Tennessee

Build this track in Lainey Wilson’s swampy, modern country style but dolly Parton's twangy soprano gospel voice, Start upbeat and playful with acoustic guitar, a touch of dobro, and a steady groove, Let bass and drums stay warm but driving, with a hint of swamp-funk swing, Bring in electric guitar with grit on the second verse, layered with steel guitar swells, Chorus should explode with stacked harmonies, big arena drums, and fiddle/mandolin accents for lift, Bridge drops softer with organ pads and stripped acoustic, then builds with raw vocal fire into a soaring, full-band final chorus, Keep it earthy, sassy, and anthemic — perfect for Lainey’s and Dolly's signature mix of grit and heart

Classic Appalachian country with gospel warmth, Dolly Parton’s crystalline voice would make this song timeless, blending acoustic guitar, dobro, and harmony-rich production, She’d lean into the vulnerability of the verses with pure, aching sincerity, then lift the chorus with her signature mix of hope and heartbreak, She’d thread in mountain gospel tones, so when the bridge and final chorus arrive, it would feel not just like self-discovery but like a spiritual homecoming

a contemporary country-pop lane but let Dolly’s unmistakable voice carry it, the song becomes a bright, modern anthem with a playful twist, Imagine a crisp acoustic guitar strumming a steady, upbeat rhythm, layered with a pulsing kick drum to give it a radio-ready drive, A touch of banjo or mandolin provides the sparkle, while light fiddle lines weave in and out like flourishes, keeping it tied to Dolly’s Appalachian roots, The production would be clean and polished - think Kacey Musgraves-style or Lainey Wilson-style - but still leave plenty of space for Dolly’s twang and personality to shine through, Vocally, Dolly’s delivery would give it that signature smile in the voice - sweet, sassy, and playful, but with heart behind it

A ’90s-style country power ballad in the vein of Reba’s style— slow, emotional, storytelling-driven, with soaring vocals over a piano or acoustic-led arrangement, Sing this like a classic Reba McEntire’s style of country power ballad — strong but vulnerable, with a slow build that lets the voice carry the emotion, Keep the verses soft and reflective, letting the storytelling breathe, The first chorus should swell gently, with controlled power, In the bridge, lean into the plea — let the voice crack if it wants to, Then hit the final chorus raw and plainspoken, almost conversational, as if the singer can barely hold it together, Instrumentally, think piano or acoustic guitar with a slow 6/8 or 4/4 ballad feel, with strings or steel guitar swelling behind in the choruses

A modern radio-country ballad in the style of Keith Urban’s peak era — heartfelt, polished, and anthemic, with emotional build across each section, Begin with a stripped-down acoustic guitar and light dobro, intimate and storytelling-driven, As the first chorus enters, add steady drums, warm bass, and shimmering electric guitar for lift, The second verse should introduce a fuller groove with mandolin or fiddle textures, leading into a second chorus that grows with pedal steel swells and rich vocal harmonies, The bridge should drop back to acoustic and dobro for intimacy, before exploding into a soaring final chorus with stacked harmonies, layered guitars, and a driving drum pattern, Bass remains warm and supportive throughout, locking into a heartbeat rhythm, The outro should fade with lingering electric and steel guitar echoes, softly repeating “oh Chiquita” in harmony, The mood is bittersweet and yearning — a cowboy torn between love and home — with a hook that’s both tender and stad

Up-tempo classic country duet with a playful, flirty energy - think “Louisiana Woman, Mississippi Man” meets Dolly & Kenny, Tempo/Groove: Fast shuffle / train beat (around 150–160 BPM), Drums keep a snappy snare on 2 & 4, upright bass walking, Instrumentation: • Acoustic guitar strumming bright rhythm, • Upright bass for bounce, • Fiddle carrying fills and playful runs, • Steel guitar for color in choruses, • Light Telecaster electric for twangy accents, • Possible harmonica or mandolin for extra sparkle, Vocals: • Verses: solo each (Him steady, low and warm / Her bright, playful, and sassy), • Pre-Choruses: traded banter lines, conversational tone, • Chorus: both together, strong harmony on “Tennessee me, Kentucky you, ” • Bridge: back-and-forth flirty compliments, leaning into personality, • Final Chorus/Outro: big harmony, playful ad-libs, end with a smile in the voices, Feel: Fun, cheeky, and danceable — the kind of duet where the singers tease each other on stage

Southern Country, folk, male voice