Necromanser Queen Nethraeviel

female high-pitched vocals, fast-paced with intricate guitar riffs, opera, and melodic with haunting choir harmonies and dramatic dynamic shifts, dark, gothic metal, double bass drumming, very fast gothic metal/opera, metal, and sweeping orchestral strings, epic

Symphonic gothic metal / doom metal ballad, slow, heavy and majestic, Tempo around 72–76 BPM in 4/4, key D minor or C# minor, Very atmospheric, with a big orchestra (strings, brass, choir) layered on top of slow, crushing distorted guitars, bass and drums, Verses are dark and intimate, almost whispered at first, with clean or lightly distorted guitars and low strings; choruses and the final section are huge, tragic and majestic with full choir and orchestra, The mood is gothic horror, tragic romance, and cosmic transcendence: a young necromancer queen and the man who loves and follows her beyond death and into the stars, Main vocal is a powerful, emotional clean male voice with a doom/gothic metal feel (baritone or low tenor), with optional distant female or choral backing to add a haunted, sacred atmosphere, No growls in verses, only occasional subtle harsh backing in the final chorus for emphasis, Keep the song slow, heavy and cinematic, not fast and not upbeat, Very melodic, but in

Create a fast, emotional melodic gothic/symphonic/opera metal song titled “Candlebones, ” High-pitched operatic soprano lead (dramatic, agile runs), with clean male background harmonies only in chorus/bridge, Tempo 168 BPM, minor key, heavy guitars + double-kick, full orchestra (strings/brass), pipe organ, harpsichord accents, church bells, and large choirs, Fast violin, in intro and chorus ! Theme: Aubrelle Vauldin’s early naïve necromancy—candlelit crypts, trembling hands, first successful raising of the dead, fear turning into power, Keep it dark and intimate in verses, explosive and anthemic in choruses, Include a mid-song instrumental transition: 20–30 seconds of organ + choir + strings in half-time, then a sudden return with faster drums and a short melodic guitar solo, End with a final chorus that feels victorious but haunted, Use subtle reversed whispers and ritual ambience

Fast melodic gothic/symphonic/opera metal, 168 BPM, D minor, Lead: high operatic soprano; male clean backing harmonies in choruses + final chorus, Double-kick, heavy rhythm guitars, melodic lead guitar, bass countermelody, Orchestra: strings/brass, big choir, pipe organ, harpsichord, bells; subtle reversed whispers, Structure: organ+choir intro → tense verses → huge anthemic chorus → mid-song 6/8 half-time instrumental (organ+choir+strings+harp/celesta 20–30s) → tom build → return to 168 BPM + short melodic guitar solo → final chorus triumphant/haunted → soft organ+choir outro whisper “Aubrelle Vauldin”, Use provided lyrics exactly