
電影配樂-酒中妖
表達是一種浪漫的狂放、對人世的超脫,以及隱藏在華美之下的孤獨情懷
將人世間的紛擾、歷史的長河,都視為一場短暫的幻夢,只值付之一笑.
對現實的疏離感和藝術化的看待方式。
**在如此沉醉於自我世界和華麗意境中,又有誰能真正理解我、憐惜我這份不為世俗所容的靈魂呢?
「酒中妖」,這個詞彙既是自嘲(承認自己的放浪不羈).表達了內心深處的孤獨與不被理解的清高。
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67 songs
3:22

Musical Style: [Psychedelic Tang-Step]
This song shouldn't just be traditional string and wind instruments; it should incorporate modern elements of psychedelic and spatial sound to create an illusion of being lost in sorrow and timelessness, Mood: Lazy, alluring, ethereal, slightly tipsy, Rhythm: A slow, trip-hop beat, A deep sub-bass layered on top, mimicking the throbbing of a heartbeat, The drumbeats shouldn't be too heavy, but they should be elastic, like ripples on water from a drop of wine, Lead Instrument: Pipa, Using the "tremolo" technique, it imitates the sound of "pearls falling onto a jade plate, " but with a delay effect, allowing the pipa sound to resonate in space, creating a double-image effect like "seeing flowers through drunken eyes, "
Atmosphere: Xun or Xiao, A long, mournful note is played in the background, representing a thousand years of solitude
3:18

Musical Style: [Psychedelic Tang-Step]
This song shouldn't just be traditional string and wind instruments; it should incorporate modern elements of psychedelic and spatial sound to create an illusion of being lost in sorrow and timelessness, Mood: Lazy, alluring, ethereal, slightly tipsy, Rhythm: A slow, trip-hop beat, A deep sub-bass layered on top, mimicking the throbbing of a heartbeat, The drumbeats shouldn't be too heavy, but they should be elastic, like ripples on water from a drop of wine, Lead Instrument: Pipa, Using the "tremolo" technique, it imitates the sound of "pearls falling onto a jade plate, " but with a delay effect, allowing the pipa sound to resonate in space, creating a double-image effect like "seeing flowers through drunken eyes, "
Atmosphere: Xun or Xiao, A long, mournful note is played in the background, representing a thousand years of solitude
2:54

Musical Style: [Psychedelic Tang-Step]
This song shouldn't just be traditional string and wind instruments; it should incorporate modern elements of psychedelic and spatial sound to create an illusion of being lost in sorrow and timelessness, Mood: Lazy, alluring, ethereal, slightly tipsy, Rhythm:
Uses a slow, trip-hop beat, A deep sub-bass foundation, mimicking the throbbing of a heartbeat, The drumbeats shouldn't be too heavy, but they should be elastic, like ripples on water from a drop of wine
2:58

Musical Style: [Psychedelic Tang-Step]
This song shouldn't just be traditional string and wind instruments; it should incorporate modern elements of psychedelic and spatial sound to create an illusion of being lost in sorrow and timelessness, Mood: Lazy, alluring, ethereal, slightly tipsy, Rhythm:
Uses a slow, trip-hop beat, A deep sub-bass foundation, mimicking the throbbing of a heartbeat, The drumbeats shouldn't be too heavy, but they should be elastic, like ripples on water from a drop of wine
3:30

Vocal Style:
Verse: Employing a breathy, whispered style, like a gentle murmur in your ear, with a touch of languid intoxication, Chorus: The voice shifts to ethereal and resonant, incorporating reverberation, as if the sound is drifting down from the heavens above Chang'an, possessing an otherworldly, almost supernatural beauty, Opera Style: In the line "Who pities my wine-drunken demon, " a sudden transition to a poignant Peking Opera/Kunqu opera style can instantly create a sense of temporal and spatial tension
3:06

Vocal Style:
Verse: Employing a breathy, whispered style, like a gentle murmur in your ear, with a touch of languid intoxication, Chorus: The voice shifts to ethereal and resonant, incorporating reverberation, as if the sound is drifting down from the heavens above Chang'an, possessing an otherworldly, almost supernatural beauty, Opera Style: In the line "Who pities my wine-drunken demon, " a sudden transition to a poignant Peking Opera/Kunqu opera style can instantly create a sense of temporal and spatial tension
2:59

Main instrument: Pipa, Utilizing the "tremolo" technique to imitate the sound of "pearls falling onto a jade plate, " but with a delay effect to make the pipa sound resonate in the space, creating a double-image effect reminiscent of "drunkenly seeing flowers, "
Atmosphere: Xun or Xiao, Playing low, mournful long notes in the background, Embellished: Crisp chimes or wind chimes, corresponding to the lyrics' "falling stars" and "lights, "
3:21

Main instrument: Pipa, Utilizing the "tremolo" technique to imitate the sound of "pearls falling onto a jade plate, " but with a delay effect to make the pipa sound resonate in the space, creating a double-image effect reminiscent of "drunkenly seeing flowers, "
Atmosphere: Xun or Xiao, Playing low, mournful long notes in the background, Embellished: Crisp chimes or wind chimes, corresponding to the lyrics' "falling stars" and "lights, "
2:46

Musical Style: [Psychedelic Tang-Step]
This song shouldn't just be traditional string and wind instruments; it should incorporate modern elements of psychedelic and spatial sound to create an illusion of being lost in sorrow and timelessness, Mood: Lazy, alluring, ethereal, slightly tipsy, Rhythm: A slow, trip-hop beat, A deep sub-bass layered on top, mimicking the throbbing of a heartbeat, The drumbeats shouldn't be too heavy, but they should be elastic, like ripples on water from a drop of wine, Lead Instrument: Pipa, Using the "tremolo" technique, it imitates the sound of "pearls falling onto a jade plate, " but with a delay effect, allowing the pipa sound to resonate in space, creating a double-image effect like "seeing flowers through drunken eyes, "
Atmosphere: Xun or Xiao, A long, mournful note is played in the background, representing a thousand years of solitude
2:24

Musical Style: [Psychedelic Tang-Step]
This song shouldn't just be traditional string and wind instruments; it should incorporate modern elements of psychedelic and spatial sound to create an illusion of being lost in sorrow and timelessness, Mood: Lazy, alluring, ethereal, slightly tipsy, Rhythm: A slow, trip-hop beat, A deep sub-bass layered on top, mimicking the throbbing of a heartbeat, The drumbeats shouldn't be too heavy, but they should be elastic, like ripples on water from a drop of wine, Lead Instrument: Pipa, Using the "tremolo" technique, it imitates the sound of "pearls falling onto a jade plate, " but with a delay effect, allowing the pipa sound to resonate in space, creating a double-image effect like "seeing flowers through drunken eyes, "
Atmosphere: Xun or Xiao, A long, mournful note is played in the background, representing a thousand years of solitude
3:36

A traditional slow tempo, modern electronic or ambient sound design, creates a dreamlike atmosphere, Paired with guzheng and flute sounds and ambient sounds (such as wind and the clashing of silverware), You can also incorporate the sound effects of silverware clashing that you're exploring, adding a sense of eeriness and dreaminess
3:15

A traditional slow tempo, modern electronic or ambient sound design, creates a dreamlike atmosphere, Paired with guzheng and flute sounds and ambient sounds (such as wind and the clashing of silverware), You can also incorporate the sound effects of silverware clashing that you're exploring, adding a sense of eeriness and dreaminess
4:38

夢境-唐風回響-《酒中妖》01-03
v4.5+
A traditional slow tempo, modern electronic or ambient sound design, creates a dreamlike atmosphere, Paired with guzheng and flute sounds and ambient sounds (such as wind and the clashing of silverware), You can also incorporate the sound effects of silverware clashing that you're exploring, adding a sense of eeriness and dreaminess
3:33

夢境-唐風回響-《酒中妖》01-04
v4.5+
A traditional slow tempo, modern electronic or ambient sound design, creates a dreamlike atmosphere, Paired with guzheng and flute sounds and ambient sounds (such as wind and the clashing of silverware), You can also incorporate the sound effects of silverware clashing that you're exploring, adding a sense of eeriness and dreaminess
3:59

夢境-唐風回響-《酒中妖》02-01
v4.5+
Melody Design Suggestions:
🎵 Tonality and Rhythm
Tonality: D minor (or G minor), creating a sense of mystery, melancholy, and dreaminess, Rhythm: Adagio, approximately 60–70 BPM, suitable for drunken and dreamlike ambiances, Melody Direction:
Verse: Based on the pentatonic scale (gong, shang, jiao, zhi, yu), the melody has minimal ups and downs, resembling a whisper, Chorus: The melody is slightly raised, with glissando and inflections, evoking a drunken chuckle and emotional fluctuations, Bridge: Chromatic variations can be added to create a sense of disorientation, reminiscent of a sudden awakening from a dream, 🎻 Instrumental Suggestion: Blend ancient Chinese style with ambient sound design, Instrumental Elements, Suggested Use, and Emotional Expression:
Guzheng: Main melody or interlude, expressing the graceful and delicate emotions of drinking alone beneath the flowers, Flute: Chorus or coda, evoking an ethereal feeling, like a fragrant breeze chasing a shadow, The clinkin
3:54

夢境-唐風回響-《酒中妖》02-02
v4.5+
Melody Design Suggestions:
🎵 Tonality and Rhythm
Tonality: D minor (or G minor), creating a sense of mystery, melancholy, and dreaminess, Rhythm: Adagio, approximately 60–70 BPM, suitable for drunken and dreamlike ambiances, Melody Direction:
Verse: Based on the pentatonic scale (gong, shang, jiao, zhi, yu), the melody has minimal ups and downs, resembling a whisper, Chorus: The melody is slightly raised, with glissando and inflections, evoking a drunken chuckle and emotional fluctuations, Bridge: Chromatic variations can be added to create a sense of disorientation, reminiscent of a sudden awakening from a dream, 🎻 Instrumental Suggestion: Blend ancient Chinese style with ambient sound design, Instrumental Elements, Suggested Use, and Emotional Expression:
Guzheng: Main melody or interlude, expressing the graceful and delicate emotions of drinking alone beneath the flowers, Flute: Chorus or coda, evoking an ethereal feeling, like a fragrant breeze chasing a shadow, The clinkin
3:37

Key: D minor (or G minor), creating a sense of mystery, melancholy, and dreaminess, Tempo: Adagio, approximately 60–70 BPM, suitable for intoxication and dreamlike atmospheres, Melody Direction:
Verse: Based on the pentatonic scale (gong, shang, jiao, zhi, yu), the melody has minimal ups and downs, resembling a whisper, Chorus: The melody rises slightly, with glissando and inflections, evoking a drunken chuckle and emotional fluctuations, Bridge: Chromatic variations can be added to create a sense of disorientation, like a sudden awakening from a dream, 🎻 Instrumental Suggestion: Blend ancient Chinese style with ambient sound design, Instrumental Elements, Suggested Use, and Emotional Expression:
Guzheng: Main melody or interlude, expressing the graceful and delicate emotions of drinking alone beneath the flowers, Flute: Chorus or coda, evoking an ethereal feeling, like a fragrant breeze chasing a shadow, The clinking of silverware: A rhythmic embellishment or bridge transition
3:02

Key: D minor (or G minor), creating a sense of mystery, melancholy, and dreaminess, Tempo: Adagio, approximately 60–70 BPM, suitable for intoxication and dreamlike atmospheres, Melody Direction:
Verse: Based on the pentatonic scale (gong, shang, jiao, zhi, yu), the melody has minimal ups and downs, resembling a whisper, Chorus: The melody rises slightly, with glissando and inflections, evoking a drunken chuckle and emotional fluctuations, Bridge: Chromatic variations can be added to create a sense of disorientation, like a sudden awakening from a dream, 🎻 Instrumental Suggestion: Blend ancient Chinese style with ambient sound design, Instrumental Elements, Suggested Use, and Emotional Expression:
Guzheng: Main melody or interlude, expressing the graceful and delicate emotions of drinking alone beneath the flowers, Flute: Chorus or coda, evoking an ethereal feeling, like a fragrant breeze chasing a shadow, The clinking of silverware: A rhythmic embellishment or bridge transition
3:36

夢境-唐風回響-《酒中妖》03-02
v4.5+
Opening: A gentle breeze, the clink of silverware, and a low string instrument gradually enter, like the arrival of night, Verse: The guzheng takes the lead, with subtle ambient sounds (such as the flickering of lights) added in the background, Chorus: Layers of dongxiao and string music are added, with the sound of silverware serving as rhythmic embellishment, Bridge: The ambient sounds intensify, the sound of silverware becomes clearer, and a bass synth is added to create a sense of dreamlike fragmentation, Ending: The vocal harmonies overlap, gradually fading to the final sound of wind and silverware
4:27

夢境-唐風回響-《酒中妖》04-01
v4.5+
Opening: A gentle breeze, the clink of silverware, and a low string instrument gradually enter, like the arrival of night, Verse: The guzheng takes the lead, with subtle ambient sounds (such as the flickering of lights) combined with the low notes of a flute and the sound of dripping water creating a hazy atmosphere, Chorus: The dongxiao and strings are layered, with the sound of silverware providing rhythmic embellishment, Bridge: The ambient sounds intensify, the sound of silverware becomes clearer, and a bass synth adds a sense of dreamlike fragmentation, The clinking of silverware and the sound of a heartbeat bring the atmosphere to a climax, End: The vocal harmonies overlap, gradually fading to the final sound of the wind and the clink of silverware
5:08

夢境-唐風回響-《酒中妖》04-02
v4.5+
Opening: A gentle breeze, the clink of silverware, and a low string instrument gradually enter, like the arrival of night, Verse: The guzheng takes the lead, with subtle ambient sounds (such as the flickering of lights) combined with the low notes of a flute and the sound of dripping water creating a hazy atmosphere, Chorus: The dongxiao and strings are layered, with the sound of silverware providing rhythmic embellishment, Bridge: The ambient sounds intensify, the sound of silverware becomes clearer, and a bass synth adds a sense of dreamlike fragmentation, The clinking of silverware and the sound of a heartbeat bring the atmosphere to a climax, End: The vocal harmonies overlap, gradually fading to the final sound of the wind and the clink of silverware
5:07

Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet tinged with melancholy, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Instruments: Introduces cello, double bass, organ, or synthesizer organ sounds to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or medium, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur, + Modern electronic synthesizer sounds and ambient effects + harmony to enhance spatiality and fullness
4:49

Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet tinged with melancholy, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Instruments: Introduces cello, double bass, organ, or synthesizer organ sounds to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or medium, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur, + Modern electronic synthesizer sounds and ambient effects + harmony to enhance spatiality and fullness
4:42

Key Features
Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet slightly melancholic, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Harmony: Employs minor key harmonies, even incorporating dissonant intervals to create a mysterious, somber, and grand atmosphere, Instruments: Introduces the sounds of the cello, double bass, organ, or synthesizer organ to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or moderate, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur
4:48

Key Features
Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet slightly melancholic, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Harmony: Employs minor key harmonies, even incorporating dissonant intervals to create a mysterious, somber, and grand atmosphere, Instruments: Introduces the sounds of the cello, double bass, organ, or synthesizer organ to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or moderate, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur
3:55

Ethereal Oriental Gothic Pop - **Classical Lyrical Style with Guzheng and Strings + World, Indigenous, Ambient**
Core Concept: This style aims to create a profound, mysterious, and magnificently moving musical atmosphere, perfectly echoing the transcendent "neither demon nor human" in poetry, and the sense of destiny of "a thousand-year dream" and "unfinished love, " It blends the melancholy and elegance of Eastern classical music with the somber and dramatic nature of Western gothic music, presented using modern pop music arrangement techniques, - **Atmosphere:** Like the chanting of Tang and Song dynasty poems, with the delicate timbres of the guzheng, pipa, and erhu, - **Rhythm:** Slow, soft, like a whisper under the moonlight, - **Effect:** Emphasizing poetry and solitude, immersing the listener in the illusion of "a smile that lasts a thousand years, "
4:06

Ethereal Oriental Gothic Pop - **Classical Lyrical Style with Guzheng and Strings + World, Indigenous, Ambient**
Core Concept: This style aims to create a profound, mysterious, and magnificently moving musical atmosphere, perfectly echoing the transcendent "neither demon nor human" in poetry, and the sense of destiny of "a thousand-year dream" and "unfinished love, " It blends the melancholy and elegance of Eastern classical music with the somber and dramatic nature of Western gothic music, presented using modern pop music arrangement techniques, - **Atmosphere:** Like the chanting of Tang and Song dynasty poems, with the delicate timbres of the guzheng, pipa, and erhu, - **Rhythm:** Slow, soft, like a whisper under the moonlight, - **Effect:** Emphasizing poetry and solitude, immersing the listener in the illusion of "a smile that lasts a thousand years, "
5:24

**Classical Lyrical Style with Guzheng and Strings + World, Indigenous, Ambient**
- **Atmosphere:** Like the chanting of Tang and Song dynasty poems, with the delicate timbres of the guzheng, pipa, and erhu, - **Rhythm:** Slow and gentle, like a whisper under the moonlight, - **Effect:** Emphasizing poetry and solitude, immersing the viewer in the illusion of "a smile that lasts a thousand years, "
3:58

**Classical Lyrical Style with Guzheng and Strings + World, Indigenous, Ambient**
- **Atmosphere:** Like the chanting of Tang and Song dynasty poems, with the delicate timbres of the guzheng, pipa, and erhu, - **Rhythm:** Slow and gentle, like a whisper under the moonlight, - **Effect:** Emphasizing poetry and solitude, immersing the viewer in the illusion of "a smile that lasts a thousand years, "
3:59

Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet tinged with melancholy, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Instruments: Introduces cello, double bass, organ, or synthesizer organ sounds to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or medium, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur, + Modern electronic synthesizer sounds and ambient effects + harmony to enhance spatiality and fullness
3:34

Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet tinged with melancholy, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Instruments: Introduces cello, double bass, organ, or synthesizer organ sounds to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or medium, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur, + Modern electronic synthesizer sounds and ambient effects + harmony to enhance spatiality and fullness
2:49

**Wong Kar-wai-style Jazz Atmosphere + Ambient Electronic + Dreamlike Soundscape**
- **Atmosphere:** Deep saxophone, jazz drum brushes, piano chords, evoking a sense of nostalgia and urban loneliness, - **Rhythm:** Mid-tempo, with a swaying rhythm, - **Effects:** Emphasizing a sense of distance, like listening to her whisper amidst smoke and lights, Ambient Electronic + Dreamlike Soundscape
- **Atmosphere:** Synthesizers, ambient sound effects (wind, falling petals), ethereal vocals, - **Rhythm:** Free-flowing, without obvious drum beats, like floating in a dream, - **Effects:** Emphasizing the blurring of illusion and time, transforming poetry into a sonic journey
3:11

**Wong Kar-wai-style Jazz Atmosphere + Ambient Electronic + Dreamlike Soundscape**
- **Atmosphere:** Deep saxophone, jazz drum brushes, piano chords, evoking a sense of nostalgia and urban loneliness, - **Rhythm:** Mid-tempo, with a swaying rhythm, - **Effects:** Emphasizing a sense of distance, like listening to her whisper amidst smoke and lights, Ambient Electronic + Dreamlike Soundscape
- **Atmosphere:** Synthesizers, ambient sound effects (wind, falling petals), ethereal vocals, - **Rhythm:** Free-flowing, without obvious drum beats, like floating in a dream, - **Effects:** Emphasizing the blurring of illusion and time, transforming poetry into a sonic journey
2:47

- **Classical Poetic Elegance:** Guzheng, Pipa, Erhu, and Xiao create an atmosphere reminiscent of Tang and Song dynasty poetry, - **Modern Solitude:** Jazz saxophone, piano chords, ambient synthesizers, and deep drum brushes, - **Fusion Syntax:** Classical melodic lines combined with modern soundscapes create a subtle sonic distance
3:42

- **Classical Poetic Elegance:** Guzheng, Pipa, Erhu, and Xiao create an atmosphere reminiscent of Tang and Song dynasty poetry, - **Modern Solitude:** Jazz saxophone, piano chords, ambient synthesizers, and deep drum brushes, - **Fusion Syntax:** Classical melodic lines combined with modern soundscapes create a subtle sonic distance
3:26

- **Classical Poetic Elegance:** Guzheng, pipa, erhu, and xiao create an atmosphere reminiscent of Tang and Song dynasty poetry, - **Modern Solitude:** Jazz saxophone, piano chords, ambient synthesizers, and deep drum brushes, - **Fusion Syntax:** Classical melodic lines combined with modern soundscapes create a sense of elusive sonic distance, - **Sound Distance:** Deepened vocal reverb, like a distant whisper, creates an unapproachable distance, - **Classical + Modern Fusion:** Guzheng melodic lines layered with ambient synthesizers create a trans-temporal sonic illusion, - **Enhanced Solitude:** Saxophone and piano solos in the bridge section evoke the loneliness of modern urban life
4:07

- **Classical Poetic Elegance:** Guzheng, pipa, erhu, and xiao create an atmosphere reminiscent of Tang and Song dynasty poetry, - **Modern Solitude:** Jazz saxophone, piano chords, ambient synthesizers, and deep drum brushes, - **Fusion Syntax:** Classical melodic lines combined with modern soundscapes create a sense of elusive sonic distance, - **Sound Distance:** Deepened vocal reverb, like a distant whisper, creates an unapproachable distance, - **Classical + Modern Fusion:** Guzheng melodic lines layered with ambient synthesizers create a trans-temporal sonic illusion, - **Enhanced Solitude:** Saxophone and piano solos in the bridge section evoke the loneliness of modern urban life
3:44

This is a stylized theme song that blends **traditional Eastern musical instruments (guzheng, erhu, pipa) with cyberpunk electronic music (heavy bass, glitch effects, synthesizers)**, The song's structure is designed as follows: "Psychedelic intro -> Narrative verse (low-pitched) -> Explosive chorus (a combination of operatic vocals and electronic music) -> Eerie interlude (the thirteenth hour) -> Philosophical ending"
4:08

This is a stylized theme song that blends **traditional Eastern musical instruments (guzheng, erhu, pipa) with cyberpunk electronic music (heavy bass, glitch effects, synthesizers)**, The song's structure is designed as follows: "Psychedelic intro -> Narrative verse (low-pitched) -> Explosive chorus (a combination of operatic vocals and electronic music) -> Eerie interlude (the thirteenth hour) -> Philosophical ending"
3:42

{"Quantum Tangmei / Dark Electronic / Epic Chanting"} +
{Quantum Tangmei / Dark Electronic + electronic, cyberpunk, traditional Chinese music} +, Fusion Core Conception: Aesthetic, decadent, and deadly allure
4:48

{"Quantum Tangmei / Dark Electronic / Epic Chanting"} +
{Quantum Tangmei / Dark Electronic + electronic, cyberpunk, traditional Chinese music} +, Fusion Core Conception: Aesthetic, decadent, and deadly allure
5:07

"Quantum Tang Enchantment / Dark Electronic / Epic Chanting" + Ethereal Eastern Gothic Pop +
- **Classical Lyrical Style with Guzheng Strings + World Music, Local Music, Ambient Music +
Core Concept: This style aims to create a profound, mysterious, and deeply moving musical atmosphere, perfectly echoing the transcendent "neither human nor demon" in the poem, and the sense of destiny of "a thousand-year dream" and "unfinished love, " It blends the melancholy and elegance of Eastern classical music with the gloom and drama of Western Gothic music, presented using modern pop music arrangement techniques, - **Atmosphere:** Like the recitation of Tang and Song dynasty poetry, accompanied by the delicate timbres of the guzheng, pipa, and erhu, - **Rhythm:** Slow and gentle, like a whisper under the moonlight, - **Effect:** Emphasizing poetry and loneliness, immersing the listener in the illusion of "a thousand-year laugh, "
4:50

"Quantum Tang Enchantment / Dark Electronic / Epic Chanting" + Ethereal Eastern Gothic Pop +
- **Classical Lyrical Style with Guzheng Strings + World Music, Local Music, Ambient Music +
Core Concept: This style aims to create a profound, mysterious, and deeply moving musical atmosphere, perfectly echoing the transcendent "neither human nor demon" in the poem, and the sense of destiny of "a thousand-year dream" and "unfinished love, " It blends the melancholy and elegance of Eastern classical music with the gloom and drama of Western Gothic music, presented using modern pop music arrangement techniques, - **Atmosphere:** Like the recitation of Tang and Song dynasty poetry, accompanied by the delicate timbres of the guzheng, pipa, and erhu, - **Rhythm:** Slow and gentle, like a whisper under the moonlight, - **Effect:** Emphasizing poetry and loneliness, immersing the listener in the illusion of "a thousand-year laugh, "
5:52

Key Features
Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet slightly melancholic, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Harmony: Employs minor key harmonies, even incorporating dissonant intervals to create a mysterious, somber, and grand atmosphere, Instruments: Introduces the sounds of the cello, double bass, organ, or synthesizer organ to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or moderate, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur
5:07

Key Features
Oriental Classical Foundation:
Melody: Based on the Chinese pentatonic or heptatonic scale, with a distinctly Eastern tonality, the melody is beautiful yet slightly melancholic, Instruments: Utilizes a rich array of traditional Chinese instruments, such as the guzheng, pipa, and dizi/xiao (to express the ethereal and distant feeling of "flower shadows" and "moonlit night"), and the erhu (to express the profound melancholy of "drunkenness" and "loneliness"), Gothic Drama & Atmosphere:
Harmony: Employs minor key harmonies, even incorporating dissonant intervals to create a mysterious, somber, and grand atmosphere, Instruments: Introduces the sounds of the cello, double bass, organ, or synthesizer organ to enhance the dramatic and epic feel, Percussion can be heavy and ritualistic, Temperature and Rhythm: The tempo can be slow or moderate, with significant rhythmic variations, especially in the chorus where it can build to a climax, creating an epic grandeur
4:44

Ethereal Oriental Gothic Pop - **Classical Lyrical Style with Guzheng and Strings + World, Indigenous, Ambient**
Core Concept: This style aims to create a profound, mysterious, and magnificently moving musical atmosphere, perfectly echoing the transcendent "neither demon nor human" in poetry, and the sense of destiny of "a thousand-year dream" and "unfinished love, " It blends the melancholy and elegance of Eastern classical music with the somber and dramatic nature of Western gothic music, presented using modern pop music arrangement techniques, - **Atmosphere:** Like the chanting of Tang and Song dynasty poems, with the delicate timbres of the guzheng, pipa, and erhu, - **Rhythm:** Slow, soft, like a whisper under the moonlight, - **Effect:** Emphasizing poetry and solitude, immersing the listener in the illusion of "a smile that lasts a thousand years, "




