3:08

Decadencia
v4.5-all
male vocals, Ragtime, banjo, harmonic, guitar, Bass, drums, piano, eneegetic, swimg, female vocals, duo
2:04

HE VUELTO
v4.5-all
male vocals, female vocals, Jazz, Ritmo caribeño, Soul, guitar, drums, bass
4:00

Sangre en Los Rasgueos
v4.5-all
Aggressive nuevo flamenco: hyper-virtuosic nylon-string guitar, blazing picado runs and rasgueos that snap, palmas marcando fuerte, Male vocals raw and close to the mic, coros ásperos en estribillo, Cajón profundo y jaleos calientes, breaks instrumentales para lucir falsetas antes de cada coro, todo en crescendo hasta un cierre cortante y seco, flamenco
4:37

A hard rock song driven by sharp energy and classic attitude, It begins with a biting piano intro that sets a mood of arrogance and menace before the guitars break in with rough, cutting chords, The bass moves with a confident, steady groove, and the drums hit hard, keeping the rhythm tight and alive, The piano answers the guitars with short, sarcastic stabs, giving the music a sharp, almost mocking edge, There’s no softness here — just pure tension, pride, and precision, The sound feels raw but controlled, full of grit and swagger, Male vocals deliver the words with attitude and bite, carrying the same mix of anger and superiority that defines classic hard rock at its most ruthless
3:07

Speed Metal, Solo de Guitarra extremadamente rápido y virtuosos con Tapping, armónicos artificiales, wammy bar, legsto y sweep picking, solo mega rapidísimo de una velocidad de 22 Notas Por Segundo
4:22

male vocals, guitar, Drums, Bass, Heavy Metal
3:32

male vocals, guitar, drums Bass, Sintetizadores, terrorífico, Black Metal, black screams
3:49

male vocals, guitar, drums, Bass, Power Metal, speed
4:14

male vocals, guitar, latín alternativo, drums, Bass, Flute, Sintetizadores, guitar Acoustic
2:18

Short Progressive Rock composition in three distinct sections, Act 1: mechanical rock with distorted guitars, steady rhythmic pulse, dry drums, and neutral robotic-style vocals created only with natural voice effects (no electronics), Sound should feel structured, repetitive, and mechanical, not emotional, Act 2: orchestral transition with real instruments — strings, organ, xylophone, and gregorian-like choirs — creating a sense of scale and order, but not drama, Act 3: acoustic section with clean guitar, soft percussion, and clear voice, The tone remains analytical, detached, and balanced through all sections, No electronic or synthetic instruments, Focus on dynamic contrast, precise transitions, and harmonic complexity within organic sound design, Inspired by the logic and structure of classic Progressive Rock, not its emotional expression
3:19

