Rayvision, Funk reborn

A cinematic trap remix of “Georgia On My Mind” by Ray Charles, Slow blues-infused piano, heavy 808s, soft gospel choir, haunting electric guitar licks, ambient orchestral strings, and modern trap drums, The tone is emotional, reflective, and proud — like a love letter to the South, Vinyl crackle, Southern night ambience, and deep soul vocals, A fusion of soul-trap, gospel blues-hop, and cinematic storytelling

A hip-hop blues remix of “I Got a Woman” by Ray Charles, Sampled gospel vocals and vocal chops from the original track, Laid-back but swagger-heavy trap drums, gritty blues guitar riffs, harmonica fills, gospel organ, and a soulful female choir in the hook, Similar to Gold Digger in rhythm and sample play, but with deeper Southern blues textures and vintage juke joint vibes, Confident, smoky, and cinematic blues-hop style, ‑female lead

Style & Mood Genre fusion: Blues-hop × Soul sample production × Lo-fi swing Mood: Defiant, sly, stomping, playful, yet bold Tempo: ~88 BPM Key Sound Influences: Black Keys x RZA x Ray Charles x Curtis Harding A blues-hop remix of “Hit the Road Jack” by Ray Charles, Uses vocal samples from the original chorus (“Hit the road Jack…” and “don’t you come back no more”) with lo-fi vinyl textures, Features a raw, stomping hip-hop beat with minimal trap influence, plucked upright bass, blues guitar riffs, and subtle horn stabs, Soulful call-and-response backing vocals and Ray’s piano fills chopped and layered for groove, Mood is smoky, defiant, and vintage with modern swagger, played in a back-alley blues bar

Style: Blues-hop / soul-hop remix with vintage sampling Vibe: Hard-hitting, emotional, raw — dripping with regret and swagger Influence: Ray Charles, (College Dropout sampling era), Instruments: Lo-fi piano sample loop from original "Unchain My Heart" riff, gritty 808s, blues guitar licks, vinyl crackle, organ stabs, deep bass Vocals: Soulful male vocals with emotional delivery, switching between melodic verses and rhythmic flows Intro: Start with vinyl crackle + looped piano riff from "Unchain My Heart" Hook: Use interpolated vocals sampled from the original chorus ("Unchain my heart, you don’t love me no more") and layer modern vocals over it

Remix of "Drown in My Own Tears" by Ray Charles in a modern soul-hop style, Start with a slow, moody soul sample of Ray Charles’ original vocals: "It brings a tear into my eyes, " — looped with vinyl crackle for texture, Add melancholy piano chords with light Rhodes or organ underlay, Layer a gritty blues guitar riff in the background, echoing sadness, Bring in a slow, head-nodding boom-bap beat with deep 808s and a dusty snare, Include spoken-word style rap verses, heartfelt and reflective, with a rich vocal tone, Let the hook sample repeat between verses for emotional punch, Bridge should feel cinematic, like a late-night street confession with low brass and layered harmonies, Aim for the tone of modern hip hop meets Muddy Waters, with soul-dripping samples and hip-hop realism, BPM ~72, Keep the mix warm, raw, and emotionally loaded

uno Prompt: “What’d I Say” — Blues-Hop Remix (Expanded Version) Style: Blues-hop / soulful hip-hop remix with vintage samples Vibe: Energetic, playful, hypnotic, dancefloor-ready, with a classic blues-soul foundation and modern swagger Influences: Ray Charles, (College Dropout era), Curtis Harding, Instruments: Sampled electric piano riffs and vocal call-and-response from Ray Charles’ original “What’d I Say” Layered vocal chops of Ray’s adlibs (“mmm-hmm, ” “yeah yeah, ” “uh-huh”) Funky 808 bassline with swung hi-hats and snappy snares Wah-wah guitar riffs and sharp horn stabs Background gospel clapping and crowd noise for atmosphere Vinyl crackle and tape hiss for vintage texture

Gritty cinematic blues-hop remix of Ray Charles’ "Busted, " Starts with a dusty vinyl crackle and sampled vocal line: "My bills are all due and the baby needs shoes and I’m busted, " Slow swampy groove with boom-bap drums, upright piano loop, and a mournful slide guitar, Deep 808s, muffled gospel vocal chops in the background, and low brass for tension, Include original vocal samples in hook and outro, Vibe like Black Keys x Delta blues storyteller, Gritty, emotional, cinematic and soulful — full of struggle, soul, and blues-hop swagger

Modern blues-hop remix of Ray Charles’ “Hallelujah I Love Her So, ” Blend warm gospel organ, live horns, dusty vinyl crackle, soulful electric guitar riffs, and deep 808 hip-hop drums, Include call-and-response gospel choir, energetic hand claps, and horn stabs, Verse flow with spoken-sung delivery in the style of hip hop meets 1950's blues, with soulful ad-libs, Include vintage Ray Charles vocal samples scratched into the beat, Warm, uplifting, and full of swagger

Modern hip-hop blues remake of Ray Charles’ “I Can’t Stop Loving You, ” gritty and soulful, Slow 88 BPM, minor key, Blend boom-bap drums with deep 808s, live bass, and finger-picked dobro or slide guitar, Add gospel backing vocals on the chorus, chopped Ray Charles vocal samples for intro and transitions, and light vinyl crackle throughout, Verses delivered in blues-rap flow with raw emotion, hook sung soulfully in original style, Include harmonica riff in the bridge, cinematic reverb, and a dusty, warm analog mix

Modern blues-hop remix of Ray Charles' "Mess Around", blending live boogie-woogie piano with heavy 808 trap beats, gritty blues guitar licks, soulful bassline, claps, and crowd energy, Keep the original chorus hook intact ("Now you see that girl, with that diamond ring…"), Verses delivered with playful swagger, storytelling about a lively dance floor, Include vinyl crackle, chopped Ray Charles vocal samples, and moments where beat drops to just 808 & hi-hat before exploding back into the groove, Big, warm analog feel with punchy modern low end

Modern blues-hop remix of Ray Charles' "Mess Around", blending live boogie-woogie piano with heavy 808 trap beats, gritty blues guitar licks, soulful bassline, claps, and crowd energy, Keep the original chorus hook intact ("Now you see that girl, with that diamond ring…"), Verses delivered with playful swagger, storytelling about a lively dance floor, Include vinyl crackle, chopped Ray Charles vocal samples, and moments where beat drops to just 808 & hi-hat before exploding back into the groove, Big, warm analog feel with punchy modern low end

Modern hip-hop blues remake of Ray Charles’ “I Can’t Stop Loving You, ” gritty and soulful, Slow 88 BPM, minor key, Blend boom-bap drums with deep 808s, live bass, and finger-picked dobro or slide guitar, Add gospel backing vocals on the chorus, chopped Ray Charles vocal samples for intro and transitions, and light vinyl crackle throughout, Verses delivered in blues-rap flow with raw emotion, hook sung soulfully in original style, Include harmonica riff in the bridge, cinematic reverb, and a dusty, warm analog mix

Instrumentation: Heavy, dusty, MPC drum loop (prominent kick/snare), low-pass filtered upright bass sample, a repeating, jazzy piano chord loop (slightly wobbly/detuned), subtle wah-wah guitar stabs, Constant vinyl crackle/surface noise texture, Include a vocal sample of a classic blues singer chopped and repeated during the bridge/break Genre: Classic Boom-Bap Hip-Hop, Jazzy Soul-Rap, Sampling, Vibe: Urban, cynical, nostalgic, rhythmic, old-school hip-hop with blues commentary

Modern hip-hop blues remake of Ray Charles’ Drown in my Own tears, ” gritty and soulful, Slow 88 BPM, minor key, looping, Sampling, Blend boom-bap drums with deep 808s, live bass, and finger-picked dobro or slide guitar, Add gospel backing vocals on the chorus, chopped Ray Charles vocal samples for intro and transitions, and light vinyl crackle throughout, Verses delivered in blues-rap flow with raw emotion, hook sung soulfully in original style, Include harmonica riff in the bridge, cinematic reverb, and a dusty, warm analog mix

Style/Mood: Blues-hop, Soul-hop, Lofi, Sampling Ray Charles vibes, Gritty, late-night, introspective, Lofi piano loop, vinyl crackle, chopped soul samples, boom-bap beat with swing, Male vocals, bluesy and raspy, Tempo: 72 BPM, Use a warm, slightly detuned electric piano (Rhodes/Wurlitzer) loop as the main motif, · Incorporate subtle, chopped vocal or piano samples from a vintage blues/soul record, · Drums should be a relaxed boom-bap beat with a swung feel, · Add vinyl crackle and tape hiss for texture throughout, · Choruses should hit harder with more bass and layered backing vocals (soulful "oohs"), · Outro should fade naturally with the piano loop

Genre: Blues-hop, Soul-hop, Trap Lo-fi, Tempo: 70 BPM, minor key, Vocal: Gritty, emotional male vocals (reminiscent of Ray Charles’ soulful delivery), Instrumentation & Production: Sampled vinyl crackle, 808 bass, blues guitar licks, soulful piano chords, synthesizer pads, trap drums with lo‑fi texture, Mood: Melancholic, reflective, hip‑hop groove, Hook: Catchy, repetitive melody that sticks, Extra: Use a short, tasteful sample of Ray Charles’ vocal (e, g, “What have I got to do…”) in the intro/outro for authenticity

[Style: Gritty boom bap hip hop, raw blues, lo-fi, dusty drum break, heavy bassline, 70s blaxploitation film soundtrack, atmospheric, mournful] [Sound: Muddy Waters meets Griselda Records, Howlin' Wolf sampled by Alchemist, raw vocal delivery, raspy voice, slightly off-key soul singing on the hook, background vocal ad-libs (aye, uh, yeah), record crackle and static, haunting piano loop, slow tempo, swinging drums] [Mood: Urban decay, late night despair, bleak, cinematic, introspective, hopeless romance, street noir]

Style/Mood: Blues-hop, Soul-hop, Lofi, Sampling Ray Charles vibes, Gritty, late-night, introspective, Lofi piano loop, vinyl crackle, chopped soul samples, boom-bap beat with swing, Male vocals, bluesy and raspy, Tempo: 72 BPM Use a warm, slightly detuned electric piano (Rhodes/Wurlitzer) loop as the main motif, · Incorporate subtle, chopped vocal or piano samples from a vintage blues/soul record, · Drums should be a relaxed boom-bap beat with a swung feel, · Add vinyl crackle and tape hiss for texture throughout, · Choruses should hit harder with more bass and layered backing vocals (soulful "oohs"), · Outro should fade naturally with the piano loop

Genre: Blues-infused Soul-Hop, Lo-Fi, Sample-Heavy R&B, Instrumentation: Slow, deep, crackling vinyl-style drum break loop (boom-bap feel), very prominent 808 bass, melancholic sampled Ray Charles-style piano chords (slightly detuned/wobbly), subtle vinyl surface noise and static in the background, a looped, sampling, Vocal Style: Male R&B/Soul vocalist with a slightly melancholic, smoky tone, Emotionally expressive singing during the chorus, and a more rhythmic, spoken-word delivery during the verses, The vocals should sound slightly compressed to fit the old-school sample aesthetic, Vibe: Nostalgic, heartbroken, nighttime, smooth, and deeply soulful, (Old and New)