GiR 0: GAAIA Project

Four female singers deliver soft, breathy, intimate vocals; lead is clear and forward, while harmonies remain thin, wide, and airy, The melody is minimal, narrow in range, chant-like, and atmospheric, Whispers and falsetto ad-libs float in only for choruses and the final chorus, enhancing depth, Light modern synth chords and subtle textures gently support, offering airy space without overwhelming, The mix remains spacious and contemporary, with strategic silence between vocal phrases and vocals always prominent, ‑guitars, ‑retro synths, ‑rock band sounds, ‑orchestral layers, ‑EDM festival drops, ‑diva belting

Four female singers deliver soft, sweet, and playful vocals in a modern K-pop style at 145 BPM, Lead voice is intimate, breathy, and upfront in the center, while harmonies are thin, airy, and spread wide, The vocal melody is gentle and lyrical, moving stepwise in a narrow mid-low female range (A3–E4) with small rises and falls that feel natural and tender, Each phrase is short and flowing, almost like spoken words but with a sweet melodic lift, avoiding dramatic leaps or heavy vibrato, Delivery is affectionate and dreamy, with a light, youthful charm that feels warm and inviting, Mix should be vocal-forward: lead bright and present, harmonies wide and delicate, subtle reverb for airy sweetness, and a clean modern balance with plenty of headroom, Do not generate any drums, percussion, or rhythm; vocals only, leaving space for an external beat track, ‑bossa nova, ‑samba, ‑latin pop, ‑latin jazz, ‑swing, ‑gospel melisma, ‑power ballad vocals, ‑operatic vibrato, ‑EDM festival toplines

A modern minimal pop song at 135 BPM features four female vocalists trading sweet, breezy phrases in triplet timing, Voices weave in conversational, catchy fragments, alternating and layering airy harmonies and call-and-response, No rhythm tracks—just upfront, crisp vocals amid understated synth pads and spacious ambience, The focus is on topline clarity and a sleek, global pop sheen, ‑guitars, ‑retro synths, ‑rock band sounds, ‑orchestral layers, ‑EDM festival drops, ‑diva belting

Four female vocals at 136 BPM, airy, breathy, and close to the mic, Vocals are intimate, restrained, and clear, recorded upfront with minimal reverb for a modern sound, Melody is smooth and flowing, with gentle rises and elongated vowels at phrase endings for beauty and emphasis, Verses are concise and melodic, pre-chorus builds tension through repetition, and chorus highlights the hook “pulse line” with graceful harmonies, Harmonies are thin and transparent, adding light depth while keeping the lead melody prominent, The rhythm is driven by a Jersey Club groove: syncopated kick patterns, subtle triplet bounce, and modern percussive textures that keep it energetic but minimal, Overall mood is dreamy and emotional, yet current and stylish, combining intimate vocals with a fresh Jersey Club pulse, ‑No shouting, ‑no belting, ‑no dramatic ad-libs, ‑No EDM festival toplines, ‑no aggressive dance vocals, ‑No rock band instruments such as guitars, ‑live drums, ‑or piano comping, ‑Avoid heavy reverb, ‑wide echo, ‑or muddy lo-fi haze, ‑Keep it clean, ‑modern, ‑and minimal with vocals upfront and melodic

Set at 110 BPM, this polished K-pop track features a soft 2-step/UK garage groove with syncopated electronic kicks, rimshot snare, and shuffled hats, Four close-mic female voices, breathy and minimal, lead with dry, upfront vocals—unison in choruses, delicate harmonies, no reverb tails, Electronic textures only: airy quiet pads mixed ultralow, bright clean mix, kick and bass separated for clarity, vocals dominating the center, and a modern stereo field that maintains vocal focus, The overall mood remains dreamy, subtle, and hypnotic, ‑muddy mix, ‑muffled vocals, ‑lo-fi noise, ‑acoustic solos, ‑trap rolls, ‑heavy 808s, ‑gospel melisma, ‑EDM risers, ‑rock fills

A modern minimal pop song at 135 BPM features four female vocalists trading sweet, breezy phrases in triplet timing, Voices weave in conversational, catchy fragments, alternating and layering airy harmonies and call-and-response, No rhythm tracks—just upfront, crisp vocals amid understated synth pads and spacious ambience, The focus is on topline clarity and a sleek, global pop sheen, ‑guitars, ‑retro synths, ‑rock band sounds, ‑orchestral layers, ‑EDM festival drops, ‑diva belting

Cover over the uploaded instrumental at 112 BPM, Four distinct female voices with subtle character differences: alternating lines in verses, close two-part harmonies in pre-chorus, airy layered unison in hooks, one spotlight lead in bridge, all blending in the final chorus with slight tone contrasts, Vocals are dry, upfront, minimal reverb, delivered with sweet and graceful phrasing, The vocal melody should always feel tender, charming, and emotionally warm, with a memorable hook that is catchy but elegant, Keep a slower 2-step groove with syncopated percussion and soft swung hi-hats, Add a bell-like pluck or gentle synth riff as an instrumental hook, bright and sweet in tone, Pads airy and wide, chords soft and lush, bass warm and sustained, In the final chorus, add subtle extra percussion for lift without breaking the dreamy minimal mood, Overall feel: sweet, hypnotic, modern, indie electronic with a tender and beautiful melody, ‑Heavy gated reverb snare, ‑cheesy synth brass, ‑big room EDM supersaws, ‑festival drops, ‑over-compressed pumping

Electro-pop track led by four female voices, Alternating lines, sometimes unison with thin harmonies, occasional light call-and-response, Vocals dry and upfront in the mix, minimal reverb, clear diction, never buried under instruments, Melody line flowing and catchy but refined, with unexpected intervals and syncopated phrasing, dreamy yet cool, Group shouts or chants used sparingly as accents, short and sharp, not playful, ‑boomy sub, ‑aggressive drums, ‑loud trap hats, ‑lo-fi/muffled/tape, ‑gated reverb snare, ‑supersaws, ‑dubstep wobbles, ‑dembow grooves, ‑retro chant hooks, ‑rock guitars, ‑orchestral stabs, ‑acid lines

Minimal Electronic track led by four female voices, Alternating lines, sometimes unison with thin harmonies, occasional light call-and-response, Vocals dry and upfront in the mix, minimal reverb, clear diction, never buried under instruments, Melody line flowing and catchy but refined, with unexpected intervals and syncopated phrasing, dreamy yet cool, ‑boomy sub, ‑aggressive drums, ‑loud trap hats, ‑lo-fi/muffled/tape, ‑gated reverb snare, ‑supersaws, ‑dubstep wobbles, ‑dembow grooves, ‑retro chant hooks, ‑rock guitars, ‑orchestral stabs, ‑acid lines

Electro-pop led by four female voices, alternating solo lines with moments of unison and thin harmonies, light call-and-response, vocals dry and upfront with minimal reverb and clear diction, always the focus above instruments, melody flowing, catchy yet refined with syncopated phrasing, dreamy but cool, group shouts sparingly short and sharp never playful, Beat foundation is Drum and Bass break rhythm at ~123 BPM with UK Garage hi-hats in verses, Amapiano percussion in pre-chorus, short 4-on-the-floor house kick lift into choruses, and funky Nu-Disco bassline in bridge, Arrangement minimal and dynamic: verse with ragtime piano plus light break only, ‑Exclude shouting vocals, ‑exaggerated vibrato, ‑bending or oversung notes, ‑boomy sub, ‑aggressive drums, ‑loud trap hats, ‑lo-fi or muffled or tape effects, ‑gated reverb snare, ‑supersaws, ‑dubstep wobbles, ‑dembow grooves, ‑retro chant hooks, ‑rock guitars, ‑orchestral stabs, ‑acid lines, ‑distorted bass