Mr Meow's Dope

[instrumentation: Sparse, moody 808 roll with slow bounce, Dark, soulful organ chords (like a Southern Baptist church), Swelling gospel choir hums underneath the verses, Punchy kick and tight snare, but leave space for vocals, On the hook, add a full call & response choir, Bridge: Choir rises to a crescendo with layered harmonies, then drops to just organ and 808s, Keep it raw but holy, street sermon meets Sunday service] [Vocalization: large ATL male, resonating, full and warm voice, Gritty, conversational flow (like a street testimony), with a lone gospel singer softly echoing key lines, Hook: Lead vocal strong and clear, choir responds each line (‘Ion fold… [CHOIR: He won’t fold!]’), Verse 2: Shift in cadence, ad-libs from choir (‘mmhmm, ’ oohh’), Bridge: Call & response peaks, lead voice cracks with emotion, choir answers like an amen corner, Outro: Choir fades into hums, leaving just the 808 and your final bar]

male, trap

[beat: slow southern 808 bounce, detuned bells, chopped soul sample loopin low like a vinyl crackle, kick hittin lazy but deep, snares dragged slightly off grid, sub-bass groovin under midtempo swing] [vocal tone: laid-back but sharp, like talkin sideways wit a grin, verses smooth-talked, hooks slightly more melodic wit a slurred lean, bridge gets introspective, voice drops low, near-whispered like confidin] [adlibs: scattered and subtle "mmhm", "ya feel", "sheesh", "talk to me", "yeah" placed at tail ends of bars, never too loud] [hook delivery: hazy, almost singin it like hummin to yaself high, double tracked in parts, small delay tail on last line] [verse delivery: conversational flow, pockets real loose, like writin as you talkin, let breath ride out, space between lines got weight] [bridge: beat strips back to just sample and bass, voice solo, dry, raw no effects but maybe slight vinyl hiss overlay] [outro: voice fades wit beat]

[beat: slow southern 808 bounce, detuned bells, chopped soul sample loopin low like a vinyl crackle, kick hittin lazy but deep, snares dragged slightly off grid, sub-bass groovin under midtempo swing] [vocal tone: laid-back but sharp, like talkin sideways wit a grin, verses smooth-talked, hooks slightly more melodic wit a slurred lean, bridge gets introspective, voice drops low, near-whispered like confidin] [adlibs: scattered and subtle "mmhm", "ohh", "yeah" placed at tail ends of bars, never too loud] [hook delivery: hazy, almost singin it like hummin to yaself high, double tracked in parts, small delay tail on last line] [verse delivery: conversational flow, pockets real loose, like writin as you talkin, let breath ride out, space between lines got weight] [bridge: beat strips back to just sample and bass, voice solo, dry, raw no effects but maybe slight vinyl hiss overlay] [outro: voice fades wit beat, granny’s lines layered over soft kitchen clattering]

[Instrumentation: Lo-fi trap beat with a moody, nostalgic feel, Slow tempo (65–75 BPM), Deep 808s, sparse hi-hats, dusty snare, Add ambient textures, vinyl crackle, and a faint reversed synth, Include a mellow piano loop or chopped soul sample for atmosphere, Minimalist but emotionally heavy, Drop out instruments during bridges and outro for vocal focus, Subtle reverb throughout, ] [Vocalisation: Laid-back, spoken-word style delivery with emotional grit, Slight rasp, tired tone, Flow should feel conversational with pauses and repetition to emphasize disillusionment, Occasional melodic phrasing on hooks, but mostly rhythmic and raw, Use subtle pitch inflection and whispered bridges, No autotune; keep it natural and real, Background echoes for depth in outro, ]

[female vocalist] [Laid-back, atmospheric hip-hop with lo-fi textures and Southern trap influence, Mid-tempo groove with warm analog bass, distant 808 kicks, ambient synth pads, vinyl crackle, and jazzy guitar licks, Melancholy, introspective tone, Vocals should be mellow, half-sung and half-spoken with a relaxed Southern drawl, Delivery is low-energy, almost meditative, with subtle emotional weight, Hooks should feel hypnotic and repetitive, with ambient backing harmonies, Use spacious reverb and soft panning to reflect a solo night drive through quiet city streets, Keep the vibe chill, introspective, and deeply vibey, ]

laidback tempo 70-75 bpm 808-heavy atlanta trap drums crisp rimshots loose hi-hats triplet rolls subby bass low-end movement warm detuned synth pads ambient background texture subtle vinyl hiss moody minor key piano hits sparse occasional chopped vocal fx as texture not lead vocals: conversational southern drawl aave phrasing slurred delivery in verses lazy confident cadence hook more melodic half-sung emphasize rhythm over pitch use pitch bends on key words verse 2: sharper tone slight aggression bridge: soft hazy almost mumbled emotional but numb tone throughout long pauses mid-line use abrupt stops: “wait, ” “hold up, ” dry vocals up close slight delay tail no auto-tune fx keep raw texture natural grain low reverb tight mix vocal sits front

[female vocalist] [slow vibey trap beat, tempo 68bpm, deep 808s, ambient pad layers, airy synth leads, pitched vocal chops, lo-fi textures, minimal hi-hat rolls, moody reverb-heavy atmosphere, Verse 1: laid-back flow, mellow tone, slurred delivery, slight swing feel, Hook: catchy melody, auto-tuned vocals, spaced adlibs (yeah… ooh… fade…), Bridge: chant flow w/ echo fx, hypnotic repeats, fx: "whoosh", "skrrt", "cough", delays, Verse 2: sharper delivery, gritty low-end, heavier drums, rawer vocal tone, Outro: soft pad fade-out, slowed vocals, deep exhale sample, Overall: smoky, spaced-out, late-night ride energy, ]

[female vocalist] [slow vibey trap beat, tempo 68bpm, deep 808s, ambient pad layers, airy synth leads, pitched vocal chops, lo-fi textures, minimal hi-hat rolls, moody reverb-heavy atmosphere, Verse 1: laid-back flow, mellow tone, slurred delivery, slight swing feel, Hook: catchy melody, spaced adlibs (yeah… ooh… fade…), Bridge: chant flow, no echo fx, hypnotic repeats, fx: "whoosh", "skrrt", "cough", delays, Verse 2: sharper delivery, gritty low-end, heavier drums, rawer vocal tone, Outro: soft pad fade-out, slowed vocals, deep exhale sample, Overall: smoky, spaced-out, late-night ride energy, ]

[Instrumentation 808-heavy bass knockin steady, ATL bounce groove, Sparse melodic loop, detuned synths wit a lazy wobble, Hi-hats stutter in triplets, rimshots sharp, kicks deep an spaced, BPM ~135 for that ride slow, nod heavy, Background: faint coughs, vinyl hiss, maybe a muffled laugh to match the smoke story vibe, Let the beat breathe, drums carry the weight, ] [Vocal Delivery Conversational like front porch talkin, laid-back but bold, Slight slur like mid-sesh faded, Southern drawl present but unforced, Drop consonants, ride the beat casual, Verse 1: relaxed, jokin flow, Verse 2: more direct, energy up, sharper diction, Hook: chant style, doubled up, slight echo for bounce, Bridge: lower tone, drawn out, sound half-lost in thought, Keep it real, keep it rooted]

[Instrumentation: Slow halftime trap at 75 BPM, heavy sub-808s with punchy kick, crisp hi-hats, dusty snare, vinyl crackle texture, airy synth pads, faint reversed vocal chops, subtle choir swells, record scratches on drops, warm analog saturation, moody late-night street vibe, ] [Vocalization: ATL female, deep warm tone, conversational yet intense flow, clear enunciation of slang, slight rasp, breathy pauses for emotion, expressive ad-libs (whispers, hums, crowd sounds), natural pitch shifts on emphasis, sync with beat accents, storytelling delivery]

[instrumentation: dark, slow-bounce ATL trap beat, 72 BPM, deep 808 bass, muted kicks, crisp hi-hats with occasional rolls, eerie ambient pads, subtle feline sound effects, minimal melodic loop, nighttime city vibe, stealthy energy] [vocalization: low, calm, large ATL male with a warm, full & resonate voice, confident rap delivery, slight drawl, relaxed pacing, subtle vocal fry on ends of phrases, layered ad-libs in hook, deep reverb on “brim down low, ” whispered accents on “meow, ” streetwise tone, minimal autotune]

Instrumentation: Slow-tempo trap beat (68 BPM), Murky 808s, reversed hi-hats, ambient bell loops, deep sub-bass, Filtered analog synth pads create foggy atmosphere, Glitchy vinyl textures, Sparse snare with heavy reverb, Dropout transitions and screwed vocal chops between verses, Subtle siren FX, Keep mix minimal but ominous, floaty but heavy, Let low-end breathe, Vocals: Conversational delivery, slightly slurred, Whispery hook, doubled and layered, Verses alternate between slow drawl and clipped staccato, Use vocal fry for tension, Ad-libs (soft “mhmm, ” “look, ”) pan L/R, Bridge in low falsetto or distant reverb to feel ghostly, Light auto-tune for tone, not pitch correction, Keep breath sounds and rawness intact

Instrumentation features a slow 70 BPM trap beat anchored by booming sub-808s, tight snare rolls, and crisp hi-hats, Dark Rhodes keys and muted synth pads create a hazy, late-night vibe, The hook is layered with pitched vocal chops and filtered chords, adding melodic texture, Ambient swells and vinyl crackle bring atmosphere in the bridge, supported by deep sub-bass hits, Atmospheric bells and low brass stabs accentuate transitions throughout the verses, Vocalization delivers a slurred, deep-toned ATL rap style with heavy reverb and subtle delay for spaciousness, The hook is autotuned and melodic, featuring airy harmonies and stretched vowels to enhance mood, The bridge uses breathy, spacey half-whisper ad-libs for a floaty feel, Verse two showcases confident, swagger-heavy rapping with wide-panned ad-libs that emphasize presence, Background call-backs like “yeah, ” “aye, ” and “uh huh” add classic ATL trap flavor

[Instrumentation: Slow halftime trap at 75 BPM, heavy sub-808s with punchy kick, crisp hi-hats, dusty snare, vinyl crackle texture, airy synth pads, faint reversed vocal chops, subtle choir swells, record scratches on drops, warm analog saturation, moody late-night street vibe, ] [Vocalization: ATL male, deep warm tone, conversational yet intense flow, clear enunciation of slang, slight rasp, breathy pauses for emotion, expressive ad-libs (whispers, hums, crowd sounds), natural pitch shifts on emphasis, sync with beat accents, storytelling delivery]

Instrumentation: Dark trap beat with cinematic strings, 808s, and ambient textures Gritty boom bap drums, eerie synths, gospel samples in minor key Slow tempo with distorted bass, lo-fi organ, and reverb-heavy guitar Choir pads, thunderous drums, Middle Eastern flute and gritty brass Soulful piano chords, heavy kick, deep bassline, gothic bell accents Vocalization: Aggressive rap with layered harmonies in chorus Whispered spoken word with intense emotional delivery Raspy lead vocal, doubled in chorus with melodic autotune Gospel-style choir behind main rap vocals, call-and-response style Deep, echoing vocal reverb for verses, chant-like chorus vocals

Instrumentation; Craft a Southern hip hop instrumental with a slow, menacing tempo, A deep, distorted 808 bassline and a simple, haunting three-note piano melody form the core, Use crisp, rapid hi-hats and heavy, muffled kick drums, Add atmospheric layers of distant police sirens and the sound of a car idling to build tension, Vocalization: Perform the vocals with a tired, gravelly baritone flow, Verses use a fast, intricate cadence conveying paranoia, The hook is delivered with more force, a primal declaration, For the bridge, shift to a sparse, almost spoken delivery filled with weary realization

atlanta, memphis, new orleans, chopped and screwed, trap, lo-fi, vocalist: deep resonate voice

atlanta, memphis, new orleans, chopped and screwed, trap, lo-fi, vocalist: warm, deep resonate voice, clean production, no intro

slurred vocal delivery, atlanta, memphis, new orleans, chopped and screwed, trap, lo-fi, vocalist: warm, deep resonate voice, clean production, no chopped and screwed elements in intro, clean audio