3:05
It's a Good Day Glow
v4.5-all
Light up‑tempo swing at ~92 BPM, crisp 1950s big‑band feel, brushed drums with a lively bounce, upright bass walking with lift, soft horns punctuating the groove, bright piano comping, Smooth male baritone with a velvety, relaxed crooner delivery, rounded vowels, easy swing phrasing, and a cheerful, effortless charm, Vintage analog room tone, clean and buoyant
3:18
Toking in the Rain (alt)
v4.5-all
Up‑tempo crooner swing at 112 BPM, crisp 1950s big‑band feel, brushed drums with a lively bounce, upright bass walking with lift, bright piano comping, soft horns punctuating the groove, Smooth male baritone with velvety, relaxed delivery, rounded vowels, easy swing phrasing, cheerful charm, Vintage analog room tone, clean, buoyant, and lightly playful, ”
3:47
Toking in the Rain
v4.5-all
Up‑tempo crooner swing at 112 BPM, crisp 1950s big‑band feel, brushed drums with a lively bounce, upright bass walking with lift, bright piano comping, soft horns punctuating the groove, Smooth male baritone with velvety, relaxed delivery, rounded vowels, easy swing phrasing, cheerful charm, Vintage analog room tone, clean, buoyant, and lightly playful, ”
1:55
Zip‑A‑Dee‑Toke‑Ay
v4.5-all
Up‑tempo crooner swing at 112 BPM, bright 1950s big‑band bounce, brushed drums with a lively skip, upright bass walking with lift, playful piano comping, soft horn stabs for color, Smooth male baritone with relaxed, smiling delivery, light swing phrasing, cheerful Mercer‑style charm, Vintage analog room tone, crisp, buoyant, and whimsical
2:45
High Side of the Street
v4.5-all
Light 1940s–early‑50s vocal‑pop swing at 112 BPM, smooth Jo‑Stafford‑style warmth, soft blended harmonies like The Pied Pipers, brushed drums with a gentle skip, upright bass walking lightly, mellow piano comping, subtle horn pads, Clean, rounded phrasing with a relaxed smile in the voice, vintage analog room tone, bright, buoyant, and effortlessly optimistic
3:16
High Side of the Street (alt)
v4.5-all
Light 1940s–early‑50s vocal‑pop swing at 112 BPM, smooth Jo‑Stafford‑style warmth, soft blended harmonies like The Pied Pipers, brushed drums with a gentle skip, upright bass walking lightly, mellow piano comping, subtle horn pads, Clean, rounded phrasing with a relaxed smile in the voice, vintage analog room tone, bright, buoyant, and effortlessly optimistic
3:09
Give Me the High Life
v4.5-all
Up‑tempo jazz swing at 112 BPM, Ella Fitzgerald‑style clarity and agility, light scatting inflections, crisp diction, warm playful tone, brushed drums with a tight bounce, upright bass walking, bright piano comping, subtle horn accents, Smooth phrasing, effortless swing, vintage studio warmth, joyful and buoyant