
HoE Tracklist November 2025
Tracklist for November from "The House of Embers" discord server. Listen to these awesome creators!!!
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292 songs
5:51

Melodic death metal meets cinematic symphonic metalcore — an anthemic clash of fury and resilience, Dual guitars in Drop C lead a relentless drive with blast-beat drumming and sustained bass pressure, Clean arpeggios bloom into thunderous harmonies as ethereal choirs and orchestral strings rise behind layers of growl and female vocals, The song builds from a slow cinematic intro into surging melodic chaos, carrying a tone of vengeance and liberation, A soaring twin-lead guitar solo burns through the bridge before the final chorus erupts in full symphonic power, The outro fades with echoing piano, fading strings, and the last sustained guitar chord — defiant, haunting, unbroken
4:33

2:56

5:09

[ speed : 160 bpm]
[clean production]
[eq balanced]
[theme: toxic, dark, crime]
[main genre: trap, cyberpunk, glitchhop]
[sub-genre: hip-hop]
[influencer: industrial, breakcore]
[tuning: ethereal, glitch, deep]
[vocal modifiers: seductive female, breathy, powerful female rapper, powerful female vocal in chorus]
[track modifiers: dynamic audio, vocal glitching, vocal panning, dark trap hi-hats with rolls, eerie atmospheric pads, traditional Japanese instruments, dark melodic elements, heavy compression]
6:23

This track fuses deep-house-nu-style grooves with thumping hardstyle kicks and euphoric xtra rawstyle synth layers, Ambient pads flow under xylophone riffs and syncopated bongos, injecting raw, tropical energy, Latin lounge and bolero nuances color the harmonic progressions, A string quartet offers lush, modern nu-style counterpoint, Vocals are baritone with expressive vibrato, delivered clean, and the entire mix is rendered pristine in FLAC for uncompromising audio quality
4:39

ArtCore, Dubstep, Electro House, EDM, IDM, Happy Hardcore, Trance, House, Female Vocalsdeephouse, hiphop, lof-fi, ambient, xylophone, bongo, latin lounge, bolero, quartet, baritone, vibrato, female vocals
5:15

3:36

A dark pop track with a blend of electronic and acoustic instrumentation, The song features a female lead vocalist with a clear, slightly melancholic tone, and a male vocalist with a deeper, more resonant voice, The instrumentation includes a prominent piano, a driving electronic drum beat, and atmospheric synth pads, The song builds dynamically, starting with a sparse arrangement and gradually adding layers of instrumentation and vocal harmonies, The chord progression is primarily minor, contributing to the somber mood, Production elements include reverb on vocals and synths, creating a spacious and ethereal soundscape, The tempo is moderate, and the key appears to be in a minor mode, likely A minor or E minor, The song structure follows a typical verse-chorus format with a bridge and an outro, The melody is memorable and emotionally resonant, often featuring sustained notes in the vocal lines
4:34

3:14

3:32

Entrancing Aura
v4.5-all
male singer only, male vocals ranging a2 to a4, [bpm:140], [theme:dark k-pop cyberpunk], [era:1990's k-pop], [main genre:k-pop], [sub-genre:creepy, entracing pop and synth], [influence:saja boys], [tuning: romantic pop sound], [insturments: twisted sounding guitars and eerie synths]
4:06

Electronic Dance Music (EDM), specifically incorporating elements of Eurotrance and Hypertechno, The artist also blends styles like techno, hardstyle, and Jumpstyle, and the track may also be described as a remix in the Mainstage or Electro House genre, Female Vocals
4:15

gangster, trap, cyberpunk, hip-hop fusion, industrial, female vocal, confident female rapper, clean production, dynamic audio, wall of sound, street edge, crowd clapping sample, Japanese accent female
3:57

This track lives in controlled dissonance — 808s pulse like soil heartbeat while violins shimmer like light refracted through dust, Midrange distortion breathes warmth instead of grit, Vocals move from whisper to reverent resonance, calm surrendering to realization, The sound is devotional, not digital — a garden of noise growing inside the machine
3:24

The track’s rhythm moves slow and steady, emphasizing pulse over drive, Baritone guitars and 808s share the low field, shaped for warmth instead of aggression, Midrange textures come from lo-fi pads and violin harmonics that trail like breath between phrases, The percussion feels restrained — quiet snare hits, short tails, everything mixed close to the vocal, The mix sits low-lit and even, maintaining tension through subtle dynamics rather than contrast, Vocals stay centered and intimate, carrying quiet control against a backdrop that feels suspended in smoke
3:43

Bring Me Down To Earth
v4.5-all
male singer only, male vocals ranging a2 to a4, [bpm:80], [theme: k-pop ], [era:1990's k-pop], [main genre:k-pop], [sub-genre:romantic soft pop], [influence:saja boys], [tuning: romantic pop sound], [insturments: soft jazz and pop string and keys]
3:54

The song is a female-fronted rock track with a driving tempo of 120 BPM in the key of E minor, The instrumentation features a prominent electric guitar with a distorted tone, a powerful drum kit with a strong kick and snare, and a bass guitar providing a solid rhythmic foundation, The vocals are delivered with a powerful, emotional quality, transitioning between a clear, melodic delivery and a more raw, almost screaming style during the chorus, The song structure includes verses, pre-choruses, and choruses, with a bridge section that introduces a slight dynamic shift before returning to the full energy of the chorus, Production elements include reverb on the vocals and a generally loud, compressed mix, creating a powerful and intense soundscape
6:09

Serenity
v5
Serenity – symphonic atmospheric metal journey through moonlit elven realms, Starts with gentle acoustic guitars and ocean ambience at the shore, evolving into lush orchestral layers and flutes beneath forest canopies, Ethereal female vocals drift through piano and violin harmonies inside a glowing elven sanctum, Warm cello tones and ambient choirs rise amid mist and water at a hidden hot spring, Finale swells into soaring guitars, choirs, and symphonic percussion as moonlight crowns a floating bridge above the forest, Ends in calm reflection—waves, soft strings, fading peace
2:37

Out Of Orbit
v4.5-all
male singer only, male vocals ranging a2 to a4, [bpm:135], [theme: k-pop], [era:1990's k-pop], [main genre:k-pop], [sub-genre:boyband hip-hop], [influence:saja boys], [tuning: pop and boyband romantic sound], [insturments: boyband and hip-hop and pop guitars and keys]
4:25

brooding, cinematic hip-hop, live jazz instrumentation, moody electronic textures, Deep 808 bass, crisp boom-bap drums, minor-key piano chords, synthesized horn echoes, Layered vocal samples, ambient noise, clean production, confident Female Rapper, Seductive yet dangerous, Japanese accent, 9-11 syllables per second technical flow
2:59

Drums stomp like metal boots on asphalt; guitars grind with overdriven midrange clarity, The bass growls like engine fire beneath the march, pushing a relentless pulse, Space remains dry and aggressive, capturing that street-riot closeness — every vocal line feels shouted from within the smoke, The mix burns fast and wide, fading in distortion instead of silence, The impression: Sovereign reborn as rebellion’s front line — a revolution in rust and rhythm
3:29

This is an upbeat electronic pop song with a driving beat and a female vocalist, The instrumentation includes synthesizers, drums, and a prominent bassline, The song features a clear verse-chorus structure with a pre-chorus build-up, The tempo is moderately fast, and the key is major, contributing to the energetic feel, The vocals are clean and melodic, with some layered harmonies in the chorus, Production elements include a clear mix with a strong emphasis on the rhythmic elements and a bright, modern sound
2:51

Starts with a gritty sample chopped over heavy boombap drums, layered with trap hi-hats and booming 808s, The verses ride a menacing bassline, sharp synth stabs, and vinyl scratches, keeping the street edge raw, Mid-song, a stark beat switch amplifies the diss track’s intensity
4:01

CHASE
v4.5-all
male singer only, male vocals ranging a2 to a4, [bpm:135], [theme: k-pop], [era:1990's k-pop], [main genre:k-pop], [sub-genre: dark pop and trap], [influence:saja boys], [tuning: pop sound], [insturments: dark pop and trap guitars and keys]
3:54

Lost Will
v4.5
The acoustic guitar becomes an extension of breath — every finger noise and string scrape left in place, The performance feels like a conversation with no audience, pacing between resolve and exhaustion, The voice carries fatigue, acceptance, and quiet beauty, closing the story of fire and control with a single truth: sometimes stopping is the only way to survive
4:36

Cinematic hip-hop opens with atmospheric pads and orchestral swells layered over deep electronic bass, Percussive hip-hop beats drive the verses, while dense, layered synths, strings, and vocal samples create a wall of sound in the chorus, The bridge features expansive textures, then returns to a hard-hitting, immersive finale, ‑reverb, ‑echoes
2:40

Runnin' Your Lips At The King
v4.5-all
male singer only, male vocals ranging a2 to a4, [bpm:135], [theme: k-pop], [era:1990's k-pop], [main genre:k-pop], [sub-genre: hip hop & dance pop-pop fusion], [influence:saja boys], [tuning: k-pop and hip hop sound], [insturments: fast paced hip hop guitars and keys]
2:33

MY DRIP
v4.5-all
male singer only, male vocals ranging a2 to a4, [bpm:135], [theme: k-pop], [era:1990's k-pop], [main genre:k-pop], [sub-genre:pop], [influence:saja boys], [tuning: hip hop sound], [insturments: hip hop and k-pop guitars and keys]
3:49

pop-punk mixed post-hardcore, goth pop-punk female vocal, screamo female vocals, guitar, emo, A Day to Remeber inspired, girls choir at the end
7:56

lo-fi, night core, dream pop, dark house, metal, atmospheric, melancholic, electronica, space trance, peaceful, bluegrass, banjo, banjo strumming, harmonica, gruff, deep, baritone southern male vocals, that fluctuate from lower to higher vocal range, layered vocals and sound, ‑auto tune, ‑too much reverb, ‑mumbling, ‑unclear and gargled vocals
5:33

sleep, lullaby, trance, folktronica, glitch rock, Death metal, ethereal pop, 808's, bluegrass banjo, deep, rich, smooth contralto female vocals, that strain, soothing and soft, yet vocals that are powerful, and tender at times, electric guitar, piano, electronic beats, and pretty, soothing and calming, electronic beats and tones, atmospheric: soft and comforting, calming and soothing, the music and vocals are in a lullaby style, peacefulness is the overall feel, vocals during the courses as well as heavy guitar riffs, ‑auto tune, ‑too much reverb, ‑mumbling, ‑unclear and gargled vocals
2:30

Bustin' In
v4.5-all
female singer only, female vocals ranging a3 to c6, [bpm:135], [theme: k-pop], [era:1990's k-pop], [main genre:k-pop], [sub-genre:pop hip hop fusion], [influence:huntrix], [tuning: pop and hip hop sound], [insturments: pop hip hop guitars and keys], [fast rap and flowing singing]
3:07

5:10

[Genre: German Industrial Metal, Darkcore, Deathtonik, Brutal EDM]
[Instruments:
Down-tuned 7-String Electric Guitar (Heavy Palm Muting, Pinch Harmonics)
Heavy Machinery Samples (Hydraulic Presses, Sirens, Grinding Steel)
4-to-the-Floor Industrial Kick Drum
Tuned Anvils & Percussive Metal
TBM Bassline & Distorted Reese Bass
Aggressive Saw Wave Synths
Junk Percussion (Pipes, Chains, Sledgehammers)
Gabber-Style Hardcore Kicks
Power Electronics & Harsh Noise Walls
Brutal Bass Drops with Down-tuning]
[Mood: Factory Riot, Mechanized Aggression, Urban Decay, Cybernetic Fury]
[Vocal Style: Agressive Distorted Female Brutal Vocal]
Primary: Guttural shouts, distorted screams, rhythmic yelling, harsh spoken word, aggressive chanting, punk-like taunts, raw-throated aggression, all delivered with a heavy Russian accent and heavy distortion effects
3:33

cinematic hip-hop, Layered vocal samples, ambient noise, clean production, cyberpunk, breakcore, moody electronic textures, Deep 808 bass, crisp boom-bap drums
2:16

7:33

sleep, lullaby, trance, folktronica, glitch rock, Death metal, ethereal pop, 808's, bluegrass banjo, deep, rich, gruff southern baritone male vocals, that strain, soothing and soft, yet vocals that are powerful, and tender at times, electric guitar, piano, electronic beats, and pretty, soothing and calming, electronic beats and tones, atmospheric: soft and comforting, calming and soothing, the music and vocals are in a lullaby style, peacefulness is the overall feel, vocals during the courses as well as heavy guitar riffs, ‑auto tune, ‑too much reverb, ‑mumbling, ‑unclear and gargled vocals
3:34

Crazy
v5
deep smooth baritone male vocals, indie folk, Americana, dream pop, folk rock, techno, folktronica, banjo, cello, and piano, tone: sad yet upbeat, banjo strumming, cello and piano playing throughout, a unique blend of sounds, ‑auto tune, ‑too much reverb, ‑mumbling, ‑unclear and gargled vocals
3:54

5:00

4:50

4:06

178 BPM of unrelenting industrial punk — marching snare, metallic guitars, grinding bass, and vocals that command the air, Reverb is tight and metallic to keep it in-your-face and alive, The impression: a movement forged in steel and noise; the Sovereign isn’t just a symbol — she’s the sound of unity itself



















