaining a steady, hypnotic groove throughout

Trip-Hop, Voodoo Swing, Glitchcore, Hypnotic Groove, Groove-Heavy Bass, Shadowy Textures, Harmonized Background Vocals, Ambient Pads, Glitchy Fx, Echoes, Whooshes, Risers, Voodoo Chants, Tribal Drums, Ad-Libs Echo, Improvised Runs, Addictive, Raw & Gritty, Loop-Friendly, Memorable, Infectious, Funk Syncopation, Intense, Immersive Feel, Late Night Appeal, Sexy, Male Vocals

Piano ballad, cello, violin

Genre: Symphonic Rock / orchestral fusion / cinematic grandeur Mood: Radiant, uplifting, triumphant, classically structured Tempo: 100–120 BPM Vocal style: Mixed choir with male and female soloists, dynamic rock timbre, expressive phrasing Mix: Wide stereo, cathedral space, balanced between classical and rock elements [Poetic Direction — for atmosphere and tone, NOT to be sung] From the stillness of eternity, a single tone awakens — Strings shimmer like light upon marble halls, A radiant brass fanfare ascends with the breath of dawn, Then electric guitars ignite the air, joining the orchestra in luminous harmony, The pulse of drums becomes heartbeat and storm, while the choir rises like sunlight through clouds, Every note is both human and divine, A fusion of ancient grace and living fire — Symphonic resonance, driven by rock energy, a union of motion and stillness, of rhythm and eternal clarity, ‑Piano solo

Keep the original rhythm unchanged; add restrained industrial glitch textures, Preserve silence and negative space, Create a looping feel that ascends step by step, like climbing a staircase

Make the jazz piano performance strong, clear, and forward in the mix, Crisp articulation, confident touch, and powerful dynamics without muddiness, Add a dedicated piano solo in the instrumental break: a clear, expressive jazz piano solo with strong phrasing, rhythmic authority, and clean note definition, The solo should feel intentional and focused, not flashy, not cluttered, No scratch sounds, Piano is the main driving force throughout

Symphonic Metal + Gothic Metal + Epic + Cinematic + Choir, 136 BPM, E minor, 5:30+ epic arrangement, Structure: Overture Intro, Verse intimate, Pre build, huge Chorus, Verse, Pre, Chorus, Orchestral Interlude, Post-Chorus chant, Breakdown Bridge with growling backing, Guitar Solo, Final Chorus double-length, Outro decrescendo, Lead vocal: female mezzo-soprano, operatic + legato, airy close-mic verses; belting in choruses with stacked harmonies and octave doubles, Bridge: whispered lead + growling backing, Instruments: full orchestra (strings/horns), choir pads, timpani/taiko, heavy rhythm guitars, soaring lead guitar, warm bass, tight live drums with ghost notes, Mix: wide stereo, plate reverb with short pre-delay, vocal 1–2 dB upfront, dynamic chorus lift, humanized timing/dynamics

Catchy breakbeat + drum‑and‑bass (≈ 175 BPM), Structure: intro (8 bars), fast rap verse (16 bars, ~200 wpm), pre‑chorus (8 bars, decel to 165 BPM), melodic chorus (12 bars) with four‑part SATB harmony, natural vibrato, and “ooh‑aah” pads, slow rap verse (16 bars, ~120 wpm, breath‑rap), hybrid bridge (8 bars) that ramps back to 175 BPM (slow → double‑time), final expanded chorus (16 bars) adding a high‑soprano ad‑lib, and fade‑out outro (10 bars), Vocals: professional lead centered, double‑track fast rap, single‑track slow rap, harmonies recorded separately, panned wide, plate reverb (~1, 2 s), hand‑controlled vibrato (5‑6 Hz), Mix/EQ (“perfect EQ”): kick + bass boost 60 Hz/100 Hz, cut 300‑500 Hz; snare high‑pass 150 Hz, snap 2‑3 kHz; synth pads shelf 8 kHz, dip 400 Hz; vocals presence 3‑4 kHz, de‑ess 6‑7 kHz, low‑cut <80 Hz, Side‑chain choir to kick, mid‑side EQ on stereo bus, multiband compression on master, -14 LUFS Alt-dance / art-rock, Jittery drum machine, rubbery bass, clipped

cinematic ambient pop song, slow tempo (82–88 BPM), vast desert atmosphere inspired by Uluru, sense of wind, openness, and wide sky, intro opens light and airy with space and distance, no heavy low-end in the intro, lead vocal enters clearly within the first 6–8 seconds, female lead vocal clean, pure, and expansive, adult calm tone, slightly low to mid range, open transparent voice, never heavy, long sustained notes, minimal vibrato, vocal stretches upward with generous reverb, vocal always clear before effects bloom, main chorus emotionally open and uplifting, chorus melody clearly breaks through the atmosphere and rises into the sky, soft acoustic guitar very restrained, didgeridoo low drone extremely subtle and intermittent, distant ground texture only, cello appears only once near the end as a single sustained tone, extremely soft, high-passed, no low-end weight, felt as a distant shadow, after final vocal line, gentle instrumental outro, long natural fade out

Deep/Bass House + Rave House, 128 BPM, E minor, Festival mainstage energy with huge sidechain pump, fat sub rumble, distorted bass-stab hook (“DBS”), tight 4-on-the-floor kick, metallic industrial hats and impacts, Cinematic laser & fog atmosphere, cathedral-sized reverb in breakdown, long trance-style risers and snare-roll mega build with dramatic pause before the final drop, Vocals: chopped vocal hooks + crowd call-and-response chants (“HEY / OI / JUMP”), wide stereo layers, punchy modern mix, high contrast drops, double-time hats for a 145-rave illusion while staying 128