疲れたときの曲リスト

Smoky late-night jazz trio, brushed drums and lazy upright bass, close-miked male vocals half-whispered, Piano leans on extended chords and wandering voicings; chorus blooms with soft horn pads and stacked humming, Overall a swaying, tipsy lullaby that drifts between streetlight haze and starlit rooftop calm

Sparse late-night jazz trio with brushed snare, soft upright bass, and a distant, detuned piano; female vocals in an airy whisper, close-miked, Verses almost spoken, hanging over the bar line; chorus swells just a little with warm reverb and stacked hushed harmonies, then falls back into intimate, cigarette-haze quiet

Shimmery indie-pop with female vocals, lazy midtempo groove, airy keys, lightly detuned synth bells, and soft sidechained pads; verses stay intimate and half-whispered, chorus blooms with layered harmonies, springy bass, and sparkling percussive details, final hook strips back to voice and keys for a bittersweet afterglow

funk, Dreamy indie-pop with lush, layered synth pads and warm bass under a mellow, head-nod groove; male vocals tender and close, Verses stay intimate with soft drums and light guitar flickers, pre-chorus adds subtle arpeggiated synth and rising harmonies, Chorus lifts with airy stacked vocals, gentle melodic countermelodies, and shimmery pads, then arrangement slowly thins to a reflective, lingering outro built on echoing guitar and a held synth chord, pop, mellow, gentle, simple, warm, light, soft

pop, Dreamy J-pop ballad, female vocals; soft picked guitar and airy pads, gentle swing in the groove, Verses stay intimate and close-mic’d, chorus lifts with doubled vocals and subtle bells, Light bass and brushed percussion enter on the hook, bridge strips back to just guitar and voice before a bright, bittersweet final chorus, sad, female vocals, j-pop

Warm indie pop groove with male vocals; lightly swung drums, soft picked guitar, and round bass, Verses stay intimate and conversational, then chorus opens with bright synth pads and stacked harmonies, Subtle percussion and claps lift the hook; bridge drops to vocal and guitar before a final, fuller chorus

Laid-back Japanese city pop with lazy swing drums, rubbery bass, and glossy electric piano, Male vocals in a soft, slightly slurred delivery; verses stay low and mumbly then bloom into a sticky, major-key chorus with airy synth pads and tight guitar chops, Subtle backing harmonies widen the hook, with a hazy tape-like sheen rounding off the top end