すきなきょく

[Genre: Digital Pop, Math Rock, Psychedelic] [Music Style: Groovy and stylish with unstable syncopation and emotional layering, Verses are downtempo, whisper-fast, ASMR-style poetic speech, Choruses are melodic, harmonized, and rhythmically rich with glitch and echo textures, ] [Vocal: Japanese female, husky and breathy, ennui, Verse and pre-chorus are ASMR-toned and emotionally restrained, Chorus is expressive, with falsetto accents and layered echoes, ] [Main Instruments: Digital Synths, Lo-fi Piano, Reverse FX, Glitch Cuts, Mathy Percussion, Warm Bass] [Rhythm: Verse at BPM 110, Chorus at BPM 136, Offbeat syncopation with intentional rhythmic instability, ] [Features: Echo delay, glitch interruptions, reversed sounds, ASMR breathing, filtered harmonies, distorted ambient layers, ] [Theme: Social critique of “like” culture and empathy addiction, A poetic, dystopian digital drama, ] [Mixing: Clear mix & mastering sound]

Acoustic guitar fingerstyle instrumental, warm and bright, peaceful morning mood, gentle melody with natural resonance, cinematic and uplifting

baile funk remix, funk carioca, hip-hop rap focus, bpm=140, tamborzão groove, short tight kick, separate sub bass (mono under 120hz), punchy club master, agogo and tamborim layers (med→high density), trap hi-hat rolls (tasteful), funk150 micro-fills (sparingly), paradinha 1-bar stop before hooks, siren stabs and whistle fills (frequent accents), vocal chops “100万ドル”>“jump!”>“yeah”, japanese male rapper confident, jp crowd chants + pt ad-libs 8:2, call and response hooks, festival/club hype, catchy repetitive hook, hands-up moments, intro 16 / verse heavy / pre-chorus lift / double hook drops, bridge half-time→snap back, celebratory luxurious vibe