3:26
"Dark cabaret waltz in 3/4 with industrial breaks, stuttering vocals, gramophone crackle, distant megaphone voices, Maori whispers, single sewing machine hits as percussion, building from sparse to chaotic to peaceful", make in Funk, Jazz and Māori Style, with bongos, trumpets and hand clapping, whistle and bass guitar very dominant, make it for dada performance
2:05
make a real crazy dadaistisches theater play with machine sound flute combo haka bongo orchestras sing the stich fur stich lines in a monotone mechanical rhythm mimicking a sewing machine needle the Glam Metal, Hard Rock hits should be percussive like a single loud loom strike
4:22
Dadaist experimental theatre piece, Spoken-sung vocals, call-and-response between a squeaky flea circus director and a high-pitched female choir, Repetitive litany-like chanting with absurd nonsensical rhymes (e, g, "Reichstag sitzt im Fett"), Direct address to audience, Instrumentation: bongo orchestra, samba percussion, bossa nova guitar, accordion marching band, Bavarian Schuhplatter stomping rhythms (stomping on 1 and 3), Occasional Maori karakia chants woven in, Sudden tempo shifts between groovy samba and mechanical waltz, Broken gramophone textures, Sewing machine percussive hits ("Ratt"), High falsetto chorus singing "Bzzz-plopp" like tiny fleas, Grotesque humour, chaotic carnival atmosphere, political absurdism, Slow-fast-slow structure, Duration 5 minutes, whistle und schnalzen
4:58
Dadaist theatre piece with multiple spoken/sung roles, call-and-response, direct address to audience, absurd lyrics, chaotic overlapping vocals, Male lead vocal in soulful falsetto – playful delivery, breathy whispers, sudden low-register passages, Soaring layered harmonies, Maori Haka dance chants and stomping rhythms woven in, Instrumentation: Accordion-led "mafia band" – gritty accordion melodies, whistles (both melodic and rhythmic), singing from the offstage (distant, echoey vocals), Rhythm section: 1970s slow funk – syncopated gritty drums at slow tempo, retro funk guitar with looping short riffs, groovy walking bassline, congas, Horn section with sharp brass stabs, Hammond organ swells and soulful string arrangements, Orchestral soul feel, Production: Vintage analog warmth, warm vinyl crackle, tape saturation, Seductive, laid-back yet gritty and smooth, Sudden tempo shifts – from slow funk into haka stomp and back, Brass stabs as punctuation for absurd punchlines, Time 5 minut
4:44
Dadaist theatre piece with multiple spoken/sung roles, call-and-response, direct address to audience, absurd lyrics, chaotic overlapping vocals, Male lead vocal in soulful falsetto – playful delivery, breathy whispers, sudden low-register passages, Soaring layered harmonies, Maori Haka dance chants and stomping Haka rhythms woven in, Instrumentation: Accordion-led "mafia band" – gritty accordion melodies, whistles (both melodic and rhythmic), singing from the offstage (distant, echoey vocals), Rhythm section: 1970s slow funk – syncopated gritty drums at slow tempo, retro funk guitar with looping short riffs, groovy walking bassline, congas, Horn section with sharp brass stabs, Hammond organ swells and soulful string arrangements, Orchestral brass soul feel, Production: Vintage analog warmth, warm vinyl crackle, tape saturation, Seductive, laid-back yet gritty and smooth, Sudden tempo shifts – from slow funk into haka stomp and back, Brass stabs as punctuation for absurd punchlines
4:43
Dadaist theatre piece with multiple spoken/sung roles, call-and-response, direct address to audience, absurd lyrics, chaotic overlapping vocals, Male lead vocal in soulful falsetto – playful delivery, breathy whispers, sudden low-register passages, Soaring layered harmonies, Maori Haka dance chants and stomping Haka rhythms woven in, Instrumentation: Accordion-led "mafia band" – gritty accordion melodies, whistles (both melodic and rhythmic), singing from the offstage (distant, echoey vocals), Rhythm section: 1970s slow funk – syncopated gritty drums at slow tempo, retro funk guitar with looping short riffs, groovy walking bassline, congas, Horn section with sharp brass stabs, Hammond organ swells and soulful string arrangements, Orchestral brass soul feel, Production: Vintage analog warmth, warm vinyl crackle, tape saturation, Seductive, laid-back yet gritty and smooth, Sudden tempo shifts – from slow funk into haka stomp and back, Brass stabs as punctuation for absurd punchlines