A Night For Instinct

Cover mode – raw garage punk anthem with revolutionary spirit, Fast tempo, Gritty, distorted guitars, Live, crashing drums with loose fills and chaotic transitions, Female lead vocal – shouted, cracked, half-sung, full of urgency and fury, Bassline drives like it’s trying to outrun something, Verses are spat, not sung, Chorus explodes like a bottle hitting pavement, This is protest from the basement – furious, dirty, alive, The Leftovers – We Will Fight, Together or Alone

Lo-fi garage rock cover, raw and unpolished, Female lead vocals (Marlow style) – raspy, half-shouted, sometimes slipping into spoken lines, Gritty electric guitars with overdrive and messy chord changes, bass rumbling and slightly detuned, drums loose with heavy snare and occasional fills that sound almost offbeat, Live feel – recorded in a small, noisy room with amp buzz, feedback squeals, and a few crowd shouts in the background, Tempo medium-fast with a repetitive, hypnotic riff, Keep the mood dark and restless, with a sense of late-night street wander

Live garage rock performance with gritty, emotional female lead vocals (raspy, raw, but with vulnerable cracks), Overdriven guitars, punchy walking bass, loose but powerful drums, Recorded in a small, dimly lit club with loud, responsive crowd noise — cheering, clapping, occasional shouts, Some lyrics delivered as spoken asides between sung lines, Occasional feedback squeals, mic pops, and the sound of movement on stage, Extended instrumental sections for guitar riffs and call-and-response with the crowd, Imperfect, chaotic, and alive

Raw, high-energy punk rock cover, [Marlow: Female lead] vocals, raspy and defiant, [Fast tempo, loud distorted guitars, aggressive bass, pounding drums], [Gang vocals in choruses from the band], [Live club atmosphere with natural room reverb, crowd shouting in the background], [No polish, keep it gritty and chaotic]

High-energy punk rock cover, [Marlow: Female lead] vocals, raw and unfiltered with attitude, [Fast tempo, loud distorted guitars, aggressive bass, pounding drums], [Gang vocals in choruses from the band], [Live club atmosphere with natural room reverb, crowd shouting in the background], [Keep it gritty, chaotic, and full of energy]

[Marlow: Female Lead] Vocals — fragile, low, almost spoken at times, [Single, slightly detuned upright piano, with a few damaged keys that click or thud instead of ringing], [Soft pedal held throughout, but certain strings muted or dampened by objects, creating a dead, percussive tone on some notes], [Very slow tempo with irregular pauses, letting silence breathe uncomfortably], [Vocal delivery raw, with cracks, breaths, and emotion left in], [Natural room reverb, as if recorded in an empty, dimly lit room late at night], [No other instruments], [No layered harmonies]

Acoustic Protest Duet With Dark, Slow-Burning Energy, Male Lead Vocals By Lars Vega — Deep, Gravelly, Weathered, And Resonant, Like A Man Who Has Seen Too Much, His Delivery Is Measured And Low, Sometimes Almost Whispered, With Controlled Anger Beneath Each Word, Female Vocals By Marlow Provide Soft, Melodic Harmony And Occasional Gentle Echoes, Adding Defiance And Hope, Acoustic Guitar Is Low, Resonant, And Sparse, With Occasional Muted Strums To Build Tension, No Percussion, Keep The Arrangement Intimate And Minimal, Letting Silence And Space Intensify The Weight Of The Words, The Song Should Feel Like A Stifled Protest In A Small, Dimly Lit Room, With The Threat Of Eruption Beneath The Surface

High-energy boogie punk track with female lead vocals (raspy, confident, and a bit cheeky, in the style of Marlow), Overdriven electric guitars with a swinging boogie-punk riff, walking bassline with attitude, and loose, stomping drums with strong hi-hat and snare accents, Live feel with occasional crowd shouts and gang vocals in choruses, Medium-fast tempo with playful groove, mixing raw garage energy with a bouncy boogie swing, Keep the sound gritty and unpolished, like a sweaty bar gig recorded from the stage

Fast, raw garage punk with protest energy, [Lead vocals: Marlow – Female, raspy, aggressive, alternating between shouted lines and alf-sung verses, ] [Band: Loud, fuzzy electric guitars, warm but distorted bass, hard-hitting drums with loose timing, ] Keep the mix lo-fi, with amp buzz, mic pops, and the sound of a small room, Refrains should be shouted like a rally chant, with gang vocals joining in, Feel like a live take in a sweaty rehearsal space, chaotic but tight enough to drive the energy

Cover mode – simulate a chaotic live performance, Start with a spoken intro by the lead singer (female) Acoustic punk folk sound with acoustic guitar, cello, and violin, Lead female vocals should be broken, raspy, raw and cracked – emotionally charged, Add call and response, crowd vocals, gang vocals, slurry, drunken shouting, Let the mix be rough, layered, with feedback and mic bleed, Capture the chaos of a crust show in a small venue – loud, fast, honest, Final chorus should explode with overlapping vocals and crashing strings, Let it feel like the last song before the power gets cut, Acoustic punk folk sound with acoustic guitar, cello, and violin, Lead female vocals should be broken, raspy, raw and cracked – emotionally charged, Add call and response, crowd vocals, gang vocals, slurry, drunken shouting, Let the mix be rough, layered, with fee

[Marlow: Female Lead] Vocals — fragile, low, almost spoken at times, [Single, slightly detuned upright piano, with a few damaged keys that click or thud instead of ringing], [Soft pedal held throughout, but certain strings muted or dampened by objects, creating a dead, percussive tone on some notes], [Very slow tempo with irregular pauses, letting silence breathe uncomfortably], [Vocal delivery raw, with cracks, breaths, and emotion left in], [Natural room reverb, as if recorded in an empty, dimly lit room late at night], [No other instruments], [No layered harmonies]